Calie Liddle is the White Queen of Wonderland. As she struggles to set aside her hatred for the Realm that nearly destroyed her family, a young girl's disappearance takes Calie on a path of self-discovery and puts her face-to-face with the Wonderland's very own Dr. Frankenstein. While Calie fights to protect Wonderland's people, her daughter Violet and her bodyguard Dark Cheshire must face their pasts and confront the madness clamoring for their souls!
The inmates of this insane penitentiary fight for survival every day to provide entertainment for the masses, and terrifying secrets lurk in the shadows. Ganta is determined to survive Deadman Wonderland and clear his name, but the price may be his soul... -- VIZ Media
FOLLOW ELIZABETH DOWN THE RABBIT HOLE-AND MEET A WHOLE NEW ALICE. Elizabeth, a twenty-four-year-old interior designer living in Brooklyn, New York, encounters a little more than mental static when she sits down for her morning meditation, feeling disconnected from herself and her reality. As she meditates, she forces herself to confront her inner demons head on-including the darker parts that she would rather keep hidden from others, like her boyfriend, Adam. Her inner conflict leads her down a rabbit hole that is far different from the one she remembers from her favorite childhood story. When Elizabeth reaches the bottom of the rabbit hole, she follows a shadowy figure in a familiar blue dress who taunts her and coaxes her deeper into Wonderland. Unable to release herself from her meditation, Elizabeth chases Alice through Wonderland, guided by clues left by Alice, as well as the dark and strangely familiar characters she meets, like the Cheshire Cat, the Tweedle twins, and the Mad Hatter. In Wonderland, Elizabeth comes face to face with her inner light and darkness, and, finally, Alice-and discovers that Alice's secret might be what she has been searching for all along.
Shirley Jackson meets The Shining in this richly atmospheric and thrillingly tense novel from the acclaimed author of the "deliciously creepy" Baby Teeth (New York Post). One mother's love may be all that stands between her family, an enigmatic presence—and madness. After years of city life, Orla and Shaw Bennett are ready for the quiet of New York's Adirondack mountains—or at least, they think they are. Settling into the perfect farmhouse with their two children, they are both charmed and unsettled by the expanse of their land, the privacy of their individual bedrooms, and the isolation of life a mile from any neighbor. But none of the Bennetts could expect what lies waiting in the woods, where secrets run dark and deep. When something begins to call to the family—from under the earth, beneath the trees, and within their minds—Orla realizes she might be the only one who can save them . . . if she can find out what this force wants before it's too late. With an ending inescapable and deeply satisfying, Wonderland brilliantly blends horror and suspense to probe the boundaries of family, loyalty, love, and the natural world.
No other silent film director has been as extensively studied as D. W. Griffith. However, only a small group of his more than five hundred films has been the subject of a systematic analysis, and the vast majority of his other works still await proper examination. For the first time in film studies, the complete creative output of Griffith - from Professional Jealousy (1907) to The Struggle (1931) - will be explored in this multivolume collection of contributions from an international team of leading scholars in the field. Created as a companion to the ongoing retrospective held by the Pordenone Silent Film Festival, the Griffith Project is an indispensable guide to the work of a crucial figure in the arts of the nineteenth century. This volume covers the year 1913 and includes J. B. Kaufman's notes on the Griffith-supervised Liberty Belles and A Fair Rebel, as well as Griffith's first feature, Judith of Bethulia.
This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component – what might be called 'the literature of science' – and more overtly literary texts that deal with scientific matters.
It's a very special holiday in Wonderland--the one day a year when everyone can take a break from Alice. In celebration, the Queen of Hearts is throwing a grand bash, and everyone in Wonderland is invited! Everyone except Alice, that is. Outraged when the Hatter abandons him for the festivities amidst reassurances that absolutely no one is bold enough to break the rules and come after him, Alice knows well enough that he'll never be so lucky. But even Alice is surprised when, of all people, the Jack of Hearts attempts to abduct him!
An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters
