Women Coauthors

Women Coauthors

Author: Holly A. Laird

Publisher: University of Illinois Press

Published: 2000

Total Pages: 356

ISBN-13: 9780252025471

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Until recently, collaborative authorship has barely been considered by scholars; when it has, the focus has been on discovering who contributed what and who dominated whom in the relationship and in the writing. In Women Coauthors, Holly Laird reads coauthored texts as the realization of new kinds of relationship. Through close scrutiny of literary collaborations in which women writers have played central roles, Women Coauthors shows how partnerships in writing - between two women or between a woman and a man - provide a paradigm of literary creativity that complicates traditional views of both author and text and makes us revise old habits of thinking about writing. Focusing on the social dynamics of literary production, including the conversations that precede and surround collaborative writing, Women Coauthors treats its coauthored texts as representations as well as acts of collaboration. Holly A. Laird discusses a wide array of partial and full coauthorships to reveal how these texts blur or remap often uncanny boundaries of self, status, race, reason, and culture. that of the Delany sisters and Amy Hill Hearth on Having Our Say; lesbian couples whose lives and writings were intertwined, including Katherine Bradley and Edith Cooper (Michael Field) and Gertrude Stein and Alice B. Toklas; and the Native American wife-and-husband authors Louise Erdrich and Michael Dorris. Framed in time by the feminist and abolitionist movements of the mid-nineteenth century and the ongoing social struggles surrounding gender, race, and sexuality in the late twentieth century, the partnerships and texts observed in Women Coauthors explore collaboration as a path toward equity, both socioliterary and erotic. For the authors here who collaborate most fully with each other, two are much better than one.


Women on Fire

Women on Fire

Author: Debbie Phillips

Publisher:

Published: 2009-05-01

Total Pages: 215

ISBN-13: 9780982047781

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In this inspiring and illuminating collection, 20 accomplished women share the stories of their most hard-won battles. They have lived through adversity and come out on the other side, happier, healthier and infinitely stronger. Through their experiences, you'll find comfort, encouragement and tested strategies for coping with such universal challenges as surviving the death of a loved one, dealing with job loss or job burnout, recognizing your passion and turning it into profit, enduring a divorce, balancing the demands of a complex life, finding love, accomplishing long-sought-after goals, and much more. Debbie Phillips, founder of the Women on Fire[[ organization and a pioneer in the field of life and executive coaching, is dedicated to gathering women together in a shared quest for a dynamic and more fulfilling life. In these pages, she has assembled compelling true-life stories from women who reveal how they transformed life's setbacks and disappointments, even tragedy, into defining moments. Their wisdom and insights can help you to ignite your own fire to overcome obstacles.


Women Making Modernism

Women Making Modernism

Author: Erica Gene Delsandro

Publisher: University Press of Florida

Published: 2020-01-06

Total Pages: 248

ISBN-13: 0813057302

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Challenging the tendency of scholars to view women writers of the modernist era as isolated artists who competed with one another for critical and cultural acceptance, Women Making Modernism reveals the robust networks women created and maintained that served as platforms and support for women’s literary careers. The essays in this volume highlight both familiar and lesser-known writers including Virginia Woolf, Mina Loy, Dorothy Richardson, Emma Goldman, May Sinclair, and Mary Hutchinson. For these writers, relationships and correspondences with other women were key to navigating a literary culture that not only privileged male voices but also reserved most financial and educational opportunities for men. Their examples show how women’s writing communities interconnected to generate a current of energy, innovation, and ambition that was central to the modernist movement. Contributors to this volume argue that the movement’s prominent intellectual networks were dependent on the invisible work of women artists, a fact that the field of modernist studies has too long overlooked. Amplifying the reality of women’s contributions to modernism, this volume advocates for an “orientation of openness” in reading and teaching literature from the period, helping to ease the tensions between feminist and modernist studies.


Women's Literary Collaboration, Queerness, and Late-Victorian Culture

Women's Literary Collaboration, Queerness, and Late-Victorian Culture

Author: Jill R. Ehnenn

Publisher: Routledge

Published: 2017-05-15

Total Pages: 234

ISBN-13: 1351871242

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The first full-length study to focus exclusively on nineteenth-century British women while examining queer authorship and culture, Jill R. Ehnenn's book is a timely interrogation into the different histories and functions of women's literary partnerships. For Vernon Lee (Violet Paget) and 'Kit' Anstruther-Thomson; Somerville and Ross (Edith Somerville and Violet Martin); Elizabeth Robins and Florence Bell; and Katharine Bradley and Edith Cooper, the couple who wrote under the pseudonym of 'Michael Field', collaborative life and work functioned strategically, as sites of discursive resistance that critique Victorian culture in ways that would be characterized today as feminist, lesbian, and queer. Ehnenn's project shows that collaborative texts from such diverse genres as poetry, fiction, drama, the essay, and autobiography negotiate many limitations of post-Enlightenment patriarchy: Cartesian subjectivity and solitary creativity, industrial capitalism and alienated labor, and heterosexism. In so doing, these jointly authored texts employ a transgressive aesthetic and invoke the potentials of female spectatorship, refusals of representation, and the rewriting of history. Ehnenn's book will be a valuable resource for scholars and students of Victorian literature and culture, women's and gender studies, and collaborative writing.


Insurgent Women

Insurgent Women

Author: Jessica Trisko Darden

Publisher: Georgetown University Press

Published: 2019-03-01

Total Pages: 113

ISBN-13: 1626166668

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Why do women go to war? Despite the reality that female combatants exist the world over, we still know relatively little about who these women are, what motivates them to take up arms, how they are utilized by armed groups, and what happens to them when war ends. This book uses three case studies to explore variation in women’s participation in nonstate armed groups in a range of contemporary political and social contexts: the civil war in Ukraine, the conflicts involving Kurdish groups in the Middle East, and the civil war in Colombia. In particular, the authors examine three important aspects of women’s participation in armed groups: mobilization, participation in combat, and conflict cessation. In doing so, they shed light on women’s pathways into and out of nonstate armed groups. They also address the implications of women’s participation in these conflicts for policy, including postconflict programming. This is an accessible and timely work that will be a useful introduction to another side of contemporary conflict.


Becoming a Woman of Letters

Becoming a Woman of Letters

Author: Linda H. Peterson

Publisher: Princeton University Press

Published: 2009

Total Pages: 316

ISBN-13: 9780691140179

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'Becoming a Woman of Letters' examines the ways in which women negotiated the market realities of authorship & looks at the myths & models constructed by women writers to elevate their place in the profession during the 19th century.


Presumed Incompetent

Presumed Incompetent

Author: Gabriella Gutiérrez y Muhs

Publisher: University Press of Colorado

Published: 2012-05-21

Total Pages: 585

ISBN-13: 0874218705

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Presumed Incompetent is a pathbreaking account of the intersecting roles of race, gender, and class in the working lives of women faculty of color. Through personal narratives and qualitative empirical studies, more than 40 authors expose the daunting challenges faced by academic women of color as they navigate the often hostile terrain of higher education, including hiring, promotion, tenure, and relations with students, colleagues, and administrators. The narratives are filled with wit, wisdom, and concrete recommendations, and provide a window into the struggles of professional women in a racially stratified but increasingly multicultural America.


The Fin-de-siècle Poem

The Fin-de-siècle Poem

Author: Joseph Bristow

Publisher: Ohio University Press

Published: 2005

Total Pages: 385

ISBN-13: 0821416278

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Featuring innovative research by emergent and established scholars, The Fin-de-Siecle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that shows why literary historians have frequently underrated fin-de-siecle poetry, the collection explains how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter in turn provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of such legendary writers as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W.B. Yeats, whose careers have always been associated with the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siecle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations made in English poetry of the 1880s and 1890s and show how woman poets stood shoulder-to-shoulder with their better-known male contemporaries.Joseph Bristow is professor of English at the University of California, Los Angeles, where he edits the journal Nineteenth-Century Literature. His recent books include The Cambridge Companion to Victorian Poetry, Oscar Wilde: Contextual Conditions, and the variorum edition of Oscar Wilde's The Picture of Dorian Gray.


Thin Red Line, Volume 4

Thin Red Line, Volume 4

Author: Kimberly Sowell

Publisher: New Hope Publishers

Published: 2015-05-14

Total Pages: 117

ISBN-13: 1596699329

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Thin Red Line is a powerful, easy-to-use, four-volume study that engages participants to trace God’s plan of redemption through familiar and unfamiliar passages of Scripture. With God’s plan of redemption as the underlying theme of each lesson, always connecting the participant to the “thin red line,” each lesson draws out spiritual growth points related to a wide variety of topics. Written in a chronological storying format, this proven study increases biblical literacy. The in-depth, guided questions catalyze group discussions that lead to transformational application of God’s Word. This is a comprehensive, easy-to-use tool for small-group leaders. Intended to be used consecutively, volumes can also stand alone. For churches interested in a complete churchwide study, Thin Red Line was written to be used in conjunction with Group Publishing’s Route 52, so the entire family can study together each week.


The Matrimonial Trap

The Matrimonial Trap

Author: Laura E. Thomason

Publisher: Bucknell University Press

Published: 2013-12-05

Total Pages: 217

ISBN-13: 1611485274

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Mary Delany’s phrase “the matrimonial trap” illuminates the apprehension with which genteel women of the eighteenth century viewed marriage. These women were generally required to marry in order to secure their futures, yet hindered from freely choosing a husband. They faced marriage anxiously because they lacked the power either to avoid it or to define it for themselves. For some women, the written word became a means by which to exercise the power that they otherwise lacked. Through their writing, they made the inevitable acceptable while registering their dissatisfaction with their circumstances. Rhetoric, exercised both in public and in private, allowed these women to define their identities as individuals and as wives, to lay out and test the boundaries of more egalitarian spousal relationships, and to criticize the traditional marriage system as their culture had defined it.