In 1906 teenage bride Julia Tuell arrived at Lame Deer, Montana, on the Northern Cheyenne Indian Reservation with her schoolmaster husband. Seven years later the Tuells moved to the Rosebud Indian Reservation in South Dakota, and lived among the Sioux (pr
Used by Kevin Costner as a resource while making the film Dances with Wolves, this classic text is avidly sought after by anyone with an interest in Native American history and the West. A highly readable text combines with more than 1,000 illustrations to create a fascinating evocation of the life and times of an industrious, sensitive, and contented people. 32 color plates. 80 photos. 15 maps. 15 charts.
The Apsáalooke people, also known as the Crow, are noted for their bravery and artistry, twin pillars of a centuries-old culture rooted in the landscape of the Northern Plains. This book, published in conjunction with a multi-site exhibition jointly organized by the Field Museum and the Neubauer Collegium at the University of Chicago, offers a rich narrative of the Apsáalooke paste with a keen eye on issues that concern present-day Apsáalooke identity. Apsáalooke Women and Warriors features contributions by contemporary Apsáalooke artists, intellectuals, and writers. Together, they constitute a major statement on the cosmologies, iconographies, and lifeways of the Apsáalooke people past, present--and, above all--future.
Ledger art has traditionally been created by men to recount the lives of male warriors on the Plains. During the past forty years, this form has been adopted by Native female artists, who are turning previously untold stories of women’s lifestyles and achievements into ledger-style pictures. While there has been a resurgence of interest in ledger art, little has been written about these women ledger artists. Women and Ledger Art calls attention to the extraordinary achievements of these strong women who have chosen to express themselves through ledger art. Author Richard Pearce foregrounds these contributions by focusing on four contemporary women ledger artists: Sharron Ahtone Harjo (Kiowa), Colleen Cutschall (Oglala Lakota), Linda Haukaas (Sicangu Lakota), and Dolores Purdy Corcoran (Caddo). Pearce spent six years in continual communication with the women, learning about their work and their lives. Women and Ledger Art examines the artists and explains how they expanded Plains Indian history. With 46 stunning images of works in various mediums—from traditional forms on recovered ledger pages to simulated quillwork and sculpture, Women in Ledger Art reflects the new life these women have brought to an important transcultural form of expression.
Brave Hearts: Indian Women of the Plains tells the story of Plains Indian women through a series of fascinating vignettes. They are a remarkable group of women – some famous, some obscure. Some were hunters, some were warriors and, in a rare case, one was a chief; some lived extraordinary lives, while others lived more quietly in their lodges. Some were born into traditional families and knew their place in society while others were bi-racial who struggled to find their place in a world conflicted between Indian and white. Some never knew anything but the old, nomadic way of life while others lived-on to suffer through the reservation years. Others were born on the reservation but did their best in difficult times to keep to the old ways. Some never left the reservation while others ventured out into the larger world. All, in their own way, were Plains Indian women.
For thousands of years, Plains Indians and their ancestors have occupied the vast region that stretches from the Mississippi river to the Rocky Mountains and from the Canadian plains to the Gulf of Mexico. Today, peoples such as the Blackfoot and Sioux still live in groups bound by language and shared rituals. From about 1800, one of the most important units beyond the extended family was the 'warrior society' - a social, political and ritual group that engaged in warfare and organised ceremonial life. The societies played a prominent role in battles, offering members the opportunity to gain honours through individual acts of bravery such stealing horses, capturing women, and taking scalps during war raids. These societies, however, have a rich ritual life that was marked by a strong sense of spirituality. In their ceremonies society members made use of objects such as pipes, rattles, and headdresses, as these were significant to their shared ideas of ritual and honour. Through a selection of unique objects from the British Museum's collection, this beautifully illustrated little book explores the world of the warriors of the North American Plains. Here are exceptional examples of feather headdresses, shields, moccasins, painted hides, scalps, pipes, tomahawks, and traditional and contemporary costumes. Many of these items may seem initially familiar from popular culture, but their deeper ritual significance is revealed by the author. A perennially popular subject, this book will appeal to young and old alike.
Hiding in Plain Sight: Women Warriors throughout Time and Space takes the many, long-standing dimensions of military history, including the various modalities of warfare across cultures and periods, and integrates them with the more recent and very substantial contributions of social history, women’s history, black history, feminist theory, LGBTQ community, and other perspectives. By providing an extensive annotated bibliography of the new findings, the work provides the reader with an exciting compilation of new knowledge placed within a longstanding military historical framework, one which provides a broader study and understanding of warfare into which to put the very recent, disparate findings culled from many disciplines. The book reaffirms that women have long been deeply embedded in the practice of warfare, not simply as victims or minor curiosities, but as important actors—tactically, strategically, in combat, and directing warfare from afar—just as their male counterparts. The concomitant amalgam also shows that certain types and patterns of warfare such as the defense of castles and fortresses, commanding a ship or a fleet, revolutionary warfare, and today’s drone and cyber-forms of warfare have been more conducive to female activity than other forms of warfare, even as women are also present in a wider variety of other broader temporal and geographical dimensions of the history of warfare. Hiding in Plain Sight is the only extensive annotated bibliography currently available which provides such a holistic overview of recent scholarship by grounding that scholarship in the existing military canon and history.
The horse culture of the tribes of the High Plains of North America lasted only some 170 years; yet in that time the sub-tribes of the Teton or Western Sioux people imprinted a vivid image on the world's imagination by their fearless but doomed fight to protect their hunting grounds from the inevitable spread of the white man. This text outlines the history, social organization, religion and material culture of the Santee, Yankton and Teton Sioux; rare early photographs include portraits of many of the great war chiefs and warriors of the Plains Indian Wars, and eight detailed plates record details of Sioux traditional costume.