Author: Vicente Blasco Ibanez

Publisher:

Published: 2015-07-14

Total Pages: 336

ISBN-13: 9781331405719

Excerpt from Woman Triumphant: La Maja Desnuda The title of this novel in the original, La maja desnuda, "The Nude Maja," is also the name of one of the most famous pictures of the great Spanish painter Francisco Goya. The word maja has no exact equivalent in English or in any of the modern languages. Literally, it means "bedecked," "showy," "gaudily attired," "flashy," "dazzling," etc., and it was applied at the end of the eighteenth century and at the beginning of the nineteenth to a certain class of gay women of the lower strata of Madrid society notorious for their love of dancing and their fondness for exhibiting themselves conspicuously at bull-fights and all popular celebrations. The great ladies of the aristocracy affected the free ways and imitated the picturesque dress of the maja; Goya made this type the central figure of many of his genre paintings, and the dramatist Ramon de la Cruz based most of his sainetes - farcical pieces in one act - upon the customs and rivalries of these women. The dress invented by the maja, consisting of a short skirt partly covered by a net with berry-shaped tassels, white mantilla and high shell-comb, is considered all over the world as the national costume of Spanish women. When the novel first appeared in Spain some years ago, a certain part of the Madrid public, unduly evil-minded, thought that it had discovered the identity of the real persons whom I had taken as models to draw my characters. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.