They all said she snapped, and that something in her brain finally went primal. She said it was self-defense. Her therapist said she should get away from all the things that haunted her from her past. She never suspected by doing so, she would run upon something much more terrifying than her nightmares. Something that stalks you in the night. Something that moves with the soundless speed of the wind. Something that has a taste for mankind. For humans. Something that will stop at nothing until it gets what it wants. Never speak its name, for that is like calling it directly to you. It prowls the darkness of the night looking for its next meal. It will never stop. It never gets tired. It never gets full. It has no boundaries.
Despite becoming increasingly politically and economically dominated by Canadian society, the Crees succeeded in staving off cultural subjugation. They were able to face the massive hydroelectric development of the 1970s with their language, practices, and values intact and succeeded in negotiating a modern treaty."--BOOK JACKET.
The most comprehensive compilation of ethnography of the Western Cree. 374 pages. Tribal/Band Structure, membership, burial practices, marriagepatterns, warfare, tipis, cosmology/spirits, naming practices, dress, bows, disease, mortality & starvation, transportation, etc.
Provides a view of the late Stifter as a forerunner of twentieth-century modernism.Adalbert Stifter has always been viewed as a natural heir to the Great Classical tradition, even by those critics who detect disturbing subtexts in his fiction. But he should be viewed quite differently: however well disguised, heis in truth a closet modernist, and a major trailblazer for Kafka and the Absurd. This is most evident in his late fiction, which has been almost universally ignored, dismissed or disparaged by his critics. His last novel Witiko in particular has been conspicuously neglected by both nineteenth- and twentieth-century critics. Ragg-Kirkby demonstrates -- largely by way of close reading -- that this is Stifter's extreme masterpiece. Beneath the surface of Biedermeier stuffiness is a vision of fracture, emptiness, meaninglessness, and mania not only more radical than that of any other 19th-century author, but arguably more radical than that of any 20th-century author, precisely because there is such a disjuncture between text and sub-text. In his final novel, Stifter simply leaves the future behind. Helena Ragg-Kirkby is a lecturer in German at the University of Sheffield.uncture between text and sub-text. In his final novel, Stifter simply leaves the future behind. Helena Ragg-Kirkby is a lecturer in German at the University of Sheffield.uncture between text and sub-text. In his final novel, Stifter simply leaves the future behind. Helena Ragg-Kirkby is a lecturer in German at the University of Sheffield.uncture between text and sub-text. In his final novel, Stifter simply leaves the future behind. Helena Ragg-Kirkby is a lecturer in German at the University of Sheffield.
Geohistoricism examines two mid-nineteenth century thinkers – the Austrian writer Adalbert Stifter and the French architect Eugène E. Viollet-le-Duc – who imagined cultural history on the model of earth history: as a history of objects to be restored and worlds to be reconstructed. The nascent field of geology shaped cultural thought; their conservationism, informed by erosion, envisions a future of restorative renewal.
