Her Prayer Was Simple: "Dear God, Let Me Die!" But Cordelia Channing -- preacher's wife, preacher's widow -- lived and was born anew as Winter Woman, a woman of power who'd survived the deadliest season in the mountains alone . She knew she could never do it again. Though perhaps there was no need, for Providence had sent her Thomas Nash, an enigmatic Mountain Man who stirred the deep places of her questing soul. Nash had come west to lose himself, to rail at the fates that seemed ready to destroy his life at every turn. But somehow those same fates now saw fit to put Delia in his care. And though he was fighting it at every turn, Delia was transforming his life in ways he'd thought forever lost!
“A marital thriller more scary than Gone Girl." —The Washington Post A scathing and exhilarating thriller that begins with a husband's obsession with the seemingly vacant house next door. It's wintertime in the Hamptons, where Scott and his wife, Elise, have come to be with her terminally ill father, Victor, to await the inevitable. As weeks turn to months, their daily routine—Elise at the hospital with her father, Scott pretending to work and drinking Victor's booze—only highlights their growing resentment and dissatisfaction with the usual litany of unhappy marriages: work, love, passion, each other. But then Scott notices something simple, even innocuous. Every night at precisely eleven, the lights in the neighbor's bedroom turn off. It's clearly a timer . . .but in the dead of winter with no one else around, there's something about that light he can't let go of. So one day while Elise is at the hospital, he breaks in. And he feels a jolt of excitement he hasn't felt in a long time. Soon, it's not hard to enlist his wife as a partner in crime and see if they can't restart the passion. Their one simple transgression quickly sends husband and wife down a deliriously wicked spiral of bad decisions, infidelities, escalating violence, and absolutely shocking revelations. Matt Marinovich makes a strong statement with this novel. The Winter Girl is the psychological thriller done to absolute perfection.
A teenage girl treks across a dangerous, frozen nation to reunite with her family in this Philip K. Dick Award–winning apocalyptic thriller. Wylodine comes from a world of paranoia and poverty. Her family grows marijuana illegally in order to survive. But now she’s been left behind in Ohio to tend the crop alone. Then spring doesn’t return for the second year in a row, bringing unprecedented, extreme winter. With grow lights stashed in her truck and a pouch of precious seeds, Wil begins a journey to join her family in California. But the icy roads and strangers hidden in the hills are treacherous. Gathering a small group of exiles on her way, she becomes the target of a volatime cult leader. Because she has the most valuable skill in the climate chaos: she can make things grow. Road Out of Winter offers a glimpse into an all-too-possible near future, with a chosen family forged in the face of dystopian collapse. Alison Stine’s acclaimed debut “blends a rural thriller and speculative realism into what could be called dystopian noir” (Library Journal, starred review).
After waking up from their long sleep, Old Man and Old Woman Winter cook up a beautiful first snowfall to start the season. Includes winter facts and suggested activities.
Here's the newest twist on the familiar tale of There Was an Old Lady Who Swallowed A Fly.There was a cold lady who swallowed some snow.I don't know why she swallowed some snow.Perhaps you know.This time, the old lady is swallowing everything from snow to a pipe, some coal, a hat, and more! With rollicking, rhyming text and funny illustrations, this lively version will appeal to young readers with every turn of the page. And this time, there's a surprise at the end no reader will be able to guess!
Can a woman ever really know herself if she doesn't know her mother? From the author of the smash-hit bestseller Firefly Lane and True Colors comes Kristin Hannah's powerful, heartbreaking novel that illuminates the intricate mother-daughter bond and explores the enduring links between the present and the past. Meredith and Nina Whitson are as different as sisters can be. One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya's life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother's life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are.
Iréne gives the wealthy businessmen what they want, diving headfirst into the filthy river, thinking only of providing for her baby daughter, Marisa, as the men salivate over her soaked body emerging onto the bank. A young boy tries to befriend the reticent younger sister of the town's cruelest bully, only to discover the family betrayal behind her quiet countenance. Josefa, a young bride, is executed for murdering the man who raped her. Joy Castro's How Winter Began traces these and other characters as they seek compassion from each other and themselves. Thematically linked by the lives of women, especially Latinas, and their experiences of poverty and violence in a white-dominated, wealth-obsessed culture, How Winter Began is a delicately wrought collection of stories. The question at the heart of this riveting book is how or whether to trust one another after the rupture of betrayal.
When she started working with the aged more than forty years ago, Ann Burack-Weiss began storing the knowledge and skills she thought would help when she got old herself. It was not until she hit her mid-seventies that she realized she had packed sneakers to climb Mount Everest, not anticipating the crevices and chasms that constitute the rocky terrain of old age. The professional gerontological and social work literature offered little help, so she turned to the late-life works of beloved women authors who had bravely climbed the mountain and sent back news from the summit. Maya Angelou, Colette, Simone de Beauvoir, Joan Didion, Marguerite Duras, M. F. K. Fisher, Doris Lessing, Mary Oliver, Adrienne Rich, May Sarton, and Florida Scott-Maxwell were among the many guides she turned to for inspiration. In The Lioness in Winter, Burack-Weiss blends an analysis of key writings from these and other famed women authors with her own wisdom to create an essential companion for older women and those who care for them. She fearlessly examines issues such as living with loss, finding comfort and joy in unexpected places, and facing disability and death. This book is filled with powerful passages from women who turned their experiences of aging into art, and Burack-Weiss ties their words to her own struggles and epiphanies, framing their collective observations with key insights from social work practice.
“[With] murderous plots, shady Parisian undersides, upper-class dealings. . . . this novel is rich in historical detail and robust with personality.” —Kirkus Reviews, starred review Maud Heighton came to Lafond’s famous Academie to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris, she quickly realizes, is no place for a light purse. While her fellow students enjoy the dazzling decadence of the Belle Epoque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, she stumbles upon an opportunity when Christian Morel engages her as a live-in companion to his beautiful young sister, Sylvie. Maud is overjoyed by her good fortune. With a clean room, hot meals, and an umbrella to keep her dry, she is able to hold her head high as she strolls the streets of Montmartre. No longer hostage to poverty and hunger, Maud can at last devote herself to her art. But all is not as it seems. Christian and Sylvie, Maud soon discovers, are not quite the darlings they pretend to be. Sylvie has a secret addiction to opium and Christian has an ominous air of intrigue. As this dark and powerful tale progresses, Maud is drawn further into the Morels’ world of elegant deception. Their secrets become hers, and soon she is caught in a scheme of betrayal and revenge that will plunge her into the darkness that waits beneath this glittering city of light. “Dramatic and teeming with intrigue, The Paris Winter is a richly detailed historical novel that both thrills and satisfies.” —Shelf Awareness
A moving and extraordinary book about courage and survival, friendship and endurance – a portrait of ordinary women who faced the horror of the holocaust together. On an icy morning in Paris in January 1943, a group of 230 French women resisters were rounded up from the Gestapo detention camps and sent on a train to Auschwitz – the only train, in the four years of German occupation, to take women of the resistance to a death camp. Of the group, only 49 survivors would return to France. Here is the story of these women – told for the first time. A Train in Winter is a portrait of ordinary people, of their bravery and endurance, and of the friendships that kept so many of them alive. ‘A story of stunning courage, generosity and hope’ Mail on Sunday ‘Serious and heartfelt...profound’ Sunday Times
