Wings over Jordan

Wings over Jordan

Author: Sam Barber

Publisher: Xlibris Corporation

Published: 2022-05-08

Total Pages: 47

ISBN-13: 1669824543

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The information about the book is not available as of this time.


Encyclopedia of American Gospel Music

Encyclopedia of American Gospel Music

Author: W. K. McNeil

Publisher: Routledge

Published: 2013-10-18

Total Pages: 520

ISBN-13: 1135377073

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The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends.


The Golden Age of Gospel

The Golden Age of Gospel

Author: Horace Clarence Boyer

Publisher: University of Illinois Press

Published: 2000

Total Pages: 288

ISBN-13: 9780252068775

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Presents the history of gospel music in the United States. This book traces the development of gospel from its earliest beginnings through the Golden Age (1945-55) and into the 1960s when gospel entered the concert hall. It introduces dozens of the genre's gifted contributors, from Thomas A Dorsey and Mahalia Jackson to the Soul Stirrers.


Dream Dancers: E Pluribus Unum— The Battle for American Equality 1924–1947

Dream Dancers: E Pluribus Unum— The Battle for American Equality 1924–1947

Author: Spencer Jourdain

Publisher: Lulu.com

Published: 2016

Total Pages: 408

ISBN-13: 1946717045

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In writing (vol. 2), Journey to the Promised Land, Jourdain discovered that, like oral histories and stories, the black Negro spirituals, country blues, and worksongs sung by Tommy McLennon, Blind Willie McTell, Misssippi John Hurt, Huddie Ledbetter and others, lent much deeper understanding of the history-changing post/Civil War era.


Stealing the Show

Stealing the Show

Author: Miriam J. Petty

Publisher: Univ of California Press

Published: 2016-03-08

Total Pages: 316

ISBN-13: 0520279778

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Stealing the Show is a study of African American actors in Hollywood during the 1930s, a decade that saw the consolidation of stardom as a potent cultural and industrial force. Petty focuses on five performers whose Hollywood film careers flourished during this period—Louise Beavers, Fredi Washington, Lincoln “Stepin Fetchit” Perry, Bill “Bojangles” Robinson, and Hattie McDaniel—to reveal the “problematic stardom” and the enduring, interdependent patterns of performance and spectatorship for performers and audiences of color. She maps how these actors—though regularly cast in stereotyped and marginalized roles—employed various strategies of cinematic and extracinematic performance to negotiate their complex positions in Hollywood and to ultimately “steal the show.” Drawing on a variety of source materials, Petty explores these stars’ reception among Black audiences and theorizes African American viewership in the early twentieth century. Her book is an important and welcome contribution to the literature on the movies.