William Morris and his Palace of Art

William Morris and his Palace of Art

Author: Tessa Wild

Publisher: Philip Wilson Publishers

Published: 2018-11-30

Total Pages: 272

ISBN-13: 9781781300558

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William Morris and his Palace of Art is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of ‘how best to live? Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860–5, it was a place of halcyon days – happy family life, loyal friendship, good humoured competition, and the jovial campaign of decorating; furnishing the house and designing the garden. Drawing on a wealth of new physical evidence, this book argues that Red House constitutes an ambitious and critical chapter in his design history. It will re-consider the inspiration it provided for the founding of ‘the Firm’ of Morris, Marshall, Faulkner & Co. (later Morris & Co.), in 1861, and the vital collaboration of Webb, Burne-Jones, Rossetti and their intimate circle in realising Morris’s dream for his house.


William Morris & Red House

William Morris & Red House

Author: Jan Marsh

Publisher: National Trust Books

Published: 2005-11-11

Total Pages: 172

ISBN-13: 9781905400010

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Red House occupies an extraordinary place in British architectural history. It was the first and only house that William Morris ever built. It was the first independent architectural commission from his friend, Philip Webb. The challenge of furnishing the house inspired Morris to found the design firm of Morris & Co. It had a great influence on the Arts & Crafts Movement. But it is also a house that captured William Morris's heart. He was only twenty-five when, in 1858 he decided to buy the site at Bexleyheath, just outside London, but in a rural Kentish setting. He had recently married Jane Burden, daughter of an Oxford ostler, whose particular beauty became inspiration for so much pre-Raphaelite art. With his young wife and his wealth he planned to produce a vision of earthly paradise at Red House. Rosetti described it as 'more a poem than a house', Morris called it 'our place of art', and when he was obliged to give it up for financial reasons in 1865, he resolved never to return. His biographer recorded that he could 'never set eyes on it again, confessing that the sight of it would be more than he could bear'. Red House was saved from an uncertain future in January 2003 by the National Trust, and has already opened its doors. Visitors will be able to see some of the original furnishings but many are now at Kelmscott Manor, the William Morris Gallery in Walthamstow, the Victoria & Albert Museum and other locations. This book, however, will provide both the story of Red House and a 'virtual tour' to enable the reader to see how the house looked and functioned when William Morris, his family and friends lived there.


Victorian Radicals

Victorian Radicals

Author: Martin Ellis

Publisher:

Published: 2018-10-11

Total Pages: 280

ISBN-13: 9781885444479

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Drawn from Birmingham Museums Trust's incomparable collection of Victorian art and design, this exhibition will explore how three generations of young, rebellious artists and designers, such as Edward Burne-Jones, John Everett Millais, and Dante Gabriel Rossetti, revolutionized the visual arts in Britain, engaging with and challenging the new industrial world around them.


The Cambridge Companion to William Morris

The Cambridge Companion to William Morris

Author: Marcus Waithe

Publisher: Cambridge University Press

Published: 2024-04-30

Total Pages: 359

ISBN-13: 1108832172

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A vibrant gathering of influential voices who have participated in the critical, political, and curatorial revival of William Morris's work.


The Great Exhibition of 1851

The Great Exhibition of 1851

Author: Louise Purbrick

Publisher: Manchester University Press

Published: 2001

Total Pages: 236

ISBN-13: 9780719055928

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These essays expose how meaning has been produced around the Great Exhibition. It contains readings of the historical record of the exhibition, exploring the use of industrial knowledge & the contested definitions of nation & colony.


Democratising Beauty in Nineteenth-Century Britain

Democratising Beauty in Nineteenth-Century Britain

Author: Lucy Hartley

Publisher: Cambridge University Press

Published: 2017-08-03

Total Pages: 317

ISBN-13: 1107184088

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This book examines nineteenth-century interests in beauty, and considers whether these aesthetic pursuits were necessary to British public life.


The Faerie Handbook

The Faerie Handbook

Author: Carolyn Turgeon

Publisher: HarperCollins

Published: 2017-11-21

Total Pages: 398

ISBN-13: 0062668129

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This exquisite anthology welcomes you into an enchanted realm rich with myth, mystery, romance, and abounding natural beauty. Gorgeous fine art and photographs, literature, essays, do-it-yourself projects, and recipes provide hours of reading, viewing, and dreaming pleasure along with a multitude of ideas for modern-day living and entertaining with a distrinctive fairy touch.


Peacock and Vine

Peacock and Vine

Author: A S Byatt

Publisher: Random House

Published: 2016-07-07

Total Pages: 194

ISBN-13: 1473524938

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This ravishing book opens a window onto the lives, designs, and passions of two charismatic artists. Born a generation apart, they were seeming opposites: Mariano Fortuny, a Spanish aristocrat thrilled by the sun-baked cultures of Crete and Knossos; William Morris, a British craftsman, in thrall to the myths of the North. Yet through their revolutionary inventions and textiles, both men inspired a new variety of art, as vibrant today as when it was first conceived. Acclaimed writer A.S. Byatt traces their genius right to the source. The Palazzo Pesaro Orfei in Venice is a warren of dark spaces leading to a workshop where Fortuny created his designs for pleated silks and shining velvets. Here he worked alongside the French model who became his wife and collaborator, including on the ‘Delphos’ dress – a flowing gown evoking classical Greece. Morris’s Red House, outside London, with its Gothic turrets and secret gardens, helped inspire his stunning floral and geometric patterns; it also represented a coming together of life and art. But it was Kelmscott Manor in the English countryside that he loved best – even when it became the setting for his wife’s love affair with Dante Gabriel Rossetti. Generously illustrated with the artists’ beautiful designs – pomegranates and acanthus, peacock and vine – A.S. Byatt brings the visions and ideas of Fortuny and Morris dazzlingly to life.