Metamimesis

Metamimesis

Author: Mattias Pirholt

Publisher: Camden House

Published: 2012

Total Pages: 234

ISBN-13: 1571135340

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Reconsiders the role played by mimesis - and by Goethe's Wilhelm Meister as a mimetic work - in the novels of Early German Romanticism. Mimesis, or the imitation of nature, is one of the most important concepts in eighteenth-century German literary aesthetics. As the century progressed, classical mimeticism came increasingly under attack, though it also held its position in the works of Goethe, Schiller, and Moritz. Much recent scholarship construes Early German Romanticism's refutation of mimeticism as its single distinguishing trait: the Romantics' conception of art as the very negationof the ideal of imitation. In this view, the Romantics saw art as production (poiesis): imaginative, musical, transcendent. Mattias Pirholt's book not only problematizes this view of Romanticism, but also shows that reflections on mimesis are foundational for the German Romantic novel, as is Goethe's great pre-Romantic novel Wilhelm Meister's Apprenticeship. Among the novels examined are Friedrich Schlegel's Lucinde, shown to be transgressive in its use of the aesthetics of imitation; Novalis's Heinrich von Ofterdingen, interpreted as an attempt to construct the novel as a self-imitating world; and Clemens Brentano's Godwi, seen to signal the endof Early Romanticism, both fulfilling and ironically deconstructing the self-reflective mimeticism of the novels that came before it. Mattias Pirholt is a Research Fellow in the Department of Literature at Uppsala University, Sweden.


The Essential Goethe

The Essential Goethe

Author: Johann Wolfgang von Goethe

Publisher: Princeton University Press

Published: 2018-06-12

Total Pages: 1051

ISBN-13: 0691181047

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First published by Wordsworth Editions 1999 and 2007. First published by Princeton University Press in 2016.


Conversations of German Refugees ; Wilhelm Meister's Journeyman Years, Or, The Renunciants

Conversations of German Refugees ; Wilhelm Meister's Journeyman Years, Or, The Renunciants

Author: Johann Wolfgang von Goethe

Publisher: Princeton University Press

Published: 1995-11-05

Total Pages: 460

ISBN-13: 9780691043456

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Goethe was a master of the short prose form. His two narrative cycles, Conversations of German Refugees and Wilhelm Meister's Journeyman Years, both written during a high point of his career, address various social issues and reveal his experimentation with narrative and perspective. A traditional cycle of novellas, Conversations of German Refugees deals with the impact and significance of the French Revolution and suggests Goethe's ideas on the social function of his art. Goethe's last novel, Wilhelm Meister's Journeyman Years, is a sequel to Wilhelm Meister's Apprenticeship and to Conversations of German Refugees and is considered to be his most remarkable novel in form.


The German Tradition of Self-Cultivation

The German Tradition of Self-Cultivation

Author: W. H. Bruford

Publisher: Cambridge University Press

Published: 1975-03-20

Total Pages: 306

ISBN-13: 0521204828

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Professor Bruford shows how the ideal of self-cultivation entered into the thought of a number of highly individual German philosophers, theologians, poets and novelists.


Formative Fictions

Formative Fictions

Author: Tobias Boes

Publisher: Cornell University Press

Published: 2012-11-15

Total Pages: 215

ISBN-13: 0801465214

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The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature. Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls "cosmopolitan remainders," identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation. In Formative Fictions, Boes presents readings of a number of novels—Goethe's Wilhelm Meister's Apprenticeship, Karl Leberecht Immermann's The Epigones, Gustav Freytag's Debit and Credit, Alfred Döblin's Berlin Alexanderplatz, and Thomas Mann's Doctor Faustus among them—that have always been felt to be particularly "German" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature.


Goethe

Goethe

Author: Peter Boerner

Publisher: Haus Publishing

Published: 2005

Total Pages: 182

ISBN-13: 9781904341642

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Johann Wolfgang von Goethe was an exceptionally prolific and versatile writer. From his 'Storm and Stress' Gotz von Berlichingen to Faust, which evolved over a sixty-year period and in which he created the prototype of the Romantic hero.


Goethe: Life as a Work of Art

Goethe: Life as a Work of Art

Author: Rüdiger Safranski

Publisher: Liveright Publishing

Published: 2017-05-16

Total Pages: 405

ISBN-13: 0871404915

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A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.