Day of the Artist
Day of the Artist

Author: Linda Patricia Cleary

Publisher:

Published: 2015-07-14

Total Pages:

ISBN-13: 9781320549431

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One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Art of Latin America
Art of Latin America

Author: Marta Traba

Publisher: Inter-American Development Bank

Published: 1994-01-01

Total Pages: 197

ISBN-13: 0940602733

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Marta Traba, one of Latin America's most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art.

Contemporary Caribbean Cultures and Societies in a Global Context
Contemporary Caribbean Cultures and Societies in a Global Context

Author: Franklin W. Knight

Publisher: Univ of North Carolina Press

Published: 2006-05-18

Total Pages: 312

ISBN-13: 0807876909

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The Caribbean ranks among the earliest and most completely globalized regions in the world. From the first moment Europeans set foot on the islands to the present, products, people, and ideas have made their way back and forth between the region and other parts of the globe with unequal but inexorable force. An inventory of some of these unprecedented multidirectional exchanges, this volume provides a measure of, as well as a model for, new scholarship on globalization in the region. Ten essays by leading scholars in the field of Caribbean studies identify and illuminate important social and cultural aspects of the region as it seeks to maintain its own identity against the unrelenting pressures of globalization. These essays examine cultural phenomena in their creolized forms--from sports and religion to music and drink--as well as the Caribbean manifestations of more universal trends--from racial inequality and feminist activism to indebtedness and economic uncertainty. Throughout, the volume points to the contending forces of homogeneity and differentiation that define globalization and highlights the growing agency of the Caribbean peoples in the modern world. Contributors: Antonio Benitez-Rojo (1931-2004) Alex Dupuy, Wesleyan University Juan Flores, City University of New York Graduate Center Jorge L. Giovannetti, University of Puerto Rico Aline Helg, University of Geneva Franklin W. Knight, The Johns Hopkins University Anthony P. Maingot, Florida International University Teresita Martinez-Vergne, Macalester College Helen McBain, Economic Commission for Latin America & the Caribbean, Trinidad Frances Negron-Muntaner, Columbia University Valentina Peguero, University of Wisconsin-Stevens Point Raquel Romberg, Temple University

In Senghor's Shadow
In Senghor's Shadow

Author: Elizabeth Harney

Publisher: Duke University Press

Published: 2004-11-23

Total Pages: 361

ISBN-13: 0822386054

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In Senghor’s Shadow is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal’s first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegis—known as the Ecole de Dakar—Harney reconsiders Senghor’s Negritude philosophy, his desire to express Senegal’s postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists. Heavily illustrated with nearly one hundred images, including some in color, In Senghor’s Shadow surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups—from those who worked at the height of Senghor’s patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor’s legacy and the broader art world’s understandings of cultural syncretism. Ultimately, Harney’s work illuminates the production and reception of modern Senegalese art within the global arena.

Transmodern
Transmodern

Author: Christian Kravagna

Publisher: Manchester University Press

Published: 2022-10-11

Total Pages: 291

ISBN-13: 1526160358

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How can we reconfigure our picture of modern art after the postcolonial turn without simply adding regional art histories to the Eurocentric canon? Transmodern examines the global dimension of modern art by tracing the crossroads of different modernisms in Asia, Europe and the Americas. Featuring case studies in Indian modernism, the Harlem Renaissance and post-war abstraction, it demonstrates the significance of transcultural contacts between artists from both sides of the colonial divide. The book argues for the need to study non-western avant-gardes and Black avant-gardes within the west as transmodern counter-currents to mainstream modernism. It situates transcultural art practices from the 1920s to the 1960s within the framework of anti-colonial movements and in relation to contemporary transcultural thinking that challenged colonial concepts of race and culture with notions of syncretism and hybridity.

Wifredo Lam
Wifredo Lam

Author: Catherine David

Publisher: Tate

Published: 2016-12-06

Total Pages: 244

ISBN-13:

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"Wilfredo Lam (1902-1982) is one of the most important figures of global modernism. Travelling widely over a long career, he became friendly with many of the twentieth century's most significant artists and writers, including Pablo Picasso, André Breton and Aimé Césaire. Born in Cuba, Lam studied in Spain in the 1920s and was swept up in the Spanish Civil War. In France he encountered Picasso and surrealism, before returning to Cuba in 1941. It was there that he developed his characteristic images that suggested the secret religious powers of the descendants of slavery. With its potential to overturn the relationships between European and Caribbean culture, Lam's remarkable pictorial language has resonated on both sides of the Atlantic for more than sixty years. Dazzlingly illustrated whit over 300 works, including paintings, drawings and photographs, this beautiful book serves to introduce newcomers to Lam, as well as deepen the understanding of those already familiar with his work"--Back cover.