An indispensable guide to learning about things that go bump in the night and are forever sucking your blood in the wilderness. Easily carried in a knapsack or coat pocket, "Up North" provides fascinating facts about the flora, fauna and other natural phenomena readers are likely to encounter outdoors in Ontario. Illustrations. color photos.
Comprehensive synthesis of information organized under six main areas: the setting, legal basis for wilderness, management concepts and direction, important elements for management, wilderness use and its management, and problems and opportunities, all as they relate to the North American, principally U.S., scene.
"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montreal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trepanier (Quebec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).
Filled with photographs, both historic and contemporary, this engaging book looks at the industrial pioneers of northwestern Ontario, and the activities which brought them to the wilderness: surveying, railroading, lumber, gold, bush piloting, transportation, and hydro power. Rasky lets the pioneers tell their own story, through their own reminiscences, and by the monuments they have left behind. Published with the assistance of the Ontario Ministry of Citizenship and Culture, and the Ontario Ministry of Northern Affairs.
Accidental Wilderness showcases how the removal of city rubble and its displacement can result in new urban parklands with significant ecological importance for the health of the city and its residents.
With more than three quarters of Canada's forests under provincial control, provincial forest policies are crucial for encouraging the sustainable management of the nation's forests. Forest tenures, which allow private companies to manage public forest resources, are the key policy tool that provinces use to balance the requirements of sustainable management with the economic concerns of the forest industry. By offering an up-to-date comparative examination of contemporary provincial forestry policies, this book provides forest managers, policy-makers, scholars, and students with the information and concepts to critically examine Canada’s complex forest tenure systems. The authors look at tenure, stumpage fees, and other forest practices to assess how well different provincial schemes achieve the goals of sustainable forest management. They identify a number of essential policy attributes that could be used to guide tenure reform, consider potential barriers that could prevent meaningful change, and offer much-needed practical guidance on overcoming these obstacles.
The Culture of Hunting in Canada covers elements of the history of hunting from the pre-colonial period until the present in all parts of Canada and features essays by practitioners and scholars of hunting and by pro- and anti-hunting lobbyists. The result crosses the boundaries between scholarship and personal reflection, and between academia and advocacy. Topics include hunting identities; conservation and its relationship to hunting; tensions between hunters and non-hunters and between Aboriginal and non-Aboriginal hunting groups; hunting ethics; debates over hunting practices and regulations; animal rights; and gun control. This book makes an unprecedented contribution to the study of hunting in Canada and its role in our culture.