There are trillions of stars in the universe, but we rely on our sun to provide (or contribute to) most of what we need to survive and thrive: heat, light, plants, animals, wind, and water. Complete with fun, cartoon illustrations, this book give kids plenty of information about our sun in an easy-to-read and digest format. By focusing on the needs of an elephant, Wells makes clear just how important the sun is to life on Earth.
When the Peace Corps sends Susana Herrera to teach English in northern Cameroon, she yearns to embrace her adopted village and its people, to drink deep from the spirit of Mother Africa—and to forget a bitter childhood and painful past. To the villagers, however, she’s a rich American tourist, a nasara (white person) who has never known pain or want. They stare at her in silence. The children giggle and run away. At first her only confidant is a miraculously communicative lizard. Susana fights back with every ounce of heart and humor she possesses, and slowly begins to make a difference. She ventures out to the village well and learns to carry water on her head. In a classroom crowded to suffocation she finds a way to discipline her students without resorting to the beatings they are used to. She makes ice cream in the scorching heat, and learns how to plant millet and kill chickens. She laughs with the villagers, cries with them, works and prays with them, heals and is helped by them. Village life is hard but magical. Poverty is rampant—yet people sing and share what little they have. The termites that chew up her bed like morning cereal are fried and eaten in their turn ("bite-sized and crunchy like Doritos"). Nobody knows what tomorrow may bring, but even the morning greetings impart a purer sense of being in the moment. Gradually, Susana and the village become part of each other. They will never be the same again.
Move to another planet? Sounds interesting! In our imaginary spaceship, let's check out the planets in our solar system. Mercury is closest, but it has no air, and it's either sizzling hot or bitterly cold. The atmosphere on Venus is poisonous; plus, human beings would cook there. Mars might work, but you'd always have to be in a protective shelter. And if you got to the outer planets, you couldn't even land as they are mostly made of gas! Our home planet is looking good. Why is Earth so comfortable for plants, animals, and people? As Robert E. Wells explains, it's because of our just-right position form the sun, marvelous atmosphere, and abundant water. Our planet is very special and perfect for us, and that's why we must do all we can to keep Earth healthy.
Fiction: There are trillions of stars in the universe, but we rely on our sun to provide (or contribute to) most of what we need to survive and thrive: heat, light, plants, animals, wind, and water. Complete with fun, cartoon illustrations, this book give kids plenty of information about our sun in an easy-to-read and digest format. By focusing on the needs of an elephant, Wells makes clear just how important the sun is to life on Earth.
“Each plotline has something in it to challenge readers . . . Cliffhangers and elephants will keep readers engaged”—from the award-winning author (Kirkus Reviews). We Bought a Zoo meets Jurassic Park in a gripping story featuring the evergreen appeal of human-animal friendships and set in an elephant sanctuary, about a thirteen-year-old girl, a cast of elephants, and a surprising new arrival—a woolly mammoth. Sam was born and raised in an elephant sanctuary. When a beloved elephant dies giving birth, Sam develops a connection with baby Woolly—who isn’t actually an elephant but was cloned from woolly mammoth DNA. And the billionaire genius behind the cloning experiment will stop at nothing to protect his investment. Smart, determined, and loving, Sam stands up to this powerful adversary to protect the sanctuary and her herd. In the best tradition of child-animal friendship stories, Elephant Secret explores the strong and complex bond between Sam and her elephants while offering a fascinating, authentic glimpse into elephant—and human—behavior. “Walters’ depiction of the bond that exists between Sam and her elephants is captivating. The elephants, who are presented as majestic and intelligent creatures with humanlike characteristics and rich emotional lives, will leave readers awestruck.” —School Library Journal “Walters interweaves his beautiful family story with a thorough description of elephant behavior—their intellect, compassion, and loyalty—and factual scientific possibilities of cloning an extinct species . . . A must-read for anyone with an interest in elephants and their welfare.” —Booklist “Walters packs in numerous details about these magnificent and highly intelligent creatures while raising complex ethical questions regarding humans’ relationship with animals.” —Publishers Weekly
"A sunny, smart, tongue-in-cheek tale." --The New York Times Book Review "Sweet and affirming." --Kirkus Reviews When the local Pet Club won't admit a boy's tiny pet elephant, he finds a solution--one that involves all kinds of unusual animals in this sweet and adorable picture book. Today is Pet Club day. There will be cats and dogs and fish, but strictly no elephants are allowed. The Pet Club doesn't understand that pets come in all shapes and sizes, just like friends. Now it is time for a boy and his tiny pet elephant to show them what it means to be a true friend. Imaginative and lyrical, this sweet story captures the magic of friendship and the joy of having a pet.
Why Elephants Have Big Ears is the result of one man's lifelong quest to understand why the creatures of the earth appear and act as they do. In a wry manner and personal tone, Chris Lavers explores and solves some of nature's most challenging evolutionary mysteries, such as why birds are small and plentiful, why rivers and lakes are dominated by the few remaining large reptiles, why most of the large land-dwellers are mammals, and many more.
Ian Nyschens (pronounced "nations") shot as many elephants as Walter Bell did--well over 1,000--and under much more difficult circumstances. His book will rank or surpass the best elephant-ivory hunting books published in the twentieth century. Remarkably, his adventures took place much later than the likes of Bell, Sutherland, Neumann, and others. The stories of his hunts with his double rifle are sure to impress. Ian's career as an elephant hunter began in 1947 in Southern Rhodesia when he found a companion--Faanie Joosten--and the pair of them started hunting for ivory for a living. They roamed far and wide, often outside of the law, as far north as southern Tanzania and as far east as the coast of Mozambique. But Ian's stronghold was the thick jess bush of the Zambezi Valley, a place he loved more than any other. There, visibility was so poor that sometimes a hunter could be close enough to touch an elephant with the barrel of his rifle before he could see it. Ian's life was one fantastic epic adventure after another. He once faced a stampede of seventeen furious elephants in reeds over twelve feet tall and had to shoot a "wall" of elephants to prevent him and his companions from being overrun. On another occasion Ian and Faanie developed a method of hunting crocodiles for their skins that entailed walking chest-deep into the Zambezi River at night. They would stand next to an anchored hippo leg and "brain" the crocs. In the end that got a bit too much even for Ian, and he gave it up as being too hazardous. Ian was married for a time, but his lifestyle was not conducive to domestic bliss, and the marriage did not last. Once the Kariba Dam was completed in 1959, it flooded a great deal of his beloved Zambezi Valley, and Ian's world began to shrink. He continued to shoot elephant under the control scheme set by Rhodesian authorities, but his footloose days were at an end. He joined the wildlife department as a game ranger for a while, but his unsociable character made for a short career. He shot most of his elephants with a Rigby .450 31⁄4. He used the Rigby so much that the barrels separated from use (the solder disengaged), and he had to send it back to London to have it repaired. Not many people use a double rifle to that extent! Ian Nyschens was the most notorious elephant poacher in Rhodesia until the time he was finally appointed a warden to help protect the game. This is a highly entertaining story of an irascible loner whose violent adventures make Jesse James sound like a Sunday school teacher! Footnote: Sadly, Ian Nyschens died on 6 December 2006 in Harare, Zimbabwe. May he now tread in the eternal hunting grounds where all elephants carry tusks of a minimum of eighty pounds per side. Farewell old friend, you will be missed by many.
Fishing for elephants explains the creative processes of art and life with a conversational, humorous, and informative voice. While it is geared towards artists, it is not a how to paint something to look like something book. It's a how to think for yourself, move forward, get out of your comfort zone, get out of your own way, define your voice, refine your voice, focus on those characteristics of creating that are authentic to you and try new directions kind of book for all levels. Designed to help you discover new artistic directions and open the neural pathways to creative problem-solving, Fishing for elephants is presented in two halves. The first contains everything you need to know about the process of creativity; what keeps you from it, what it is, how to use it and how to get unstuck. It's flipping all your light switches on kind of stuff. The truth is anyone can be more creative with just a few easy steps. The second half, VoiceFinding, is the first half put into action for artists who want to get to their core authentic self, or just want to push out a little. There are more than 150 examples and unconventional exercises designed to break this process into bite-sized chunks so your genius skill-set will expand exponentially. It's year-long class in a workbook format, with areas to answer creative challenges, set goals, write artist's statements, sketch out ideas, apply processes like free association, mind maps, reportage, mixed-media, and continuous line drawing in new and thought-challenging ways. Written by nationally recognized, award-winning artist and creative coach, Larry Moore.
