From kittens to giraffes, readers will learn that there are as many different tongues as there are animals. A kid-friendly title that will really speak to a child's inquisitive side.
The eyes have it in this charming book that introduces young readers to an owl, a praying mantis, a tiger, a chameleon, and crab. The reader will see a close-up photo of the animals eye and be asked to guess which animal it belongs to. Reading confidence will soar as they read the simple text that is directly supported by the photos.
"Which animal has a nose with two pointy horns?" It is questions like these, coupled with beautiful photographs, which will invite young readers into the wonderful world of animals. These books provide the building blocks for readers to start asking questions of their own as they explore the world around them.
This book demonstrates the vital connection between language and gesture, and why it is critical for research on second language acquisition to take into account the full spectrum of communicative phenomena. The study of gesture in applied linguistics is just beginning to come of age. This edited volume, the first of its kind, covers a broad range of concerns that are central to the field of SLA. The chapters focus on a variety of second-language contexts, including adult classroom and naturalistic learners, and represent learners from a variety of language and cultural backgrounds. Gesture: Second Language Acquisition and Classroom Research is organized in five sections: Part I, Gesture and its L2 Applications, provides both an overview of gesture studies and a review of the L2 gesture research. Part II, Gesture and Making Meaning in the L2, offers three studies that all take an explicitly sociocultural view of the role of gesture in SLA. Part III, Gesture and Communication in the L2, focuses on the use and comprehension of gesture as an aspect of communication. Part IV, Gesture and Linguistic Structure in the L2, addresses the relationship between gesture and the acquisition of linguistic features, and how gesture relates to proficiency. Part V, Gesture and the L2 Classroom, considers teachers’ gestures, students’ gestures, and how students’ interpret teachers’ gestures. Although there is a large body of research on gesture across a number of disciplines including anthropology, communications, psychology, sociology, and child development, to date there has been comparatively little investigation of gesture within applied linguistics. This volume provides readers unfamiliar with L2 gesture studies with a powerful new lens with which to view many aspects of language in use, language learning, and language teaching.
In a time of global infotainment, the crisis of modern journalism, the omnipresence of celebrity culture and reality TV, and the colonization of public discourse by media spectacle and entertainment, postmodern satiric media have emerged as prominent critical voices playing an unprecedented role at the heart of public debate. Indeed, satiric media has filled gaps left not only by traditional media but also by weak social institutions and discredited political elites. In Satiric TV in the Americas, Paul Alonso analyzes the most influential satiric TV shows in the Americas--focusing on shows in Argentina, Peru, Ecuador, Mexico, Chile and the United States--in order to understand their critical role in challenging the status quo, traditional journalism, and the prevalent local media culture. Alonso illuminates the phenomenon of satire as resistance and negotiation in public discourse, the role of entertainment media as a site where socio-political tensions are played out, and the changing notions of journalism in today's democratic societies. Introducing the notion of "critical metatainment" -- a transgressive, self-referential reaction to the process of tabloidization and the cult of celebrity in the media spectacle era -- Satiric TV in the Americas is the first book to map, contextualize, and analyze relevant cases to understand the relation between political information, social and cultural dissent, critical humor, and entertainment in the region. Evaluating contemporary satiric media as a consequence of the collapse of modernity and its arbitrary dichotomies, Satiric TV in the Americas also shows that, as satiric formats travel to a particular national context, they are appropriated in different ways and adapted to local circumstances, with distinct consequences.