“One should either wear a work of art, or be a work of art,” Oscar Wilde once declared. In The Invention of Oscar Wilde, Nicholas Frankel explores Wilde’s self-creation as a “work of art” and a carefully constructed cultural icon. Frankel takes readers on a journey through Wilde’s inventive, provocative life, from his Irish origins—and their public erasure—through his challenges to traditional concepts of masculinity and male sexuality, his marriage and his affairs with young men, including his great love Lord Alfred Douglas, to his criminal conviction and final years of exile in France. Along the way, Frankel takes a deep look at Wilde’s writings, paradoxical wit, and intellectual convictions.
Packed with new evidence, Making Oscar Wilde tells the untold story of a local Irish eccentric who became a global cultural icon. This must-read book dramatizes Oscar Wilde's remarkable rise in Victorian England and post-Civil War America. Michèle Mendelssohn interweaves biography and social history to reveal a life like no other.
The story of Oscar Wilde’s landmark 1882 American tour explains how this quotable literary eminence became famous for being famous. On January 3, 1882, Oscar Wilde, a twenty-seven-year-old “genius”—at least by his own reckoning—arrived in New York. The Dublin-born Oxford man had made such a spectacle of himself in London with his eccentric fashion sense, acerbic wit, and extravagant passion for art and home design that Gilbert & Sullivan wrote an operetta lampooning him. He was hired to go to America to promote that work by presenting lectures on interior decorating. But Wilde had his own business plan. He would go to promote himself. And he did, traveling some 15,000 miles and visiting 150 American cities as he created a template for fame creation that still works today. Though Wilde was only the author of a self-published book of poems and an unproduced play, he presented himself as a “star,” taking the stage in satin breeches and a velvet coat with lace trim as he sang the praises of sconces and embroidered pillows—and himself. What Wilde so presciently understood is that fame could launch a career as well as cap one. David M. Friedman’s lively and often hilarious narrative whisks us across nineteenth-century America, from the mansions of Gilded Age Manhattan to roller-skating rinks in Indiana, from an opium den in San Francisco to the bottom of the Matchless silver mine in Colorado—then the richest on earth—where Wilde dined with twelve gobsmacked miners, later describing their feast to his friends in London as “First course: whiskey. Second course: whiskey. Third course: whiskey.” But, as Friedman shows, Wilde was no mere clown; he was a strategist. From his antics in London to his manipulation of the media—Wilde gave 100 interviews in America, more than anyone else in the world in 1882—he designed every move to increase his renown. There had been famous people before him, but Wilde was the first to become famous for being famous. Wilde in America is an enchanting tale of travel and transformation, comedy and capitalism—an unforgettable story that teaches us about our present as well as our past.
In early 1882, before young Oscar Wilde embarked on his lecture tour across America, he posed for publicity photos taken by a famously eccentric New York photographer named Napoleon Sarony. Few would guess that one of those photographs would become the subject of the Supreme Court case that challenged copyright protection for all photography—a constitutional question that asked how a machine-made image could possibly be a work of human creativity. Who Invented Oscar Wilde? is a story about the nature of authorship and the “convenient fiction” we call copyright. While a seemingly obscure topic, copyright has been a hotly contested issue almost since the day the internet became publicly accessible. The presumed obsolescence of authorial rights in this age of abundant access has fueled a debate that reaches far beyond the question of compensation for authors of works. Much of the literature on the subject is either highly academic, highly critical of copyright, or both. With a light and balanced touch, David Newhoff makes a case for intellectual property law, tracing the concept of authorship from copyright’s ancient beginnings to its adoption in American culture to its eventual confrontation with photography and its relevance in the digital age. Newhoff tells a little-known story that will appeal to a broad spectrum of interests while making an argument that copyright is an essential ingredient to upholding the principles on which liberal democracy is founded.
In this new installment in the engaging mystery series Booklist called “pitch-perfect” and “enthralling”—currently in development as a BBC television series—the incomparable playwright, novelist, raconteur, and now ex-convict Oscar Wilde faces his most fiendishly puzzling case yet. Oscar Wilde has fled to France after his release from Reading Gaol. Tonight he is sharing a drink and the story of his cruel imprisonment with a mysterious stranger. Oscar has endured the treadmill, solitary confinement, censored letters, no writing materials. Yet even in the midst of such deprivation, his astonishing detective powers remain undiminished—and when first a brutal warder and then the prison chaplain are found murdered, who else should the governor turn to for help other than Reading Gaol’s most celebrated inmate?
The fullest, most textural, most accurate—most human—account of Oscar Wilde's unique and dazzling life—based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered papers of his early romantic (and dangerous) escapades and the two-year prison term that shattered his soul and his life. "Simply the best modern biography of Wilde." —Evening Standard Drawing on material that has come to light in the past thirty years, including newly discovered letters, documents, first draft notebooks, and the full transcript of the libel trial, Matthew Sturgis meticulously portrays the key events and influences that shaped Oscar Wilde's life, returning the man "to his times, and to the facts," giving us Wilde's own experience as he experienced it. Here, fully and richly portrayed, is Wilde's Irish childhood; a dreamy, aloof boy; a stellar classicist at boarding school; a born entertainer with a talent for comedy and a need for an audience; his years at Oxford, a brilliant undergraduate punctuated by his reckless disregard for authority . . . his arrival in London, in 1878, "already noticeable everywhere" . . . his ten-year marriage to Constance Lloyd, the father of two boys; Constance unwittingly welcoming young men into the household who became Oscar's lovers, and dying in exile at the age of thirty-nine . . . Wilde's development as a playwright. . . becoming the high priest of the aesthetic movement; his successes . . . his celebrity. . . and in later years, his irresistible pull toward another—double—life, in flagrant defiance and disregard of England's strict sodomy laws ("the blackmailer's charter"); the tragic story of his fall that sent him to prison for two years at hard labor, destroying his life and shattering his soul.
________________'Emer O'Sullivan has made an indispensable contribution to Wildean literature ... Compelling, informative and fascinating' - Stephen Fry 'Vivid and meticulously researched ... The name of Wilde stands for "what is singular, independent-minded, and fearless". Words that also describe this splendid book *****' - Frances Wilson, Mail on Sunday'O'Sullivan vividly evokes the cultural vitalities Oscar inherited from the house he was born into ... Hugely readable' - John Sutherland, The Times________________Oscar Wilde's father - scientist, surgeon, archaeologist, writer - was one of the most eminent men of his generation. His mother - poet, journalist, translator - hosted an influential salon at 1 Merrion Square. Together they were one of Victorian Ireland's most dazzling and enlightened couples. When, in 1864, Sir William Wilde was accused of sexually assaulting a female patient, it sent shock waves through Dublin society. After his death some ten years later, Jane attempted to re-establish the family in London, where Oscar burst irrepressibly upon the scene, only to fall in a trial as public as his father's. A remarkable and perceptive account, The Fall of the House of Wilde is a major repositioning of our first modern celebrity, a man whose fall from grace marked the end of fin de siècle decadence.
Including The Philosophy Of Dress by Oscar Wilde. The recent print version was the first this work had been for the first time it had been published in 128 Years, and in book form for the first time ever. Now this is the first ebook.The work now forms the centerpiece of this unique collection of Wilde's writings on dress. As a compendium this book also includes several rarely published period articles and letters by Wilde on dress and fashion, along with a related exchange of correspondence that forms an instructional discourse. In addition there are generously annotated and illustrated chapters that analyze the importance of dress in the historical context of the writing career of Oscar Wilde, and a comprehensive review of the influences, trends, characters and source material that informed the development of his dress philosophy.The whole constitutes a thorough examination of a previously overlooked aspect in the Wilde canon, which should prove to be of interest not only to Wildean scholars, but also to anyone who enjoys his style of writing. Oscar Wilde continues to be favorably reappraised as a one of the most culturally avant garde tastemakers of the late nineteenth century. In an ever fashion-conscious world it is fitting that the themes explored, like the author himself, are still relevant. In this respect the book will also be of historical value to fashion students, historians, and practitioners.
Complete texts of "The Happy Prince and Other Tales," "A House of Pomegranates," "Lord Arthur Savile's Crime and Other Stories," "Poems in Prose," and "The Portrait of Mr. W. H."
