Names and describes the offspring of a fennec fox, roadrunner, Arabian camel, sidewinder rattlesnake, desert pocket mouse, dingo, Gila monster, and scorpion.
Aidan explores the ways in which Nietzsche's warning that 'the desert grows' has been taken up by Heidegger, Derrida and Deleuze in their critiques of modernity, and the desert in literature ranging from T.S Eliot to Don DeLillo; from imperial travel writing to postmodernism; and from the Old Testament to salvagepunk.
Take a walk in the rain forest. It's hot and humid and humming with life. Look up into the dense canopy of leaves above you. Tangled vines lead to the treetops, where parrots squawk and monkeys swing from branch to branch. A poison dart frog clings to a slippery leaf. A sloth creeps through the canopy. The dense rain forest overflows with life. Discover the plants and animals that depend on each other in this unique biome through narrative text, entrancing photos, and illustrations.
This book lays out a variety of practical ways to prepare for a changing climate by paying attention to soil, water harvesting, types of crops planted, and ways to protect pollinators.
This book is a comprehensive gardening book for the high desert regions with emphasis on growing vegetables. The author also discusses various aspects of fruit tree culture in the high desert and drought-tolerant perennials, shrubs and tress.
The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.
Argues that the Earth's deteriorating condition is man-made and outlines a way for the process to be reversed by rehabilitating the deserts using natural farming.
Winner of the 2019 Stan and Tom Wick Poetry Prize Natalie Diaz, judge i say / my mother's name, / cristina & desert marigolds / crack through a boulder. / i say my father's name, martin / & all the novena candles / in the bed of the truck are aglow. These lines from the book's titular poem "On This Side of the Desert" encapsulate the dominant themes of the collection: the power and meaning derived from the act of naming; the deep interconnectedness of Latinx cultures, a product of strong family traditions and an intimate relationship with the natural world; and a profound spirituality rooted in the sacraments of Catholic orthodoxy. This poem, like many of those in Aguilar's collection is written from the perspective of a young boy growing up along the Mexican border. As Aguilar chronicles the unique challenges faced by border communities where surviving the desert is a perpetual struggle, and the distress of finding "an entire skeleton in torn clothes" is muted by frequency, he also modernizes the traditional pastoral form to encompass both beauty and trauma. This debut book of poetry describes the experience of being raised in southern California as a child of Mexican immigrants in the shadow of the borderlands. Just as the borderlands are defined by the desert, so, too, are its inhabitants defined by their families, their culture shaped from the clay of the Sonoran desert and given life by the nourishing water of their ancestors. In these poems, the desert is recognized for what it truly is--a living, breathing body filled with both joy and pain.