In the third Quarterly Essay of 2003, Germaine Greer suggests that embracing Aboriginality is the only way Australia can fully imagine itself as a nation. In a wide-ranging essay she looks at the interdependence of black and white and suggests not how the Aborigine question may be settled but how a sense of being Aboriginal might save the soul of Australia. In a sweeping and magisterial essay, touching on everything from Henry Lawson to multiculturalism, Germaine Greer argues that Australia must enter the Aboriginal web of dreams. "[Whitefella Jump Up] is an essay about sitting down and thinking where all the politics start and what kind of legend Australia wants to place at its heart." —Peter Craven "I'm not here offering yet a solution to the Aborigine problem ... Blackfellas are not and never were the problem. They were the solution, if only whitefellas had been able to see it." —Germaine Greer, Whitefella Jump Up
In the thirdQuarterly Essayof 2003, Germaine Greer suggests that embracing Aboriginality is the only way Australia can fully imagine itself as a nation. In a wide-ranging essay she looks at the interdependence of black and white and suggests not how the Aborigine question may be settled but how a sense of being Aboriginal might save the soul of Australia. In a sweeping and magisterial essay, touching on everything from Henry Lawson to multiculturalism, Germaine Greer argues that Australia must enter the Aboriginal web of dreams. ' Whitefella Jump Upis an essay about sitting down and thinking where all the politics start and what kind of legend Australia wants to place at its heart.' - Peter Craven 'I'm not here offering yet a solution to the Aborigine problem ... Blackfellas are not and never were the problem. They were the solution, if only whitefellas had been able to see it.' - Germaine Greer, Whitefella Jump Up
Race relations are one of the most fraught issues in the world. Almost everywhere in the world where different races rub against each other there is racism and friction. The problem is most acute with displaced indigenous people. White Australia - with the history of its terrible treatment of the Aborigines is an extreme case study. In this brilliant essay, Germaine Greer shows how it could, should and must be different. The problem is not the Aborigines but the 'settler society' and what it has done to the country. She shows how Australians must embrace their aboriginality. By extension the argument applies to the whole world and to the unequal relationships between people. But as always with Germaine Greer it is argued with wit, humour, anger, passion, and superbly memorable prose. Germaine Greer is worth reading on any subject; she is at her most powerful and polemical when faced with real wrongs that need righting.
A twentieth-anniversary edition of this tour de force in feminism and Indigenous studies, now with a new preface The twentieth anniversary of the original publication of this influential and prescient work is commemorated with a new edition of Talkin’ Up to the White Woman by Aileen Moreton-Robinson. In this bold book, of its time and ahead of its time, whiteness is made visible in power relations, presenting a dialogic of how white feminists represent Indigenous women in discourse and how Indigenous women self-present. Moreton-Robinson argues that white feminists benefit from colonization: they are overwhelmingly represented and disproportionately predominant, play the key roles, and constitute the norm, the ordinary, and the standard of womanhood. They do not self-present as white but rather represent themselves as variously classed, sexualized, aged, and abled. The disjuncture between representation and self-presentation of Indigenous women and white feminists illuminates different epistemologies and an incommensurability in the social construction of gender. Not so much a study of white womanhood, Talkin’ Up to the White Woman instead reveals an invisible racialized subject position represented and deployed in power relations with Indigenous women. The subject position occupied by middle-class white women is embedded in material and discursive conditions that shape the nature of power relations between white feminists and Indigenous women—and the unjust structural relationship between white society and Indigenous society.
A searing new novel from leading Indigenous storyteller Tony Birch that explores the lengths we will go to in order to save the people we love.Odette Brown has lived her whole life on the fringes of a small country town. After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves. In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.
The publication of Germaine Greer's The Female Eunuch in 1970 was a landmark event, raising eyebrows and ire while creating a shock wave of recognition in women around the world with its steadfast assertion that sexual liberation is the key to women's liberation. Today, Greer's searing examination of the oppression of women in contemporary society is both an important historical record of where we've been and a shockingly relevant treatise on what still remains to be achieved.
In Made in England: Australia's British Inheritance, David Malouf looks at Australia's bond with Britain and wonders whether it wasn't the Mother Country which did most of the giving. This is an essay which presents British civilisation, the civilisation of Shakespeare and the Enlightenment and the Westminster system, as the irreducible ground on which any Australian achievement is based. Britain has always been the tolerant parent, and an older Australia could be both intensely patriotic and see itself as what it was, a transplantation of Britain. This relationship did not exclude America but it made for a sometimes complicated threesome of nations. This is a brilliant, deeply meditated essay by one of our finest writers about the traditions that shaped Australia and which connect it to one of the mightier traditions in world history. ‘Any argument for [the republic] based on the need to make a final break with Britain will fail.’ —David Malouf, Made in England ‘Made in England is ... a case of one of Australia's most eminent novelists allowing himself to imagine, and by imagining to analyse, the hopes and glories, once and future, that were part of this new Britannia.’ —Peter Craven ‘[An] infinitely rich account of Australian history, speech and social ways ... a deft and instructive rebuttal of any reductive, self-interested assertions about identity and nationality.’ —Morag Fraser, Australian Book Review ‘David Malouf is that old fashioned phenomenon, a cultivated man.’ —Gerard Windsor ‘The essay has all the qualities we’d expect from the author – sensuous memory, intelligence, elegance, and a bit of a Shakespeherian rag.’ —Overland David Malouf is one of Australia’s most celebrated writers. He is the author of poems, fiction, libretti and essays. In 1996, his novel Remembering Babylon was awarded the first International IMPAC Dublin Literary Award. His 1998 Boyer Lectures were published as A Spirit of Play: The Making of Australian Consciousness. In 2000 he was selected as the sixteenth Neustadt Laureate. His most recent novel is Ransom.
A key intervention in the growing critical literature on race, this volume examines the social construction of race in contemporary Australia through the lenses of Indigenous sovereignty, nationhood, and whiteness. Informed by insights from white Australians in rural contexts, Koerner and Pillay attempt to answer how race shapes those who identify as white Australian; how those who self-identify thusly relate to the nation, multiculturalism, and Indigenous Sovereignties; and how white Australians understand and experience their own racialized position and its privilege. This “insider perspective” on the continuing construction of whiteness in Australia is analyzed and challenged through Indigenous Sovereign theoretical standpoints and voices. Ultimately, this investigation of the social construction of race not only extends conceptualizations of multiculturalism, but also informs governance policy in the light of changing national identity.
In the second Quarterly Essay of 2004, Paul McGeough offers a dramatic account of why Iraq remains in chaos despite desperate American efforts to create a model democracy in the Middle East. According to McGeough, Iraq to this day remains a tribal society. It cannot be governed without the cooperation of the true powers in the land, the tribal and religious sheikhs. Those who have ruled Iraq in the past, including Saddam Hussein and the British before him, understood this fact. The Americans, by contrast, seem to have missed the point. In Mission Impossible, Paul McGeough enters the world of key Iraqi tribal and religious leaders. There are vivid portraits of the sheikhs' role in the fall and capture of Saddam, as well as their part in the growing insurgency. There are glimpses, too, of a history that once involved Lawrence of Arabia and Gertrude Bell, and which pre-dates Islam, stretching back thousands of years. Combining reportage and analysis in brilliant fashion, this groundbreaking essay is well timed to coincide with the next major phase in Iraq's troubled history. "Throughout the history of their region, the sheikhs have been the powerbrokers, deciding who would reign between the great rivers, the Tigris and the Euphrates." —Paul McGeough, Mission Impossible
In Sending Them Home, Robert Manne tells the stories of individual asylum seekers and finds in their experience the seeds of a devastating critique. Balancing sorrow and pity with a controlled anger, Manne develops a sustained argument about what could, and should, be done for the nine thousand refugees who remain in limbo on temporary protection visas. Sending Them Home also contains a groundbreaking account of conditions in the offshore processing camps on Nauru, whose operations have until now been shrouded in secrecy, and a damning forensic investigation of the recent efforts to return - frequently against their will - many of those who sought our protection and whose countries remain in turmoil. Combining ethical reflection and acute political analysis, this essay initiates a new phase in the refugee debate. 'No one ought to pretend that the unanticipated arrival of the Iraqis, Afghans and Iranians did not pose real ... problems for Australia. However these problems arose not because these people were not genuine refugees. They arose, rather, precisely because the overwhelming majority of them were.' -Robert Manne, Sending Them Home This issue also contains correspondence discussing Quarterly Essay 10, Made in England, from Phillip Knightley, Morag Fraser, Larissa Behrendt, Alan Atkinson, James Curran, Sara Wills, and Gerard Windsor
