J. H. Prynne is Britain’s leading late-modernist poet. His work, as it has emerged since the 1960s, when he was close to Charles Olson and Edward Dorn, is marked by a remarkable combination of lyricism and abstraction, at once austere and playful. The White Stones is a book that is central to Prynne’s career and poetics, and it constitutes an ideal introduction to the achievement and vision of a legendary but in America still little-known contemporary master.
Esther de Waal is one of today’s most beloved spiritual writers. In The White Stone, she reflects on the changes and losses that come with growing older. Esther reflects on solitude and, following a period of illness, saying goodbye to a family home and the Welsh border landscape she had known for decades which inspired some of her greatest writing, and adjusting to a new city environment. In her characteristic style, she sees everything as a portal into a deeper spiritual understanding. She draws on the wealth of the Christian tradition, especially scripture and the monastic and Celtic spiritualities she knows so well, to help her navigate her way through not only the inevitable sense of loss that accompanies such change, but also to embrace the new possibilities it brings. The white stone of the title refers to a small pebble from the river that ran through her garden that she keeps in her pocket, but also strikes a note of hope referring to the new identity promised by God (Revelation 2.17). This is a book of simple, profound wisdom that will speak to many coping with change in their own lives.
The works gathered together here have all been written since World War II. They offer a unique opportunity to see and understand the development, nature, and main characteristics of Slavic creative writing in our time.
A Hundred Thousand White Stones is one young Tibetan woman's fearlessly told story of longing and change. Kunsang Dolma writes with unvarnished candor of the hardships she experienced as a girl in Tibet, violations as a refugee nun in India, and struggles as an immigrant and new mother in America. Yet even in tribulation, she finds levity and never descends to self-pity. We watch in wonder as her unlikely choices and remarkable persistence bring her into ever-widening circles, finding love and a family in the process, and finally bringing her back to her childhood home. A Hundred Thousand White Stones offers an honest assessment of what is gained in pursuing life in the developed world and what is lost.
A Starter level Oxford Bookworms Library graded reader. Written for Learners of English by Lester Vaughan. 'The people on this island don't like archaeologists,' the woman on the ferry says. You only want to study the 4,500 year-old Irish megalithic stones but very soon strange things begin to happen to you. Can you solve the mystery in time?
J. H. Prynne is Britain’s leading late-modernist poet. His work, as it has emerged since the 1960s, when he was close to Charles Olson and Edward Dorn, is marked by a remarkable combination of lyricism and abstraction, at once austere and playful. The White Stones is a book that is central to Prynne’s career and poetics, and it constitutes an ideal introduction to the achievement and vision of a legendary but in America still little-known contemporary master.
In this exciting sequel to The Mystery of Black Hollow Lane, Emmy's adventures continue as she deals with a sinister organization, a missing father, and secrets she's not sure who to trust with. After spending the summer at home in Connecticut, Emmy cannot wait to return to Wellsworth for the new school year and reunite with her best friends, Lola and Jack. Before she leaves Emmy receives a note from her father telling her to hide the remaining relics The Order of Black Hollow Lane are after—and to trust no one. When Lola is framed for a serious crime she didn't commit, Emmy knows that she and her friends are not safe. The Order wants Emmy to give up her father's location... if she doesn't, those she loves will pay the price. Emmy and Jack need to figure out a way to clear Lola's name without bending to the Order's sinister demands. And Emmy needs to figure out who she can trust with her secrets before it's too late.
'The people on this island don't like archaeologists,' the woman on the ferry says. You only want to study the 4,500 year-old Irish megalithic stones, but very soon strange things begin to happen to you. Can you solve the mystery in time?
