"Whispers from the Tomb begins with the accidental discovery of an opulent mausoleum opened to the public just once a year. Inside are two enormous marble sarcophagi standing side-by-side for more than half a century. We learn the deceased man is a wealthy businessman who immigrates to the United States in his youth. But less is known about the mysterious woman next to him. Digging back in time yields tantalizing clues."--P. [4] of cover.
Sam had been dying to go on a class field trip to the Ancient Egypt exhibit at the museum. But now, as he lay inside a sarcophagus with the closed lid blocking out all light, he began to panic. What would it feel like to spend eternity inside a tomb? Was there anything worse? Sam was about to find out.
At first, Luke thought it would be kind of cool to spend the summer in the old mansion his dad had inherited. But when he got there, a strange boy appeared, seemingly from nowhere, and warned him about a curse that trapped people's spirits inside the mansion forever. Luke began to worry. Was his family in danger? Would the house trap them, too?
The Tomb kicks off the Repairman Jack series that Stephen King calls "one of the best all-out adventure stories I've read in years." Much to the chagrin of his girlfriend, Gia, Repairman Jack doesn't deal with appliances. He fixes situations—situations that too often land him in deadly danger. His latest fix is finding a stolen necklace which, unknown to him, is more than a simple piece of jewelry. Some might say it's cursed, others might call it blessed. The quest leads Jack to a rusty freighter on Manhattan's West Side docks. What he finds in its hold threatens his sanity and the city around him. But worst of all, it threatens Gia's daughter Vicky, the last surviving member of a bloodline marked for extinction. "One of the all-time great characters in one of the all-time great series." --Lee Child At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
With the same flawless storytelling that earned her the CWA Historical Dagger Award, Barbara Cleverly delivers a dazzling new novel. Sweeping us to the exotic island of Crete in 1928, Cleverly introduces a marvelous new heroine: whip-smart and spirited Laetitia Talbot, an aspiring archaeologist with a passion for adventure–and for the mysteries that only the keenest eyes can see. Born into a background of British privilege, Laetitia Talbot has been raised to believe there is no field in which she may not excel. She has chosen a career in the male-dominated world of archaeology, but she approaches her first assignment in Crete the only way she knows how–with dash and enthusiasm. Until she enters the Villa Europa, where something is clearly utterly amiss… Her host, a charismatic archaeologist, is racing to dig up the fabled island’s next great treasure–even, perhaps, the tomb of the King of the Gods, himself. But then a beautiful young woman is found hanged and a golden youth drives his Bugatti over a cliff. From out of the shadows come whispers of past loves, past jealousies, and ancient myths that sound an eerie discord with present events. Letty will need all her determination and knowledge to unravel the secrets beneath the Villa Europa’s roof–and they will lead her into the darkest, most terrifying place of all….
"Whispers from the Rae Room begins with the accidental discovery of a mysterious Oregon tomb opened only once a year. Inside are two enormous marble sarcophagi, side-by-side for more than half a century. We learn the deceased man is George Rae, a wealthy timber baron who emigrates from Scotland as a young man. Rae is historically significant because in 1890, he co-founds one of North America's most successful businesses, the Inman-Poulsen Lumber Company. Curiosity about the magnificent structure built for only two people launches a quest to know more."--Page 4 of cover
Nina had just missed her one chance to be on the hottest TV talent show around—Singing Superstar! But then fate intervened and provided another stage for her to show off her talent, a stage far from the TV cameras. Some say that fame comes at a price. Nina was about to find out just how high that price can be!
Thirty years in prison has a dramatic impact in the human soul. It either kills you or forces you to change one way or another. In my case it did both, killed the old self and gave birth to a new outlook in life. This work was written during my incarceration, 1989-2019, and rescued by my sister Hilda after my release. It represents reflections of the spirit and its evolution throughout said period of time. Unlike other books of its kind, this work does not speak directly of the shortcomings of prison life, rather, it focuses on the search for spiritual understanding of our fate as human beings, of our human condition. It depicts a spirit in motion towards the light of the inner self. May these reflections find solace in the land of wandering souls.
An incandescent new voice from Mexico, for readers of Ben Lerner and Rachel Cusk Sitting at the bedside of his mother as she is dying from leukemia in a hospital in northern Mexico, the narrator of Tomb Song is immersed in memories of his unstable boyhood and youth. His mother, Guadalupe, was a prostitute, and Julián spent his childhood with his half brothers and sisters, each from a different father, moving from city to city and from one tough neighborhood to the next. Swinging from the present to the past and back again, Tomb Song is not only an affecting coming-of-age story but also a searching and sometimes frenetic portrait of the artist. As he wanders the hospital, from its buzzing upper floors to the haunted depths of the morgue, Julián tells fevered stories of his life as a writer, from a trip with his pregnant wife to a poetry festival in Berlin to a drug-fueled and possibly completely imagined trip to another festival in Cuba. Throughout, he portrays the margins of Mexican society as well as the attitudes, prejudices, contradictions, and occasionally absurd history of a country ravaged by corruption, violence, and dysfunction. Inhabiting the fertile ground between fiction, memoir, and essay, Tomb Song is an electric prose performance, a kaleidoscopic, tender, and often darkly funny exploration of sex, love, and death. Julián Herbert’s English-language debut establishes him as one of the most audacious voices in contemporary letters.
