Sophisticated works for the late elementary to early intermediate level teenage and adult students with titles such as "Full Moon Rising," "Just Us," "Yesterday's Dreams" and more. The pieces sound "bigger than they are" and span a wide range of the keyboard. After learning several of the pieces in these books, students will feel, as well as sound, simply sensational!
The exciting pieces in these collections are designed to entertain, reinforce and enhance the important music and technical skills being studied during the early levels. Students will develop their own magical imaginations with the repertoire contained in this series.
This book is the first guide to research on the Baroque composer Georg Philipp Telemann (1681-1767) in any language. Although the scholarly 'Telemann Renaissance' is now a half-century old, there has never been a book intended to serve as a gateway for further study. Apart from a handful of biographies, dictionary entries, and annotated bibliographies (many of which are now severely out of date), students of Telemann's life and music have been left to dive into the secondary literature in order to get their bearings. Considering that this now burgeoning literature has mainly taken the form of German dissertations and conference proceedings, it is small wonder that the field of Telemann studies has been relatively slow to develop in the English-speaking world. And yet the veritable explosion of performances, both live and recorded, of the composer's music in recent decades has won him an ever-increasing following among musicians and concert-goers worldwide. As with other books in the Composer Compendia series, the book includes a brief biography, dictionary, works-list, and selective bibliography. STEVEN ZOHN is Laura Carnell Professor of Music History at Temple University.
These seven solos explore the sights, sounds and characters of animals through imaginative compositions. They encompass a wide range of the piano, but never stretch beyond a 5-finger position. Each piece contains an optional teacher/parent duet part.
This series was written for pianists who love the expressive qualities of the piano and the sounds of the romantic style. Warm, lyrical melodies and rich harmonies will inspire pianists to create a beautiful sound and to play with expression, musicality and finesse. The descriptive titles will spark students' imaginations as well. Titles: Evocation * Improvisation No. 1 * In a Dancin' Mood * Midnight Meditation * The Promise of Spring * Serenity * A Special Someone.
Five classic settings of love songs for men's voices are joined together in this new collection. May be performed separately or as a suite. Titles: Loch Lomond * Green Grow the Rashes, O * Stodole Pumpa * Down by the Sally Gardens * Vive l'Amour.
This new completely revised edition of the Penguin Guidesurveys the major classical recordings issued and reissued over the past five decades, many of which have dominated the catalogue because of their sheer excellence, irrespective of their recording dates. More thorough than ever before, it indicates key recordings on CD, as well as on DVD, with their extra video dimension, and enhanced SACD, including those in surround sound. If you want the finest available version of any major classical work (including DVDs of opera and ballet) you will find it listed and acutely assessed in these pages. THE PENGUIN GUIDE TO RECORDED CLASSICAL MUSIC OFFERS- The pick of the latest releases, as well as all key established recordings The greatest historic recordings, many in outstanding new transfers (including the very first recording of Beethoven's Fifth Symphony) An in-depth survey of the best of the budget-priced CDs, including countless new issues A comprehensive new collection of 'Portraits' of the major artists - singers, conductors and instrumentalists
(Music Sales America). "The King Shall Rejoice" is a Coronation Anthem for King George II. Scored for six-part choir, SAATBB, although with some modifications can be used for SATB. The accompaniment presents a practical keyboard representation of the orchestral accompaniment. Edited by Damian Cranmer.
