What makes these charming mechanical marvels spring into action? Cranks, propellers, levers, and other mechanisms trigger a variety of eye-catching movements, from arms that rise and fall to jaws that work up and down. The author reveals his process for designing and creating a series of ingenious toys and objects from wood.
Have you been guilty of catachresis* at work? Have you defenestrated* your dictionary in frustration? Do you have phloem bundles* stuck in your diastema*? Scratching your occiput* now? Rod L. Evans's Thingamajigs and Whatchamacallits will help take the mystery out of some of our most obscure words. Containing hundreds of words from agitron (the phenomenon of wiggly lines in comic strips indicating that something is shaking) to zarf (the holder for a paper cone coffee cup), this lively reference will enable you to easily locate your thingamajig or whatchamacallit, be it animal, vegetable, mineral, or punctuation mark. Leave no linguistic oddity unexamined-your brain will thank you. *catachresis: strained, paradoxical, or incorrect use of a word; *defenestrate: to throw out a window; *phloem bundles: stringy bits between the skin and the edible parts of a banana; *diastema: the gap between teeth in a jaw; *occiput: the back part of the head or skull
El's Visual Diary is a Lifestyle Journal created by Lyle Whatchamacallit dedicated for hir fascination on the broad spectrum of visual arts and literature. This personal journal captures the riveting and graceful lifestyle of Lyle Whatchamacallit as a first-generation immigrant in the US, who moved to New York City from a small town in an Island in The Philippines 'almost out of nothing'; and how Lyle gradually changed that. This book interweaves Lyle's ups and downs in life on a day-to-day diary showing hir seemingly candid way of living as a LGBTQ+ member, while battling clinical depression and sparingly struggling with anxiety disorder, and without discounting life despite that. Lyle is a multimedia artist and a socialite based in New York City engaged in creating and curating content through Photography and Writing. This book beautifully depicts Lyle's passions, together with hir hard-work, and perseverance in the hustle and bustle of the big city. From working in the Hospitality Industry, to Social Media Marketing, and eventually in the Media and Press Publishing. This autobiography highlights Lyle's habits, career path, and arts, as well as an exclusive collection of photographs with hir travels and leisure, food and gastronomy, fashion and style, and most importantly industry tips and tricks including handy life hacks and compelling personal experiences that are both inspiring and educational. Lyle Whatchamacallit’s approach to hir craft and aesthetic with this book is greatly influenced by pop culture and modern lifestyle.
Polymer Photogravure: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a three-part book on the non-toxic process of making ink-on-paper intaglio prints from continuous-tone photographs using water-etched photopolymer plates. Author Clay Harmon provides clear and easy to understand instructions that will enable anyone to successfully make a photogravure print. By quantifying the sensitometric behavior of polymer plates, Harmon has developed a methodical approach which will enable a new printmaker to produce plates in their own studio with a minimum of time and wasted materials. Section One provides a straightforward guide to setting up the polymer photogravure studio. Section Two covers a step-by-step method of making the print from start to finish. Section Three showcases contemporary artists’ works, illustrating the variety and artistic breadth of contemporary polymer intaglio printmaking. The works in these pages range from monochrome to full color, and represent a variety of genres, including still lifes, portraits, nudes, landscapes, urban-scapes and more. Featuring over 30 artists and 200 full-color images, Polymer Photogravure is a most comprehensive overview of this printmaking process in print. Key topics covered include: Studio safety Equipment and supplies, evaluated from both a cost and utility point of view A brief discussion of the types of ink-based printing Aquatint screen considerations Image preparation and positive printing on inkjet printers Paper preparation A simple and efficient polymer plate calibration process that minimizes wasted time and materials A straightforward inking, wiping and printing method Advanced printing techniques such as chine collé, à la poupée, and printing on wood Troubleshooting guide to platemaking and printing problems Tips on editioning and portfolios A visual survey of the range of artistic expression practiced by contemporary artists Sources for supplies and recommended reading Polymer photogravure plates enable an artist to use an almost-infinite range of image color and papers to make a print. The finished prints are extremely archival, consisting of only ink and paper. With Harmon’s instructions, continuous tone intaglio prints are within the reach of all.
Leverage Unstructured Data to Become More Competitive, Responsive, and Innovative In Mining the Talk, two leading-edge IBM researchers introduce a revolutionary new approach to unlocking the business value hidden in virtually any form of unstructured data–from word processing documents to websites, emails to instant messages. The authors review the business drivers that have made unstructured data so important–and explain why conventional methods for working with it are inadequate. Then, writing for business professionals–not just data mining specialists–they walk step-by-step through exploring your unstructured data, understanding it, and analyzing it effectively. Next, you’ll put IBM’s techniques to work in five key areas: learning from your customer interactions; hearing the voices of customers when they’re not talking to you; discovering the “collective consciousness” of your own organization; enhancing innovation; and spotting emerging trends. Whatever your organization, Mining the Talk offers you breakthrough opportunities to become more responsive, agile, and competitive. Identify your key information sources and what can be learned about them Discover the underlying structure inherent in your unstructured information Create flexible models that capture both domain knowledge and business objectives Create visual taxonomies: “pictures” of your data and its key interrelationships Combine structured and unstructured information to reveal hidden trends, patterns, and relationships Gain insights from “informal talk” by customers and employees Systematically leverage knowledge from technical literature, patents, and the Web Establish a sustainable process for creating continuing business value from unstructured data Preface xv Acknowledgements xx Chapter 1: Introduction 1 Chapter 2: Mining Customer Interactions 21 Chapter 3: Mining the Voice of the Customer 71 Chapter 4: Mining the Voice of the Employee 93 Chapter 5: Mining to Improve Innovation 111 Chapter 6: Mining to See the Future 133 Chapter 7: Future Applications 163 Appendix: The IBM Unstructured Information Modeler Users Manual 171
Hieronymous Betts is armed with a vast array of bizarre and unsavory pets, from the slimy Slugapotamus to the smelly Sticker bog hog, in a zany easy-to-read story that is filled with hilarious pictures.
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The series builds an extensive collection of high quality descriptions of languages around the world. Each volume offers a comprehensive grammatical description of a single language together with fully analyzed sample texts and, if appropriate, a word list and other relevant information which is available on the language in question. There are no restrictions as to language family or area, and although special attention is paid to hitherto undescribed languages, new and valuable treatments of better known languages are also included. No theoretical model is imposed on the authors; the only criterion is a high standard of scientific quality. To discuss your book idea or submit a proposal, please contact Birgit Sievert.
Jamsay is the largest-population language among some twenty Dogon languages in Mali, West Africa. This is the first comprehensive grammar of any Dogon language, including a full tonology. The language is verb-final, with subject agreement on the verb and with no other case-marking. Its most striking feature is the morphosyntactically triggered use of stem-wide tone-contour overlays on nouns, verbs, and adjectives. All stems have a lexical tone contour such as H[igh], L[ow]-H, HL, or LHL with at least one H-tone. An exam of tone overlay is tone-dropping to stem-wide all-L. This is used for Perfective verbs (in the presence of a focalized constituent), and for a noun or adjective before an adjective. It is also used to mark the head NP in a relative clause (the head NP is not extracted, so this is the only direct indication of head NP status). The verb in a relative clause is morphologically a participle, agreeing with the head NP in humanness and number, rather than with the subject. "Intonation" is used grammatically. For example, NP conjunction 'X and Y' is expressed as X Y, without a conjunction, but with "dying-quail" intonation on both conjuncts.