The author of I Do. I Did. Now What?! describes life with her true love, Wendell, her dog, offering a hilarious account of her own experiences and obsession with her canine companion, from worrying about her dog's haircut to having his portrait painted in the style of Picasso's Blue Period. Reprint. 25,000 first printing.
Sheila Rae, the Brave is a warm, humorous, and loving story of sibling sympathy and support. Just because Sheila Rae is older, she doesn't always know better! This classic picture book about overcoming fear is written and illustrated by Kevin Henkes, the nationally bestselling and celebrated creator of Lilly's Purple Plastic Purse, Owen, and Kitten's First Full Moon. "I am very brave," Sheila Rae said, patting herself on the back. She wasn't afraid of anything—not thunder, not lightning, not the big black dog at the end of the block. And when she wanted to walk home a new way and Louise wouldn't, she called her sister a scaredy-cat and set out alone. But all the bravado in the world failed to help when Sheila Rae found herself lost. Luckily, her sister was not far behind. "Children will love it."—School Library Journal
Chip has dreamed about owning a dog since he was a baby. A dog would be his best friend, for he would teach it to sit, stay, fetch, and roll over. But Chip's parents refuse to buy him one. One night, Chip's dream reveals a deep truth about who Chip is. Chip doesn't need a dog; he is a dog! From then on, his life is changed--he takes himself for walks; teaches himself to sit, stay, and fetch; and makes plenty of neighborhood friends!
Reissued as part of Counterpoint's celebration of beloved American author Wendell Berry, the five stories in Fidelity return readers to Berry's fictional town of Port William, Kentucky, and the familiar characters who form a tight–knit community within. "Berry richly evokes Port William's farmlands and hamlets, and his characters are fiercely individual, yet mutually protective in everything they do. . . . His sentences are exquisitely constructed, suggesting the cyclic rhythms of his agrarian world." —The New York Times Book Review "Each of these elegant stories spans the twentieth century and reveals the profound interconnectedness of the farmers and their families to one another, to their past and to the landscape they inhabit." —The San Francisco Chronicle "Visionary . . . rooted in a deep concern for nature and the land, . . . [these stories are] tough, relentless and clear. In a roundabout way they are confrontational because they ask basic questions about men and women, violence, work and loyalty." —Hans Ostrom, The Morning News Tribune
Hannah Coulter is Wendell Berry’s seventh novel and his first to employ the voice of a woman character in its telling. Hannah, the now–elderly narrator, recounts the love she has for the land and for her community. She remembers each of her two husbands, and all places and community connections threatened by twentieth–century technologies. At risk is the whole culture of family farming, hope redeemed when her wayward and once lost grandson, Virgil, returns to his rural home place to work the farm.
“This is a book about Heaven,” says Jayber Crow, “but I must say too that . . . I have wondered sometimes if it would not finally turn out to be a book about Hell.” It is 1932 and he has returned to his native Port William to become the town's barber. Orphaned at age ten, Jayber Crow’s acquaintance with loneliness and want have made him a patient observer of the human animal, in both its goodness and frailty. He began his search as a “pre–ministerial student” at Pigeonville College. There, freedom met with new burdens and a young man needed more than a mirror to find himself. But the beginning of that finding was a short conversation with “Old Grit,” his profound professor of New Testament Greek. “You have been given questions to which you cannot be given answers. You will have to live them out—perhaps a little at a time.” “And how long is that going to take?” “I don't know. As long as you live, perhaps.” “That could be a long time.” “I will tell you a further mystery,” he said. “It may take longer.” Wendell Berry’s clear–sighted depiction of humanity’s gifts—love and loss, joy and despair—is seen though his intimate knowledge of the Port William Membership.
Wendell was spending the weekend at Sophie's house. Playing house, Wendell was the mother, the father, and the children; Sophie was the dog. Playing bakery, Wendell was the baker; Sophie got to be the sweet roll. Wendell shone his flashlight in Sophie's eyes when she tried to sleep. But when he gave her a new hairdo with shaving cream, it was the last straw, and Sophie made up a game that left Wendell speechless for a time -- and won the day for friendship.
The most comprehensive―and only author-authorized―Wendell Berry reader, "America's greatest philosopher on sustainable life and living" (Chicago Tribune). In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out in these prescient essays, drawn from his fifty-year campaign on behalf of American lands and communities. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress and in defense of local landscapes, essays that celebrate our cultural heritage, our history, and our home. With grace and conviction, Wendell Berry shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy―the natural world will not allow it. Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbors, and ourselves with respect and care. As Berry urges, we must abandon arrogance and stand in awe.
A celebratory collection of essays and photographs, originally published as part of an effort to preserve Red River Gorge from plans to build a dam and a man-made lake, shares the T. S. Eliot Award-winning writer's perspectives on the gorge's wild beauty and the nature of rivers. Reprint.
Essayist, social critic, poet, "mad farmer," novelist, teacher, and prophet: Wendell Berry has been called many things, but the broad sweep of his contemporary relevance and influence defies facile labels. With his unique perspective and far-reaching vision, Berry poses complex questions about humankind and our relationship to the land and offers simple but profound solutions. Berry's essays, novels, and poems give voice to a provocative but consistent philosophy, one that extends far beyond its agrarian core to include elements of sociology, the natural sciences, politics, religion, philosophy, linguistics, agriculture, and other seemingly incompatible fields of study. Wendell Berry: Life and Work examines this wise and original thinker, appraising his written work and exploring his influence as an activist and artist. Jason Peters has assembled a broad variety of writers including Hayden Carruth, Sven Birkerts, Barbara Kingsolver, Stanley Hauerwas, Donald Hall, Ed McClanahan, Bill McKibben, Scott Russell Sanders, Norman Wirzba, Wes Jackson, and Eric T. Freyfogle. Each contributor examines an aspect of Berry's varied yet cohesive body of work. Also included are highly personal glimpses of Wendell Berry: his career, academic influence, and unconventional lifestyle. These deft sketches of Berry show the purity of his agrarian lifestyle and demonstrate that there is nothing simple about the life to which he has devoted himself. He embraces a life that sustains him not by easy purchase and haste but by physical labor and patience, not by mindless acquiescence to a centralized economy but by careful attention to local ways and wisdom. Wendell Berry: Life and Work combines biographical sketches, personal accounts, literary criticism, and social commentary. Together, the contributors illuminate Berry as he is: a complex man of place and community with an astonishing depth of domestic, intellectual, filial, and fraternal attributes. The result is a rich portrait of one of America's most profound and honest thinkers.