It isn’t always easy being Canadian, according to Will Ferguson, but it can be a lot of fun. Asked to write a follow-up to his runaway bestseller Why I Hate Canadians, Ferguson, who’s Canadian himself, recruited his brother Ian -- comedy writer and executive producer of the Canadian series Sin City and a Canadian too -- to create this ultimate guide to the country's cultural quirks. The result is a hilarious inside look at that unique species, the Canadian, and their thoughts on such diverse subjects as beer, sex, dating rituals, sports, politics, religion, social rules -- and, of course, their trademark death-defying search for the middle of any road.
Meet Liam, Ava, Oki, Chloe and Noah — Canadian kids representing a multicultural blend of culture and race that typifies our amazing country. They’ll take you through a year in the life of Canada’s kids, from celebrations, traditions and events, to our everyday way of life and the little things that make childhood so memorable. Now in paperback, A Canadian Year is a picture book bursting with national pride. It’s a snapshot of who we are as Canadians, blending our modern-day culture and lifestyle with past traditions and native heritage. Its pages feature meandering text, dates and gorgeous illustrations showcasing our five Canadian kids at play, at school, at home, and enjoying the sights and sites of our nation. From the frozen glaciers of our north to the sweeping prairies, rocky mountains and great lakes, from vibrant cities to tiny towns, this is our Canadian childhood.
A wild ride through Canadian history, fully revised and updated! This new edition of Canadian History For Dummies takes readers on a thrilling ride through Canadian history, from indigenous native cultures and early French and British settlements through Paul Martin's shaky minority government. This timely update features all the latest, up-to-the-minute findings in historical and archeological research. In his trademark irreverent style, Will Ferguson celebrates Canada's double-gold in hockey at the 2002 Olympics, investigates Jean Chrétien's decision not to participate in the war in Iraq, and dissects the recent sponsorship scandal.
This volume examines Canada’s migration policy as part of its foreign policy. It is well known that Canada is a nation of immigrants. However, immigration policy has largely been regarded as domestic, rather than, foreign policy, with most scholarly and policy work focused on what happens after immigrants have arrived in this country. As a result, the effects of immigration to Canada on foreign affairs have been largely neglected despite the international character of immigration. The contributors to this volume underline the extent to which Canada’s relationships with individual countries and with the international community is closely affected by its immigration policies and practices and draw attention to some of these areas in the hope that it will encourage more scholarly and policy activity directed to the impact of immigration on foreign affairs. Written by both academics and policy-makers, the book analyzes some of the latest thinking and initiatives related to linkages between migration and foreign policy.
DIVCanada is situated geographically, historically, and culturally between old empires (Great Britain and France) and a more recent one (the United States), as well as on the terrain of First Nations communities. Poised between historical and metaphorical empires and operating within the conditions of incomplete modernity and economic and cultural dependency, Canada has generated a body of cultural criticism and theory, which offers unique insights into the dynamics of both center and periphery. The reader brings together for the first time in one volume recent writing in Canadian cultural studies and work by significant Canadian cultural analysts of the postwar era. Including essays by anglophone, francophone, and First Nations writers, the reader is divided into three parts, the first of which features essays by scholars who helped set the agenda for cultural and social analysis in Canada and remain important to contemporary intellectual formations: Harold Innis, Marshall McLuhan, and Anthony Wilden in communications theory; Northrop Frye in literary studies; George Grant and Harold Innis in a left-nationalist tradition of critical political economy; Fernand Dumont and Paul-Émile Borduas in Quebecois national and political culture; and Harold Cardinal in native studies. The volume’s second section showcases work in which contemporary authors address Canada’s problematic and incomplete nationalism; race, difference, and multiculturalism; and modernity and contemporary culture. The final section includes excerpts from federal policy documents that are especially important to Canadians’ conceptions of their social, political, and cultural circumstances. The reader opens with a foreword by Fredric Jameson and concludes with an afterword in which the Quebecois scholar Yves Laberge explores the differences between English-Canadian cultural studies and the prevailing forms of cultural analysis in francophone Canada. Contributors. Ian Angus, Himani Bannerji, Jody Berland, Paul-Émile Borduas, Harold Cardinal, Maurice Charland, Stephen Crocker, Ioan Davies, Fernand Dumont, Kristina Fagan, Gail Faurschou, Len Findlay, Northrop Frye, George Grant, Rick Gruneau, Harold Innis, Fredric Jameson, Yves Laberge, Jocelyn Létourneau, Eva Mackey, Lee Maracle, Marshall McLuhan, Katharyne Mitchell, Sourayan Mookerjea, Kevin Pask, Rob Shields, Will Straw, Imre Szeman, Serra Tinic, David Whitson, Tony Wilden/div
This book addresses the conceptual difficulties and political contestations surrounding the applicability of the term "African-Canadian". In the midst of this contested terrain, the volume focuses on first generation, Black Continental Africans who have immigrated to Canada in the last four decades, and have traceable genealogical links to the continent.
The story of Canada's geography is told in its rocks, soils, plants and animals --including humans. Everywhere in Canada you can find traces of what shaped the land and what plants, animals, and people have come and gone."
Each of these essays begins with the words “A Canadian is . . .”. Each one is very different, producing a fascinating book for all thinking Canadians. Irvin Studin is an idealistic young Canadian who wanted to do something extraordinary for his country. So he decided to approach leading Canadians — he calls them “sages” — to tell us what they believe defines us. The people who responded eagerly, to produce an essay of 1,500 to 2,000 words, are, in his words, “all distinguished Canadian thinkers and achievers from all walks of life — politics, the civil service, academia, literature, journalism, business, the arts — from both official language groups, and from all regions of the country, as well as from the Canadian diaspora.” The strength of this book lies in the contributors, listed in the sidebar. The variety ranges from the funny — “A Canadian is . . . someone who crosses the road to get to the middle” (Allan Fotheringham) through the hostile — “. . . the citizen of a country badly in need of growing up” (William Watson) through the surprising — “. . . adaptable. To illustrate, consider the depth and breadth of the Canadian woman’s wardrobe” (Jennifer Welsh) or celebratory — “. . . a wonderful thing to be” (Bob Rae). A Canadian is . . . certain to find this book fascinating. Contributors: Allan Fotheringham, Thomas Homer-Dixon, Roch Carrier, Jake MacDonald, George Elliott Clarke, Margaret MacMillan, Thomas Franck, Rosemarie Kuptana, Gérald A. Beaudoin, Peter W. Hogg, George Bowering, Christian Dufour, Paul Heinbecker, Mary Ellen Turpel-Lafond, John C. Crosbie, Audrey McLaughlin, Roy MacGregor, Charlotte Gray, Hugh Segal, Janet McNaughton, Sujit Choudhry, Aritha van Herk, L. Yves Fortier, Catherine Ford, Mark Kingwell, Silver Donald Cameron, Guy Laforest, Maria Tippett, E. Kent Stetson, Louis Balthazar, Joy Kogawa, Wade MacLaughlan, Douglas Glover, Lorna Marsden, Saeed Rahnema, Denis Stairs, Valerie Haig-Brown, Guy Saint-Pierre, William Watson, Doreen Barrie, Jennifer Welsh, Bob Rae
Canadian Architecture: Evolving a Cultural Identity surveys the country's most accomplished architectural firms, whose work enhances cities and landscapes across Canada's geographically varied expanse. Author Leslie Jen explores a number of significant projects in urban and rural environments--private residences, cultural and institutional facilities, and democratic public spaces--that profoundly influence our interactions with each other and the communities in which we live. Accompanied by stunning photography, Canadian Architecture is a testament to a thriving, diverse and innovative design culture that continues to play an integral role in shaping our national identity.
Ask any Canadian about a distinctly Canadian form of English, and most will offer an enthusiastic Bob-and-Doug-McKenzie 'eh' in response. A passionate few might also bring up the colour vs. color debate or our pronunciations of 'out' and 'about'. And some may point to the ubiquitous Canadiantoque as evidence of a language that is all our own. If this is your idea of Canadian English, then it might surprise you that Katherine Barber, Editor-in-Chief of the best-selling Canadian Oxford Dictionary and author of the best-selling Six Words You Never Knew Had Something to Do With Pigs, haswritten a new book filled with nothing but made-in-Canada vocabulary. Only in Canada You Say highlights more than 1,200 words and phrases that are unique to our neck of the woods. Did you know, for example, that every time you ask for Gravol at the drug store, you're using a word that is unknownanywhere else? That those tasty butter tarts your mother used to make don't exist beyond our borders? Or that there are three distinctly Canadian sex words? And jokes about living in the Great White North aside, it is still pretty interesting to discover that there are 17 Canadian words for ice!Organized thematically, Only in Canada You Say covers Canadian English from coast to coast to coast, with sections dedicated to the things we love to do, where we live, how we get around, and what we wear. The entertaining and informative introductions to each section provide a fresh, ofteneye-opening, perspective on the reality of Canadian English from Canada's own 'Word Lady', Katherine Barber. Only in Canada You Say maybe 'eh' is just the beginning of this story!
