Wessex is famous for its coasts, heaths, woodlands, chalk downland, limestone hills and gorges, settlements and farmed vales. This book provides an account of the physical form, development and operation of its landscape as it was shaped by our ancestors. Major themes include the development of agriculture, settlements, industry and transport.
Wessex formed the heartland of Alfred the Great's kingdom, and continued to wield immense economic power long into the Middle Ages with many extensive and wealthy royal and ecclelesiastical estates. Contributors to this collection of 13 papers on the medieval landscape of Wessex include: B Eagles (The Archaeological evidence for settlement in the 5th to 7th centuries); D Hinton (The archaeology of 8th- to 11th-century Wessex); P Hase (The Church in the Wessex heartlands); D Hooke (The administrative and settlement framework of early medieval Wessex); M Costen (Settlement in Wessex in the 10th century); J Bond (Forests, chases, warrens and parks); J Hare (Agriculture and settlement in Wiltshire and Hampshire); C Lewis (The medieval settlment of Wiltshire); M Hughes (Towns and villages in medieval Hampshire); C Taylor (The regular village plan); M Aston (Medieval settlement in Somerset); S Rippon (Medieval wetland reclamation); R Croft (Protecting medieval settlement sites).
Multi-disciplinary investigation of Anglo-Saxon funerary traditions. Burial evidence provides the richest record we possess for the centuries following the retreat of Roman authority. The locations and manner in which communities chose to bury their dead, within the constraints of the environmentaland social milieu, reveal much about this transformational era. This book offers a pioneering exploration of the ways in which the cultural and physical environment influenced funerary traditions during the period c. AD 450-850, in the region which came to form the leading Anglo-Saxon kingdom of Wessex. This was a diverse landscape rich in ancient remains, in the form of imposing earthworks, enigmatic megaliths and vestiges of Roman occupation. Employing archaeological evidence, complemented by toponymic and documentary sources and elucidated through landscape analysis, the author argues that particular man-made and natural features were consciously selected as foci for funerary events and ritual practice, becoming integral to manifestations of identity and power in early medieval society. Kate Mees is a British Academy Postdoctoral Fellow in the Department of Archaeology, Durham University.
The Ancient Ways of Wessex tells the story of Wessex’s roads in the early medieval period, at the point at which they first emerge in the historical record. This is the age of the Anglo-Saxons and an era that witnessed the rise of a kingdom that was taken to the very brink of defeat by the Viking invasions of the ninth century. It is a period that goes on to become one within which we can trace the beginnings of the political entity we have come to know today as England. In a series of ten detailed case studies the reader is invited to consider historical and archaeological evidence, alongside topographic information and ancient place-names, in the reconstruction of the networks of routeways and communications that served the people and places of the Anglo-Saxon kingdom of Wessex. Whether you were a peasant, pilgrim, drover, trader, warrior, bishop, king or queen, travel would have been fundamental to life in the early middle ages and this book explores the physical means by which the landscape was constituted to facilitate and improve the movement of people, goods and ideas from the seventh through to the eleventh centuries. What emerges is a dynamic web of interconnecting routeways serving multiple functions and one, perhaps, even busier than that in our own working countryside. A narrative of transition, one of both of continuity and change, provides a fresh and alternative window into the everyday workings of an early medieval landscape through the pathways trodden over a millennium ago.
"This volume draws together a series of papers that present some of the most up-to-date thinking on the history, archaeology and toponymy of Wessex and Anglo-Saxon England more broadly. In honour of one of early medieval European scholarship's most illustrious doyennes, no less than twenty-nine contributions demonstrate the indelible impression Barbara Yorke's work has made on her peers and a generation of new scholars, some of whom have benefitted directly from her tutorage. From the identities that emerged in the immediate post-Roman period, through to the development of kingdoms, the role of the church, and impacts felt beyond the eleventh century, the rich and diverse character of the studies presented here are testimony to the versatility and extensive range of the honorand's contribution to the academic field"--
This real contribution to the literature on artists and place is a truly fresh look not only at the Slade ?milieu but at the flavour of landscape painting in early twentieth century Britain. Convincingly argued, this focuses on the importance of Purbeck to some of the most important Edwardian painters. Plein air artists visiting from the 1890s saw the county through the lens of Thomas Hardy and exhibited paintings of a timeless Wessex in London. Slade tutors and students, during its Grand Epoch and ?first crisis of brilliance?, mostly visited through their friendship with a friend of Hardy, the little known Dorset-born painter John Everett. Easily accessible by train from London, painters were there in the summer months leading to Augustus John?s description that ?Corfe Castle and the neighbourhood would make you mad with painter?s cupidity?. Up to 300 painters were attracted to this sketching ground by its unique combination of ancient barrows and mining/clay pits, and dramatic coast, over the period.0Painters featured in the book include, Vanessa Bell, Charles Conder, John Everett, Roger Fry, Augustus John, Helen McNicoll, William Orpen, Philip Wilson Steer and Henry Tonks.
