If Vivian's life had a soundtrack, every song would be the Blues Pushin' Thirty (Hard Life Takes Its Toll) Singer Going Nowhere Fast Mysterious Stalker Got a Hold on Me Bullets, Blood, and Fur Long Lost Werewolf Daddy Done Me Wrong Ain't No Pack War Gonna Keep Me Down Love on the Run (feat. Sexy Jason) Melting in His Icy Eyes She's No Good (Born Under a Bad Moon) Don't Let Her Song Be Cut Short Livin' La Vida Werewolf (Bonus Track) Praise: "[Vivian's] journey ends with a twist that will have readers rapidly flipping the pages."—RT Book Reviews
Microgroove continues John Corbett's exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music. Corbett's approach to writing is as polymorphous as the music, ranging from oral history and journalistic portraiture to deeply engaged cultural critique. Corbett advocates for the relevance of "little" music, which despite its smaller audience is of enormous cultural significance. He writes on musicians as varied as Sun Ra, PJ Harvey, Koko Taylor, Steve Lacy, and Helmut Lachenmann. Among other topics, he discusses recording formats; the relationship between music and visual art, dance, and poetry; and, with Terri Kapsalis, the role of female orgasm sounds in contemporary popular music. Above all, Corbett privileges the importance of improvisation; he insists on the need to pay close attention to “other” music and celebrates its ability to open up pathways to new ideas, fresh modes of expression, and unforeseen ways of knowing.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
In this white-knuckle thriller for fans of Lisa Gardner and Karin Slaughter, a brilliant, troubled forensic psychologist finds herself matching wits with a frighteningly talented sociopath. Dr. Iris Ballard’s glory days are behind her, so when Luke Hudson, her former FBI partner and onetime lover, asks for help constructing a psychological profile of an elusive serial killer who murders single mothers and dumps their bodies in the woods, Iris turns him away. She just wants to be left alone with her infomercials, her German Shepherd, and her vodka. That is, until she gets a peek at the case files. The media has dubbed him “the Woodsman.” But after Iris learns the sickening details held back from the press, and as she sets foot onto the scene of his latest crime, she assembles a portrait of a more complicated, enigmatic, meticulous man. Control is his motivation. He thrives on it. Soon he even tries to manipulate the investigation by contacting Iris, hoping to rattle the woman he considers an intellectual equal. The game is on. Iris thinks she has a read on her target, enough to push his buttons, to make him lose control. But when the Woodsman gains the upper hand, Iris faces the most painful reckoning of all—with her own violent past.
An exciting short story featuring the F.R.E.A.K.S. Squad, the Federal Response to Extra-Sensory and Kindred Supernaturals. This top-secret branch of the FBI combats ghosts, ghouls, and other monsters threatening humanity.
A complicated, charismatic forensic psychologist tries to rescue her brother from the clutches of a maniacal cult leader in this edge-of-your-seat psychological thriller from the author of Beautiful Maids All in a Row. After catching an infamous serial killer, Dr. Iris Ballard has become a TV sensation. Exhausted from her appearances on the talk-show circuit, she’s looking forward to some quality time with Luke Hudson, her former FBI partner and on-again, off-again lover. The last thing Iris wants is to get pulled back to her dying Rust Belt hometown, but after the frantic call from her mother, she doesn’t have a choice. Iris is a disgrace in Grey Mills, Pennsylvania, but her twin brother has gone and outdone her. Billy has abandoned his fiancée, drained their checking account, and quit his job to join a cult called the New Morning Movement. Expecting to find something sinister at play, Iris is eager to destroy the quixotic hold they have on her brother. And that means outwitting the cult’s cunning, sadistic founder, Mathias Morning. Iris has logic and reason on her side. But Mathias doesn’t play by society’s rules. Just as Iris begins to lose hope, her investigation leads her to cross path with the DEA. And now she needs to save Billy’s life before they’re both caught in the crossfire. Don’t miss Jennifer Harlow’s first electrifying Iris Ballard thriller: BEAUTIFUL MAIDS ALL IN A ROW
A guide to programs currently available on video in the areas of movies/entertainment, general interest/education, sports/recreation, fine arts, health/science, business/industry, children/juvenile, how-to/instruction.
Returning home to California for Christmas, telekinetic crime fighter Beatrice Alexander's holiday is anything but peaceful when she is faced with an ultimatum from San Diego's vampire lord to leave the F.R.E.A.K.S. or die.
The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture “They’re not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We’re on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century. The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.
The editors of the New York Times bestselling Death's Excellent Vacation bring home a new collection...with a never-before- published Sookie Stackhouse story! There's nothing like home renovation for finding skeletons in the closet or otherwordly portals in the attic. Now, for any homeowner who's ever wondered, "What's that creaking sound?" or fans of "how to" television who'd like a little unreality mixed in with their reality shows, editors Charlaine Harris and Toni L. P. Kelner return with an all-new collection of the paranormal perils of Do-It-Yourself. Sookie Stackhouse resides in these pages, in a never-before-published story by #1 New York Times bestselling author Charlaine Harris. And New York Times bestselling authors Patricia Briggs, James Grady, Heather Graham, Melissa Marr, and nine other outstanding writers have constructed more frightening and funny fixer-upper tales guaranteed to shake foundations and rattle readers' pipes.
