1901 a complete exposition of the science of astrology, adapted from the four books of Ptolemy, the Astronomer, on the art of reading the stars. Contents: Introduction - Human Crystallization; Ptolemy & Modern Science; Necessary Knowledge of Astronom.
FACTS: Certain stars or planets on the point of rising at the time of birth have been observed to be connected with certain types of physique.-from the IntroductionThe ancients held a profound reverence for the art and craft of astrology... and so have plenty of thoroughly modern folks. This delightfully portentous 1901 guide to casting a horoscope and interpreting the stars introduces the reader to the Ptolemaic roots of astrology and explains everything the amateur forecaster needs to know: . the important facts of "human crystallization." how to determine the exact place and time of your birth, necessary for astrological calculations. appreciating the differences between fire, air, earth, and water signs. incorporating our "modern" knowledge of Uranus and Neptune into the rules of ancient astrology. understanding "houses," "angles," and "aspects." how to formulate predictions from cast horoscopes. and more.Pseudonymous American astrologer A. ALPHEUS (b. 1868) also wrote Complete Hypnotism (1902).
Brought as a child to Poland before WWII, the author lost six years of schooling, half of them in German prisons and internment camps. He took the fast track in education, after being repatriated, dividing his subsequent career between U.S. government service and academia.
Smart, touching, and utterly engaging, Born Under a Lucky Moon is a polished gem of contemporary women’s fiction—and it boldly announces the arrival of author Dana Precious, who immediately takes her place at the winner’s table beside Rebecca York, Jennifer Weiner, and Rebecca Wells. Not unlike Divine Secrets of the Ya Ya Sisterhood and other beloved works of southern women’s fiction—except set in the American Midwest—Born Under a Lucky Moon is a story of family, love, murder, sex scandals, and new beginnings that is, at once, intelligent, endearing, and delightfully quirky.
Synopsis.History is written by the victors, but the harsh reality of war can only be depicted by its soldiers. As a Russian recruit in World War II, Ivan Makarov witnessed General Chuikov pull out his pistol and shoot their regimental commander as a traitor. Then thrown into an open field to face German tank and artillery fire with only rifles and machine guns of their own, it took only six days at the Eastern Front for three-quarters of a regiment of 2,000 men to be wiped out. Not only by the Germans, but also by their own Russian blocking detachment. At this rate, Ivan struggled to comprehend how he would survive the hundreds of battles that lay before him, with death seeming to be the only certainty. But Ivan was a wise soul and a brave soldier, who fought for his life, no matter how hopeless or fatal the situation. In his raw and trenchant memoir, Ivan recounts in detail the terror and despair faced by a Red Army soldier on the Eastern Front.He has no sympathy for Stalin and his incompetent commanders, who sought awards and recognition at the expense of their soldiers' lives. He simply wanted to serve his country. It is rare to find first-hand accounts of the Great Patriotic War from Red Army soldiers, as many did not survive to tell the tale. For the first time, Ivan reveals his gripping recollections of battles, times, places, and people encountered over the course of World War II from when he was drafted in 1941 until their victory. These recollections re-lived over a lifetime he dared not put on paper until 1992. About the Author. Ivan Makarov was my grandfather on my mother's side. He was a veteran of the Great Patriotic War. From my childhood, I remember that he loved to tell stories about the war--about his childhood and life. Ivan also had an old typewriter and was constantly typing on it. In early 2000, he came to visit us, gave a bundle of printed stories to my mother, and said, "These are my memoirs of the war, one day you should publish a book. Let people know the real truth about the war, as all my life, I have never seen the real war portrayed in any book or movie."There are hardly any accounts detailing what the war was like for a Red Army soldier from the front line, especially in the first years. A profoundly changed man returned from there. Those who managed to return, as a rule, did not like and could not recount the real events that had transpired, and many of the Russian military documents of those years are still inaccessible to the public.Ivan wrote these stories from 1992 to 1998, after the Soviet Union collapsed and it became possible to talk about what had really happened openly. Before this time, he could easily go to prison for such writings. This book is a collection of individual stories. These events Ivan recalls in detail, from Stalingrad to Germany. During the first half of the war, Ivan was a machine gunner and a regimental scout during the second. He talks about what he personally saw and experienced during the war, and what difficulties were faced by ordinary soldiers. Ivan describes how he was captured by the Germans, escaped, and returned to the Red Army, and how he served in the machine gun company once more. Later, he was assigned to the army's intelligence services and performed special tasks. Despite all the difficulties on the front line, he maintained his desire to live, managed to survive, and returned to Russia.These stories I found in my mother's house before I moved to Australia in 2014. I started reading and could not stop, I found them captivating. After reading and making copies, I decided that it was necessary to publish the book and even translate it into English. Usually, the authors of Russian war memoirs were commanders or political workers, whose stories were vastly different
In this hilarious, laser-sharp comedy, the Emmy-winning writer and producer of Frasier sends up Hollywood pretense higher than it's ever been sent before.
These nine stories range from O Chonghui's first published work in 1968 to one of her last publications in 1994. Her early stories are compact, often chilling accounts of family dysfunction, reflecting the decline of traditional, agrarian economics and the rise of urban, industrial living. Later stories are more expansive, weaving eloquent, occasionally wistful reflections on lost love and tradition together with provocative explorations of sexuality and gender.