Eveningstar Macaw lives in a glorious Mayan city in the ninth century. When the king falls ill and dies, the city begins to crumble. An evil high priest, Great Skull Zero, orders the sacrifice of those who might become king, including Eveningstar's beloved brother. Suspicious of the High Priest's motives, Eveningstar attempts to save her brother, thus becoming an acknowledged enemy of the High Priest. Condemned to be thrown into the Well of Sacrifice, Eveningstar must find a way not only to save her own life but to rescue her family and her city from the tyrannical grasp of Great Skull Zero. Set against the vivid background of everyday life at the height of the Mayan golden age and illustrated with striking black-and-white paintings, Eveningstar's candid, gripping, and not-for-the-faint-of-heart account of the last days of a great city will have readers at the edge of their seats. Afterword.
Chichén Itzá ("mouth of the well of the Itza") was one of the great centers of civilization in prehistoric America, serving between the eighth and twelfth centuries A.D. as a religious, economic, social, and political capital on the Yucatán Peninsula. Within the ancient city there were many natural wells or cenotes. One, within the ceremonial heart of the city, is an impressive natural feature with vertical limestone walls enclosing a deep pool of jade green water some eighty feet below ground level. This cenote, which gave the city its name, became a sacred shrine of Maya pilgrimage, described by one post-Conquest observer as similar to Jerusalem and Rome. Here, during the city's ascendancy and for centuries after its decline, the peoples of Yucatán consulted their gods and made ritual offerings of precious objects and living victims who were thought to receive prophecies. Although the well was described by Bishop Diego de Landa in the late sixteenth century, its contents were not known until the early 1900s when revealed by the work of Edward H. Thompson. Conducting excavations for the Peabody Museum of Harvard University, Thompson recovered almost thirty thousand artifacts, most ceremonially broken and many beautifully preserved by burial in the deep silt at the bottom of the well. The materials were sent to the Peabody Museum, where they remained, unexhibited, for over seventy years. In 1984, for the first time, nearly three hundred objects of gold, jade, copper, pottery, wood, copal, textile, and other materials from the collection were gathered into a traveling interpretive exhibition. No other archaeological exhibition had previously given this glimpse into Maya ritual life because no other collection had objects such as those found in the Sacred Cenote. Moreover, the objects from the Cenote come from throughout Mesoamerica and lower Central America, representing many artistic traditions. The exhibit and this, its accompanying catalog, marked the first time all of the different kinds of offerings have ever been displayed together, and the first time many have been published. Essays by Gordon R. Willey and Linnea H. Wren place the Cenote of Sacrifice and the great Maya city of Chichén Itzá within the larger context of Maya archaeology and history. The catalog entries, written by Clemency Chase Coggins, describe the objects displayed in the traveling exhibition. Some entries are brief descriptive statements; others develop short scholarly themes bearing on the function and interpretation of specific objects. Coggins' introductory essay describes how the objects were collected by Thompson and how the exhibition collection has been studied to reveal the periods of Cenote ritual and the changing practices of offering to the Sacred Cenote.
There would be many more human sacrifices-of that Char was sure. It never occurs to him that he or Quel might become one of those victims who meet their fate at the hands of the cruel warrior-priests! The Maya youth spots something unusual in the Sacred Well of Sacrifice and must satisfy his curiosity. After he goads his friend into helping him commit a forbidden and foolish act-secretly entering the Well-a series of calamities is unleashed on Chichen Itza. He's been in trouble with the priests before. If they find out, the gods (or is it the priests?) will only be satisfied with the removal of his beating heart atop the Pyramid of Kukulcan. Skullman, the high priest, has worries of his own-drought, war, unrest among the people, Screaming Jaguar and Sharp Claw scheming to overthrow him. Perhaps the offering of an innocent youth would appease the gods and bring peace and harmony to the city. The boys' only desire is for calm and prosperity to return to their land. Their actions may determine not only their own fate, but also that of the entire community.
The idea and practice of sacrifice play a profound role in religion, ethics, and politics. In this brief book, philosopher Moshe Halbertal explores the meaning and implications of sacrifice, developing a theory of sacrifice as an offering and examining the relationship between sacrifice, ritual, violence, and love. On Sacrifice also looks at the place of self-sacrifice within ethical life and at the complex role of sacrifice as both a noble and destructive political ideal. In the religious domain, Halbertal argues, sacrifice is an offering, a gift given in the context of a hierarchical relationship. As such it is vulnerable to rejection, a trauma at the root of both ritual and violence. An offering is also an ambiguous gesture torn between a genuine expression of gratitude and love and an instrument of exchange, a tension that haunts the practice of sacrifice. In the moral and political domains, sacrifice is tied to the idea of self-transcendence, in which an individual sacrifices his or her self-interest for the sake of higher values and commitments. While self-sacrifice has great potential moral value, it can also be used to justify the most brutal acts. Halbertal attempts to unravel the relationship between self-sacrifice and violence, arguing that misguided self-sacrifice is far more problematic than exaggerated self-love. In his exploration of the positive and negative dimensions of self-sacrifice, Halbertal also addresses the role of past sacrifice in obligating future generations and in creating a bond for political associations, and considers the function of the modern state as a sacrificial community.
Born into a distinguished military family, Fitz John Porter (1822-1901) was educated at West Point and breveted for bravery in the war with Mexico. Already a well-respected officer at the outset of the Civil War, as a general in the Union army he became a favorite of George B. McClellan, who chose him to command the Fifth Corps of the Army of the Potomac. Porter and his troops fought heroically and well at Gaines's Mill and Malvern Hill. His devotion to the Union cause seemed unquestionable until fellow Union generals John Pope and Irvin McDowell blamed him for their own battlefield failures at Second Bull Run. As a confidant of the Democrat and limited-war proponent McClellan, Porter found himself targeted by Radical Republicans intent on turning the conflict to the cause of emancipation. He made the perfect scapegoat, and a court-martial packed with compliant officers dismissed him for disobedience of orders and misconduct before the enemy. Porter tenaciously pursued vindication after the war, and in 1879 an army commission finally reviewed his case, completely exonerating him. Obstinately partisan resistance from old Republican enemies still denied him even nominal reinstatement for six more years. This revealing new biography by William Marvel cuts through received wisdom to show Fitz John Porter as he was: a respected commander whose distinguished career was ruined by political machinations within Lincoln's administration. Marvel lifts the cloud that shadowed Porter over the last four decades of his life, exposing the spiteful Radical Republicans who refused to restore his rank long after his exoneration and never restored his benefits. Reexamining the relevant primary evidence from the full arc of Porter's life and career, Marvel offers significant insights into the intersections of politics, war, and memory.
An Apsaalooka (Crow) Indian girl has lived her life as a despised loner, overshadowed by her dead twin brother, who, it was prophesied at their birth, would become a "Great One" among his people. One night, she sets off on a forbidden journey to prove to her village, and her brother's spirit, that she is the one destined to become the true Great One. Her trek over the plains and into the mysterious region of modern-day Yellowstone National Park is a disaster, culminating in her eventual capture by a tribe of Pawnee. Strangely, these foreigners treat her with an unfamiliar respect, and the girl starts to let down her guard. But when it is suddenly revealed that she has been kept alive in order to be killed in a ritual harvest-season sacrifice, the girl is thrown back into her desperate battle for survival...in Diane Matcheck's The Sacrifice.
Descriptions of animal sacrifice in Homer offer detailed accounts of this attempt at communication between man and gods. Hitch explores the structural and thematic importance of animal sacrifice as an expression of the quarrel between Akhilleus and Agamemnon through the differing perspectives of the primary narrative and character speech.
The TROJAN WAR SONG OF PRINCES, Book One of the Homeric Chronicles Sing Muse. Sing of the shining citadel of Troy rising from the hot sands of Asia. Sing of the Greek palaces ascending from their rocky hilltops. Sing of one woman's dream heralding the madness of men and the murder of innocents. From bull dancing rings and wild meadows, the Forgotten Prince must choose between love and a golden crown. From seclusion and safety, the Golden Warrior must choose between his honor and his life. From behind the Great Wall, the Golden Prince must choose between his family and his city. And from a rugged realm on the far side of Greece, the Warrior King must choose between his son's life and certain exile. Here shepherds and princes, warriors and kings, and seers and lovers seek to conquer their passions, outwit destiny or surrender to it. PARIS, the FORGOTTEN PRINCE. ACHILLES, the GOLDEN WARRIOR. HEKTOR, the GOLDEN PRINCE. ODYSSEUS, the WARRIOR KING. Where did their legends begin before their lives converged at Troy in one of the most famous battles of all time? The HOMERIC CHRONICLES tell the stories of Paris, Achilles, Hektor, and Odysseus in one chronological tale, beginning before the ILIAD and ending long after the ODYSSEY. Blending both history and myth, the Homeric Chronicles will satisfy your love of Greek mythology, while paying homage to the original storyteller, Homer. SONGS OF PRINCES begins with the birth of Paris and Achilles, and introduces us to a young Hektor and Odysseus. The journey of the princes begins... Fall in love with Greek mythology for the first time or all over again. ...READ THEM ALL... #songofprinces #riseofprinces #returnofkings #homericchronicles THE BIRTH OF PARIS The labor began with the pull of the full moon. Hecuba's eyes opened. She recognized the familiar dull ache. The squeeze tightened down her lower back and wrapped itself around her lower hips and belly like a merciless snake. It begins, she thought. The child whose destiny she'd agonized over these many weeks pressed his entrance into a hostile world. She rolled onto her side to ease the progressing pains. She knew precious little time remained before she would be forced to call Tessa to fetch the midwife. Hecuba planned to endure as much pain as she could bear buying time with her unwelcomed son...unwelcomed by all, except for her. She loved the child despite the prophecy. Tears filled her eyes for the child pushing his way to the light. Hecuba wept into her pillow. His innocence would be her life's burden. She would never know the burn of the first milk passing to her breasts as his little mouth suckled for the first time. She would not know the smell of his baby skin. She would not feel the weight of him in her arms as she cradled him to sleep, or the weight of his little body as it grew to fill the circle of her arms, making them ache with his increasing size. She would not know him at all. He would be stolen away from her and lost forever. With each new tug on her body, she clenched her teeth and tried to breathe as quietly as possible. In between the pains, she shifted to the opposite side to keep the mounting pressure from making her cry out. As the moonlight shifted past the high window, the birthing process accelerated. A piercing pain below Hecuba's pelvis forced a shrill scream into the stillness shattering the silver calm. The warm sticky wetness washed down her thighs. Eleithyia wasted no time bringing the child along. Why goddess? Let him stay with me a while longer, I beg you. Her plea hung unheeded in that space between earth and sky.
Bound Hearts - Wicked Intent By Lora Leigh Control has meant everything to Tally Raines. Control of the office she ran as Jesse Wyman's secretary, and now control of Lucian Conover's office as well. But Lucian isn't content to be controlled by his fiery secretary. As a matter of fact, Lucian thinks she needs to loosen up and let the sexy, sensual woman hiding beneath her cool exterior free. And he will dare her to do just that...With a little help. Bound Hearts - Sacrifice By Lora Leigh Book five of the Bound Hearts series. Kimberly has run from Jared for a year now, sensing the weakness he could be to her future. But she never expected the sacrifice he would make for her. One that will rock her soul, and destroy the very foundations of all her beliefs. Her sexuality, her heart, and all she's fought for in the last six years will be tested when an assignment takes her to Jared's farm, and into his bed. There she will learn the true meaning of hunger, of love¿as well as the deception and the lies that have governed her life for so long. Anything worth having is worth sacrificing for. Kimberly is about to find out if she can pay the price, and risk not only the inheritance that should be hers, but also her heart to the one man who can still the fires that rage in her soul.
