Bent Met police detective DI Frederick Street rules as the ‘Sheriff of Shoreditch’ who loves shaking down the street goons he arrests. Elvis Street is the son who cannot stand his father for being the balls-out crook he caught in bed with his girl. Elvis wants to take Frederick down and end him forever. Neither father or son realises how much the other understands what controls them. Neither father or son will ever back down. Night Time Cool is the story of why?
BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-house camp, Hammer's prehistoric fantasies and the worst British films ever made, author I.Q. Hunter draws on rare archival material and new primary research to take us through the weird and wonderful world of British trash cinema. Beginning by outlining the definitions of trash films and their place in British film history, Hunter explores topics including: Hammer's overlooked fantasy films, the emergence of the sexploitation film in the 1950s and 60s, the sex industry in the 1970s, Ken Russell's high camp Gothic and erotic adaptations since the 1980s, gross-out comedies, revenge films, and contemporary straight-to-DVD horror and erotica.
Professor Gail Dines has written about and researched the porn industry for over two decades. She attends industry conferences, interviews producers and performers, and speaks to hundreds of men and women each year about their experience with porn. Students and educators describe her work as “life changing.” In Pornland—the culmination of her life’s work—Dines takes an unflinching look at porn and its affect on our lives. Astonishingly, the average age of first viewing porn is now 11.5 years for boys, and with the advent of the Internet, it’s no surprise that young people are consuming more porn than ever. But, as Dines shows, today’s porn is strikingly different from yesterday’s Playboy. As porn culture has become absorbed into pop culture, a new wave of entrepreneurs are creating porn that is even more hard-core, violent, sexist, and racist. To differentiate their products in a glutted market, producers have created profitable niche products—like teen sex, torture porn, and gonzo—in order to entice a generation of desensitized users. Going from the backstreets to Wall Street, Dines traces the extensive money trail behind this multibillion-dollar industry—one that reaps more profits than the film and music industries combined. Like Big Tobacco—with its powerful lobbying groups and sophisticated business practices—porn companies don’t simply sell products. Rather they influence legislators, partner with mainstream media, and develop new technologies like streaming video for cell phones. Proving that this assembly line of content is actually limiting our sexual freedom, Dines argues that porn’s omnipresence has become a public health concern we can no longer ignore.
Written from his cell and smuggled out page by page, Colin Martin’s autobiography chronicles an innocent man’s struggle to survive inside one of the world’s most dangerous prisons. After being swindled out of a fortune, Colin was let down by the hopelessly corrupt Thai police. Forced to rely upon his own resources, he tracked down the man who conned him and, drawn into a fight, he accidentally killed that man’s bodyguard. Colin was arrested, denied a fair trial, convicted of murder and thrown into prison, where he remained for 8 years. Honest and often disturbing, but told with a surprising humour, Welcome to Hell is the remarkable story of how Colin was denied justice again and again.
The author--one of the harbingers of the sexual revolution--shares her thoughts on a variety of culturally risque topics in twelve essays she has written since her now twelve-year-old daughter was born, including her thoughts on the over-sexualization of girls and her role as lesbian consultant to The Matrix. Original.
Celia Lury considers the interrelated dimensions of the brand: as a creator of space, time and community, as a form of intellectual property and as an increasingly important medium of exchange in a global economy.
Welcome to Pornoland! Ric Porter had a job in a dead-end clothes store when he fell into working in the british adult film industry, accidentally blundering into a succesful career in movies, magazines and television. This is an amazing real-life story that reads like a cross between 'Boogie Nights' and 'Carry On'! "It's 50 shades of outrageous!" The book charts Ric's experiences from working with the then unknown Ben Dover on early films through to managing the UK's most prolific adult magazine publishing group, to becoming a producer for British adult satellite TV and much much more, featuring anecdotes of many well known adult and mainstream celebrities. An amusing and insightful look at the British adult industry 'from the inside. Welcome to Pornoland!
Twenty-five years after the start of the feminist sex wars, pornography remains a flashpoint issue, with feminists locked in a familiar argument: Are women victims or agents? In At Home with Pornography, Jane Juffer exposes the fruitlessness of this debate and suggests that it has prevented us from realizing women's changing relationship to erotica and porn. Over the course of these same twenty-five years, there has been a proliferation of sexually explicit materials geared toward women, made available in increasingly mainstream venues. In asking "what is the relationship of women to pornography?" Juffer maintains that we need to stop obsessing over pornography's transgressive aspects, and start focusing on the place of porn and erotica in women's everyday lives. Where, she asks, do women routinely find it, for how much, and how is it circulated and consumed within the home? How is this circulation and consumption shaped by the different marketing categories that attempt to distinguish erotica from porn, such as women's literary erotica and sexual self-help videos for couples? At Home with Pornography responds to these questions by viewing women's erotica within the context of governmental regulation that attempts to counterpose a "dangerous" pornography with the sanctity of the home. Juffer explorers how women's consumption of erotica and porn for their own pleasure can be empowering, while still acting to reinforce conservative ideals. She shows how, for instance, the Victoria's Secret catalog is able to function as a kind of pornography whose circulation is facilitated both by its reliance on Victorian themes of secrecy and privacy and on its appeals to the selfish pleasures of modern career women. In her pursuit to understand what women like and how they get it, Juffer delves into adult cable channels, erotic literary anthologies, sex therapy guides, cyberporn, masturbation, and sex toys, showing the varying degrees to which these materials have been domesticated for home consumption. Representing the next generation of scholarship on pornography, At Home with Pornography will transform our understanding of women's everyday sexuality.
This is a photographic journey across the world of pornography in the USA, Japan, Hungary and Germany. It features a contemplative essay from Martin Amis, who talks to the stars, wannabe stars and industry workers in LA.
