"Sherpatude no. 26: 'Humor is a combat multiplier ...' Has your war become workaday? Does life on the Forward Operating Base (FOB) now seem commonplace? Armed with deadpan snark and poker-faced patriotism -- and rooted in the coffee-black soil and plain-spoken voice of the American Midwest -- journalist-turned-poet Randy Brown reveals behind-the-scenes stories of U.S. soldier-citizenship. From Boot Camp to Bagram, Afghanistan. And back home again." --
The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph.
"Every poet," warns Randy Brown, "has a heart filled / with shrapnel."In his new chapbook "So Frag & So Bold," the former U.S. Army "brigade staff jester" takes aim at endless wars, parent traps, social media, and stodgy religions. It's an iconoclastic cluster-munition that's bursting with more than 60 haiku, aphorisms, and typographic gadgets.Brown's careful constructions of line-breaks and language are intended to variously provoke chuckles, surprise, and expansive thoughts. "Any poem is a device," he writes, "improvised to explode with meaning [...] ignited by a trigger / word."Prepare for amusement, bemusement, and plenty of pyrotechnics!
"One diplomat's darkly humorous and ultimately scathing assault on just about everything the military and State Department have done—or tried to do—since the invasion of Iraq. The title says it all."—The New York Times A work of "scathing, gallows humor" (The Boston Globe), We Meant Well is a tragicomic voyage of ineptitude and corruption that leaves its writer—and readers—appalled and disillusioned, but wiser. Charged with rebuilding Iraq, would you spend taxpayer money on a sports mural in Baghdad's most dangerous neighborhood to promote reconciliation through art? How about an isolated milk factory that cannot get its milk to market? Or a pastry class training women to open cafés on bombed-out streets that lack water and electricity? As Peter Van Buren shows, we bought all these projects and more in the most expensive hearts-and-minds campaign since the Marshall Plan. We Meant Well is his eyewitness account of the civilian side of the surge—that surreal and bollixed attempt to defeat terrorism and win over Iraqis by reconstructing the world we had just destroyed. Leading a State Department Provincial Reconstruction Team on its quixotic mission, Van Buren details, with laser-like irony, his yearlong encounter with pointless projects, bureaucratic fumbling, overwhelmed soldiers, and oblivious administrators secluded in the world's largest embassy, who fail to realize that you can't rebuild a country without first picking up the trash.
The Ghosts of Babylon is as near to the crucible of war as you can get without wearing Kevlar and camouflage. Only a soldier poet lays bare the emotions of those who tasted life and death. These poems capture the essence of Jonathan Baxter's twelve deployments-brotherhood and bereavement, duty and disillusionment, heroism and horror.
Nearly 5000 haiku by Jane Reichhold, written in English between 1993 - 2013 have been arranged according to the five seasons and seven traditional saijiki categories of Japan. However the haiku within the categories are arranged alphabetically - which makes this a dictionary.
An important rethinking of the Normandy war narrative Beyond the Beach examines the Allied air war against France in 1944. During this period, General Dwight David Eisenhower, as Supreme Allied Commander, took control of all American, British, and Canadian air units and employed them for tactical and operational purposes over France rather than as a strategic force to attack targets deep in Germany. Using bombers as his long-range artillery, he directed the destruction of bridges, rail centers, ports, military installations, and even French towns with the intent of preventing German reinforcements from interfering with Operation Neptune, the Allied landings on the Normandy beaches. Ultimately, this air offensive resulted in the death of over 60,000 French civilians and an immense amount of damage to towns, churches, buildings, and works of art. This intense bombing operation, conducted against a friendly occupied state, resulted in a swath of physical and human destruction across northwest France that is rarely discussed as part of the D-Day landings. This book explores the relationship between ground and air operations and its effects on the French population. It examines the three broad groups that the air operations involved, the doctrine and equipment used by Allied air force leaders to implement Eisenhower’s plans, and each of the eight major operations, called lines of effort, that coordinated the employment of the thousands of fighters, medium bombers, and heavy bombers that prowled the French skies that spring and summer of 1944. Each of these sections discusses the operation's purpose, conduct, and effects upon both the military and the civilian targets. Finally, the book explores the short and long-term effects of these operations and argues that this ignored narrative should be part of any history of the D-Day landings.
A first-person account of the Iraq War by a solider-poet, winner of the 2005 Beatrice Hawley Award. Adding his voice to the current debate about the US occupation of Iraq, in poems written in the tradition of such poets as Wilfred Owen, Yusef Komunyakaa (Dien Cai Dau), Bruce Weigl (Song of Napalm) and Alice James’ own Doug Anderson (The Moon Reflected Fire), Iraqi war veteran Brian Turner writes power-fully affecting poetry of witness, exceptional for its beauty, honesty, and skill. Based on Turner’s yearlong tour in Iraq as an infantry team leader, the poems offer gracefully rendered, unflinching description but, remarkably, leave the reader to draw conclusions or moral lessons. Here, Bullet is a must-read for anyone who cares about the war, regardless of political affiliation.
Tomorrow It Will All Run Backwards is a collection of war poetry that, in the words of Mario Petrucci, the Imperial War Museum's Poet-In-Residence, is "direct, point-blank. Brett is concerned with parachuting us into seeing what he, with consistently unsentimental eyes, has seen." Rich with allusions to literature and culture, the poems remind the reader that even education and civil society can do nothing to change the horrific nature of war itself. Through this book, Brett focuses the attention of the reader onto the implications of war. The imagery is often striking and the commentary subtle, tending to convey a world of twisted values, a world striking or even beautiful in its cruelty and insensitivity to everyone -civilians or soldiers- who become just part of the technology of war.
