Welcome Home, Brother is a collection of the personal memoirs of 31 veterans of the Vietnam War. Told by members of the Navy, Marines, Air Force and Army, these accounts depict combat and day-to-day life in-country, as well as the Vietnam War veterans' experiences as they returned home to a country divided by the war.
Warriors Remembered isone veteran¿s journey tocapture the recognitionthat proudly standsthroughout our country for veterans ofthe Vietnam War. The emotion of thesememorials is evident in every story.The memorials are as much for the livingas the dead. They reveal the spirit of thosewho survived and offer comfort for familiesaffected by the war. They helped to heal anation torn by a most divisive war.The book can be a travel guide for your ownjourney to see these compelling memorials.For those who love a veteran, it is a catalystto connect and open a conversation aboutpast service still wrapped in silence. Forveterans, it is an overdue Welcome Home!
Intense, powerful, and compelling, Matterhorn is an epic war novel in the tradition of Norman Mailer’s The Naked and the Dead and James Jones’s The Thin Red Line. It is the timeless story of a young Marine lieutenant, Waino Mellas, and his comrades in Bravo Company, who are dropped into the mountain jungle of Vietnam as boys and forced to fight their way into manhood. Standing in their way are not merely the North Vietnamese but also monsoon rain and mud, leeches and tigers, disease and malnutrition. Almost as daunting, it turns out, are the obstacles they discover between each other: racial tension, competing ambitions, and duplicitous superior officers. But when the company finds itself surrounded and outnumbered by a massive enemy regiment, the Marines are thrust into the raw and all-consuming terror of combat. The experience will change them forever. Written by a highly decorated Marine veteran over the course of thirty years, Matterhorn is a spellbinding and unforgettable novel that brings to life an entire world—both its horrors and its thrills—and seems destined to become a classic of combat literature.
I served as an Army trauma surgeon at the 85th Evacuation Hospital, Phu Bai, Vietnam, '70-'71. Into our emergency room were intermittently deposited the wounded, some greviously others not, by the dare- devil Dust Off medieval pilots who risked imminent death with each mission. We routinely witnessed the devistation of war on body, mind and soul. The corpsmen, technicians, nurses, anesthesiologists and surgeons explored every known and out-of-the- box technique to salvage life and limb. If the wounded arrived alive at the 85th, he had a 95% chance of survival. It was and still is that 5% whose injuries were so severe or whose blood loss could not be stemmed that haunt us today. That's PTS. By storytelling for fifty years since returning to the US in late August 1971, I have avoided the (D) and mollified my demons. The intense emotions during my traumatic experience have softened greatly but, I am back in Vietnam on a daily basis. In 2015 I compiled my stories into Welcome Home From Vietnam, Finally, A Vietnam Trauma Surgeon's Memoir. It is gripping, honest, real-life and disturbing. Then we realize that the 58,000+ lives lost did not change a thing. No dominos fell and Vietnam is now our close trading partner. They have been gratious victors. I've lived, studied and researched PTS(D). I now understand that when we were "partying" with booze and weed, we were actually self-medicating to numb recognition of the demons. That process continues today as there exists an epidemic of active duty military and veteran PTS(D), substance abuse ane suicide. I address these issues in this book's appendices but have more current information on the book's web site. Our nation must shift their concentration from treating PTS(D) as a developed disorder and initiate the PREVENTIVE approach I propose PRIOR to discharge. If prevention by vaccination is the answer to Covid-19 why not apply the same principle to PTS(D)?
How the startling image of an anti-war protested spitting on a uniformed veteran misrepresented the narrative of Vietnam War political debate One of the most resilient images of the Vietnam era is that of the anti-war protester — often a woman — spitting on the uniformed veteran just off the plane. The lingering potency of this icon was evident during the Gulf War, when war supporters invoked it to discredit their opposition. In this startling book, Jerry Lembcke demonstrates that not a single incident of this sort has been convincingly documented. Rather, the anti-war Left saw in veterans a natural ally, and the relationship between anti-war forces and most veterans was defined by mutual support. Indeed one soldier wrote angrily to Vice President Spiro Agnew that the only Americans who seemed concerned about the soldier's welfare were the anti-war activists. While the veterans were sometimes made to feel uncomfortable about their service, this sense of unease was, Lembcke argues, more often rooted in the political practices of the Right. Tracing a range of conflicts in the twentieth century, the book illustrates how regimes engaged in unpopular conflicts often vilify their domestic opponents for "stabbing the boys in the back." Concluding with an account of the powerful role played by Hollywood in cementing the myth of the betrayed veteran through such films as Coming Home, Taxi Driver, and Rambo, Jerry Lembcke's book stands as one of the most important, original, and controversial works of cultural history in recent years.
The long-awaited memoir from John Fogerty, the legendary singer-songwriter and creative force behind Creedence Clearwater Revival. Creedence Clearwater Revival is one of the most important and beloved bands in the history of rock, and John Fogerty wrote, sang, and produced their instantly recognizable classics: "Proud Mary," "Bad Moon Rising," "Born on the Bayou," and more. Now he reveals how he brought CCR to number one in the world, eclipsing even the Beatles in 1969. By the next year, though, Creedence was falling apart; their amazing, enduring success exploded and faded in just a few short years. Fortunate Son takes readers from Fogerty's Northern California roots, through Creedence's success and the retreat from music and public life, to his hard-won revival as a solo artist who finally found love.
Death is often welcome for soldiers who returned from Vietnam because it appears to be the only means of peace within. Knowing that each day could, and in all probability, will be his last, the soldier's thought process becomes distorted and his animalistic instincts take over and allow for total abandonment of inhibitions. These soldiers answered the nation's call and they paid the price for the freedoms we as a nation hold dear. They are also the ones who continue to pay the price for the combat experience and that part of us that died in country. These men suffer from PTSD, Post Traumatic Stress Disorder, and this is their story.
Jack McCabe, himself a Vietnam War veteran, shares his own homecoming story and those of other Vietnam veterans, assembled from McCabe's interviews with more than 150 veterans.
Since its creation in 1982, the Vietnam Veterans Memorial has become the most visited National Park Services site. Each year, 4.5 million people come to the Wall. Many of them leave letters or other special objects. Every night, park rangers collect and inventory these mementos—now numbering well over 90,000—and put them into government storage. Michael Sofarelli, the son of a Vietnam War veteran, has combed through the archives searching for the most gripping letters and objects: a mother awaiting word of her missing son, a former comrade recounting a battle story, a pair of well-worn ballet slippers, and a collection of cigars. These items are not only a tribute to the fallen soldiers; they pay tribute as well to the families and friends who waited at home and the comrades who have never forgotten their brothers. They tell the story of a war that is still being fought by many who served and a conflict that changed the lives of many Americans forever.