Weaving Abstraction in Ancient and Modern Art

Weaving Abstraction in Ancient and Modern Art

Author: Iria Candela

Publisher: Metropolitan Museum of Art

Published: 2023-11-01

Total Pages: 52

ISBN-13: 1588397793

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Expanding the understanding of textile and fiber arts, this edition of the Bulletin features two distinct bodies of work that are intimately connected despite being separated by hundreds of years. Placing ancient Andean textiles from South America by unknown artists in conversation with works by global modern practitioners—such as Anni Albers, Sheila Hicks, Lenore Tawney, and Olga de Amaral—Weaving Abstraction in Ancient and Modern Art shows how both traditions harnessed the structure of the loom to create dynamic geometric designs. The 50 extraordinary pieces in this volume span over 2000 years and illustrate weaving’s complex and varied ways of conveying meaning, from stunning iconography to bold structural choices. In highlighting the aesthetic and cultural choices of both ancient and modern artists, this publication elevates textile arts beyond mere ornament to assert their role in the history of art past and present.


On Weaving

On Weaving

Author: Anni Albers

Publisher: Courier Corporation

Published: 2003-01-01

Total Pages: 214

ISBN-13: 9780486431925

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This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.


The Stone and the Thread

The Stone and the Thread

Author: César Paternosto

Publisher: University of Texas Press

Published: 1996-01-01

Total Pages: 304

ISBN-13: 9780292765658

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"Shows that precolumbian tectonic forms (especially as found in sculpture and weaving) appear to be an overlooked source, or anticipation, of much of the art of the 20th century. Second part of book deals with artifacts as American art and addresses reception of ancient tectonics in the 20th century. Emphasizes intense relationship that some members of the New York School (particularly Barnett Newman and Adolph Gottlieb) had during 1940s with the aboriginal arts of the North American part of the hemisphere and thus the affinities between their work and the work of the older Torres Garcâia in Montevideo, at the other end of the continent"--Handbook of Latin American Studies, v. 58.


Weaving Modernism

Weaving Modernism

Author: K. L. H. Wells

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 281

ISBN-13: 0300232594

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An unprecedented study that reveals tapestry's role as a modernist medium and a model for the movement's discourse on both sides of the Atlantic in the decades following World War II


Bauhaus Weaving Theory

Bauhaus Weaving Theory

Author: T’ai Smith

Publisher: U of Minnesota Press

Published: 2014-11-01

Total Pages: 290

ISBN-13: 1452943222

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The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school’s weaving workshop. In Bauhaus Weaving Theory, T’ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop’s innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.


Olga de Amaral

Olga de Amaral

Author: Anna Walker

Publisher:

Published: 2020

Total Pages: 144

ISBN-13: 9783897905962

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"Traces the career of Colombian artist Olga de Amaral (born 1932). Drawing on techniques like plaiting and wrapping and materials such as horsehair and gold leaf, Amaral's transformative woven sculptures result from a lifetime of experimentation. This book provides new scholarship by contextualizing Amaral's work within contemporary and fiber arts"--


Inventing Abstraction, 1910-1925

Inventing Abstraction, 1910-1925

Author: Leah Dickerman

Publisher: The Museum of Modern Art

Published: 2012

Total Pages: 378

ISBN-13: 0870708287

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This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).


Lenore Tawney

Lenore Tawney

Author: Karen Patterson

Publisher: University of Chicago Press

Published: 2019-09-18

Total Pages: 305

ISBN-13: 022666483X

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Recent years have seen an enormous surge of interest in fiber arts, with works made of thread on display in art museums around the world. But this art form only began to transcend its origins as a humble craft in the late nineteenth and early twentieth centuries, and it wasn’t until the 1950s and 1960s that artists used the fiber arts to build critical practices that challenged the definitions of painting, drawing, and sculpture. One of those artists was Lenore Tawney (1907–2007). Raised and trained in Chicago before she moved to New York, Tawney had a storied career. She was known for employing an ancient Peruvian gauze weave technique to create a painterly effect that appeared to float in space rather than cling to the wall, as well as for being one of the first artists to blend sculptural techniques with weaving practices and, in the process, pioneered a new direction in fiber art. Despite her prominence on the New York art scene, however, she has only recently begun to receive her due from the greater art world. Accompanying a retrospective at the John Michael Kohler Arts Center, this catalog features a comprehensive biography of Tawney, additional essays on her work, and two hundred full-color illustrations, making it of interest to contemporary artists, art historians, and the growing audience for fiber art. Copublished with the John Michael Kohler Arts Center.