Weaving Abstraction in Ancient and Modern Art

Weaving Abstraction in Ancient and Modern Art

Author: Iria Candela

Publisher: Metropolitan Museum of Art

Published: 2023-11-01

Total Pages: 52

ISBN-13: 1588397793

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Expanding the understanding of textile and fiber arts, this edition of the Bulletin features two distinct bodies of work that are intimately connected despite being separated by hundreds of years. Placing ancient Andean textiles from South America by unknown artists in conversation with works by global modern practitioners—such as Anni Albers, Sheila Hicks, Lenore Tawney, and Olga de Amaral—Weaving Abstraction in Ancient and Modern Art shows how both traditions harnessed the structure of the loom to create dynamic geometric designs. The 50 extraordinary pieces in this volume span over 2000 years and illustrate weaving’s complex and varied ways of conveying meaning, from stunning iconography to bold structural choices. In highlighting the aesthetic and cultural choices of both ancient and modern artists, this publication elevates textile arts beyond mere ornament to assert their role in the history of art past and present.


Weaving Modernism

Weaving Modernism

Author: K. L. H. Wells

Publisher: Yale University Press

Published: 2019-01-01

Total Pages: 281

ISBN-13: 0300232594

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An unprecedented study that reveals tapestry's role as a modernist medium and a model for the movement's discourse on both sides of the Atlantic in the decades following World War II


On Weaving

On Weaving

Author: Anni Albers

Publisher: Princeton University Press

Published: 2017-10-24

Total Pages: 273

ISBN-13: 1400889049

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The classic book on the art and history of weaving—now expanded and in full color Written by one of the twentieth century’s leading textile artists, this splendidly illustrated book is a luminous meditation on the art of weaving, its history, its tools and techniques, and its implications for modern design. First published in 1965, On Weaving bridges the transition between handcraft and the machine-made, highlighting the essential importance of material awareness and the creative leaps that can occur when design problems are tackled by hand. With her focus on materials and handlooms, Anni Albers discusses how technology and mass production place limits on creativity and problem solving, and makes the case for a renewed embrace of human ingenuity that is particularly important today. Her lucid and engaging prose is illustrated with a wealth of rare and extraordinary images showing the history of the medium, from hand-drawn diagrams and close-ups of pre-Columbian textiles to material studies with corn, paper, and the typewriter, as well as illuminating examples of her own work. Now available for a new generation of readers, this expanded edition of On Weaving updates the book’s original black-and-white illustrations with full-color photos, and features an afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and T’ai Smith that shed critical light on Albers and her career.


On Weaving

On Weaving

Author: Anni Albers

Publisher: Courier Corporation

Published: 2003-01-01

Total Pages: 214

ISBN-13: 9780486431925

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This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.


Sheila Hicks Weaving as Metaphor

Sheila Hicks Weaving as Metaphor

Author: Arthur C. Danto

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 424

ISBN-13: 9780300116854

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This text examines the small woven and wrought works artist Sheila Hicks has produced over years. Focusing on 100 Hicks miniatures from many public and private collections, it includes three informative essays as well as illustrations of the artist's related drawings, photographs and chronology.


Weaving as an Art Form

Weaving as an Art Form

Author: Theo Moorman

Publisher: Schiffer Craft

Published: 1975

Total Pages: 108

ISBN-13:

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Outstanding among textile artists -- Theo Moorman is a British weaver who has taught extensively in the United States. Illustrated with beautiful colour and black-and-white examples of her work are her thoughts on the design and aesthetic expression embodied in a woven fabric. The technique of weaving that bears her name is explained with numerous ways the Moorman technique may be varied and used with further exploration. Her experiences with commissioned works are utilised in a special chapter relating the problems and opportunities these present.


Bauhaus Weaving Theory

Bauhaus Weaving Theory

Author: T’ai Smith

Publisher: U of Minnesota Press

Published: 2014-11-01

Total Pages: 290

ISBN-13: 1452943222

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The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school’s weaving workshop. In Bauhaus Weaving Theory, T’ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop’s innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.


Advances in Web-Based Learning

Advances in Web-Based Learning

Author: Joseph Fong

Publisher: Springer Science & Business Media

Published: 2002-08-05

Total Pages: 430

ISBN-13: 3540440410

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This book constitutes the refereed proceedings of the First International Conference on Web-Based Learning, ICWL 2002, held in Hong Kong, China in August 2002. The 34 revised full papers presented together with an invited keynote paper were carefully reviewed and selected from 75 submissions. The papers are organized in topical sections on system modeling and architectures, distance learning systems engineering, collaborative systems, experiences in distance learning, databases and data mining, and multimedia.


Frank Lloyd Wright

Frank Lloyd Wright

Author: Paul Laseau

Publisher: John Wiley & Sons

Published: 1991-12-15

Total Pages: 222

ISBN-13: 9780471288831

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Despite the renewed interest in Frank Lloyd Wright and the increasing body of literature that has illuminated his career, the deeper meaning of his architecture continues to be elusive. His own writings are often interesting commentaries but tend not to enlighten us as to his design methodology, and it is difficult to make the connection between his stated philosophy and his actual designs. This book is a refreshing account that evaluates Wright’s contribution on the basis of his architectural form, its animating principle and consequent meaning. Wright’s architecture, not his persona, is the primary focus of this investigation. This study presents a comprehensive overview of Wright’s work in a comparative analytical format. Wright’s major building types have been identified to enable the reader to pursue a more systematic understanding of his work. The conceptual and experiential order of each building group is demonstrated visually with specially developed analytical illustrations. These drawings offer vital insights into Wright’s exploration of form and underscore the connection between form and principle. The implications of Wright’s work for architecture in general serves as an important underlying theme throughout. This volume also integrates the research of several noted scholars to clarify the interaction of theory and practice in Wright’s work, as well as the role of formal order in architectural experience in general. By seeing how Wright integrates his intuitive and intellectual grasp of design, the reader will build a keen awareness of the rational and coherent basis of his architecture and its symbiotic relationship with emotional, qualitative reality. A graphic taxonomy of plans of Wright’s building designs helps the reader focus on specific subjects. Among the diverse areas covered are sources and influences of Wright’s work, domestic themes and variations, public buildings and skyscraper designs, and the influence of site on design. Complete with a chronology of the master architect’s work, Frank Lloyd Wright: Between Principle and Form is an important reference for students, architects and architectural historians.