We Danced Until Dawn is the sequel to the l800’s family saga of Fallow Are the Fields. After the tragic and triumphant end of the American Civil War, a new beginning took hold all across America and changed the lives of Steven Jett and his family once again. It is a happy story filled with intrigue, historical events, and wondrous new things. The turn of the century and early l900’s would never be the same. The Author
Solariad of Surazeus - Guidance of Solaria presents 114,920 lines of verse in 1,660 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 2006 to 2011.
The GLORY ROAD is a tell all book about the "Trilogy Series - Fallow Are the Fields, We Danced Until Dawn, and Under the Wedding Tree." Starting out in 1846, it soon moves into the story of the American Civil War and its impact on the Jett Family on their family farm near Salt Springs, Georgia, just west of Atlanta. After the war, the turn of the century and the Victorian Age once again disrupt lives with modern inventions and great resorts and financial challenges like never before. Later the Modern Age arrives and brings with its new unknown and untried perplexities of the future. You will have an armchair seats as you too share these great events, as you travel with, then down THE GLORY ROAD. The Author
The “Prophet” whose father, who had worked in the steel mills there, had imprinted an unexplainable “Connection” to the old farm of almost 200 years, and to myself, and to my family. Both steel poles, had the same vertical imprint, standing about eight feet apart. I never knew, there was a special connection there, a special meaning nor a special person, who would one day come into my life as the “Prophet!” The book had been finished for three days! Go into life and do thou likewise . . . “So Sayeth the Prophet”
These vampires don’t sparkle…they bite. Book 1 of the Blood of Eden trilogy by Julie Kagawa, New York Times bestselling author of The Iron Fey, begins a thrilling dark fantasy series where vampires rule, humans are prey…and one girl will become what she hates most to save all she loves. Allison Sekemoto survives in the Fringe, where the vampires who killed her mother rule and she and her crew of outcasts must hide from the monsters at night. All that drives Allie is her hatred of vampires, who keep humans as prey. Until the night Allie herself dies…a becomes one of the monsters. When she hears of a mythical place called Eden that might have a cure for the blood disease that killed off most of civilization, Allie decides to seek it out. Hiding among a band of humans, she begins a journey that will have unforeseen consequences…to herself, to the boy she’s falling for who believes she’s human, and to the future of the world. Now Allie must decide what—and who—is worth dying for…again. “A fresh and imaginative thrill ride.” —Publishers Weekly, starred review Books in the Blood of Eden series: The Immortal Rules The Eternity Cure The Forever Song
What is there to see in Glacier National Park after the sun goes down? As writer and photographer John Ashley reveals in his newest book, some of Glacier’s most awe-inspiring sights are found high above the mountaintops. Readers will marvel at Ashley’s spectacular color photographs of favorite Glacier landmarks such as Chief Mountain and St. Mary Lake lit by the Milky Way, northern lights, and a universe of wonders. These images complement Ashley’s text, which includes clear explanations of astronomical phenomena, traditional Blackfoot stories, Glacier National Park geology and history, and entertaining tales of his own run-ins with curious critters and park rangers. Ashley rallies readers to combat light pollution, a problem that has begun to erode the ancient beauty of one of the last truly dark places in the country.
The aim of this anthology is to present a selection of plays that are representative of a fresh spirit and of societal pressures and changes in Spanish American culture. The plays shun the earlier realistic, sentimental, and melodramatic conventions of Spanish American theater. Instead, they reflect the tenor of the dramatic imagination of the mid-to-late twentieth century—an imagination that sought new forms and ways of expressing a new awareness of the Spanish American dilemma. In selecting these plays, William I. Oliver looked for more than mere illustrations of these changes. As a practicing director and playwright, he sought works that are effective on the stage as well as on the page. As an editor and translator, he sought works “that could be translated culturally as well as linguistically.” The six plays in this varied and vigorous anthology are the measure of his success. The plays included are The Day They Let the Lions Loose, by Emilio Carballido (Mexico); The Camp, by Griselda Gambaro (Argentina); The Library, by Carlos Maggi (Uruguay); In the Right Hand of God the Father, by Enrique Buenaventura (Colombia); The Mulatto’s Orgy, by Luisa Josefina Hernández (Mexico); and Viña: Three Beach Plays, by Sergio Vodánovic (Chile).
