Hi, Steph and Dom here ... Yes that's right, the posh couple from Gogglebox. We're here to tell you about this nifty little book we've done. In handy reference form the book contains our unique take on how to get the most out of pretty much everything life throws at you. Now before you think to yourself 'doesn't a book have to be more than one page long to actually be a book?' we'd like to reassure you we've learnt loads actually! Admittedly we've learnt most of it by accident ... but the point is, we would like to share it with you! Through the medium of hilarity we'll show you everything from how to make an Irish coffee without having a mental breakdown to learning how you and your partner can grow young together and endure more fun than you ever thought possible. Anyway, it's a bloody useful little thing with all the wisdom we've collected over the years - so sit back, pour yourself a drink and let us be your booze consultants, your style gurus, your pub lunch professionals and your maverick marriage counsellors. Chin chin x
Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.
Patricia Leavy, herself both a highly published qualitative researcher and a novelist, explores the overlaps and intersections between these two ways of understanding and describing human experience, including a methodological introduction and five stories showing these methods in action.
In her remarkable book, Sondra Horton Fraleigh examines and describes dance through her consciousness of dance as an art, through the experience of dancing, and through the existential and phenomenological literature on the lived body. She describes, with performance photographs, specific imagery in dance masterworks by Doris Humphrey, Anna Sokolow, Viola Farber, Nina Weiner, and Garth Fagan.