“Theology has two eyes. One looks back toward the past, where salvation broke in; the other looks toward the present, where salvation becomes reality here and now. “This Way of the Cross seeks to use both eyes of theology. It is a Way of the Cross, with one eye focusing on the historical Jesus: his life, condemnation, death, and resurrection. It is also a Way of Justice, its other eye focusing on the Christ of faith who continues his passion today in his brothers and sisters who are being condemned, tortured, and killed for the cause of justice. “In the light of the perspectives and convictions acquired over the course of seven years of christological studies, I now present this Way of the Cross, which is meant to be a prayerful theology or a theological prayer.” Leonardo Boff, from the Introduction
Arguing that the way Jesus leads and the way we follow are symbiotic, Peterson begins with a study of how the ways of those who came before Christ revealed and prepared the way of the Lord that became complete in Jesus. He then challenges the ways of the contemporary American church, showing in stark relief how what we have chosen to focus on--consumerism, celebrity, charisma, and so forth--obliterates what is unique in the Jesus way.
Every year during Holy Week in the Philippine province of Pampanga, hundreds of men and women undergo acts of excruciating, self-inflicted pain in ways that evoke the Way of the Cross: the torment and crucifixion that Christ endured in the last days of his earthly existence. Because these Passion rituals are officially disavowed by the Filipino Roman Catholic Church, most observers view them as irrational and extremist mimicry of Christ’s painful ordeal. Even scholars conventionally depict them as theatrical “spectacle” or macabre examples of Filipino “folk religion.” But what conditions enable ritual actors to submit to such extreme pain? What justifications do they give for going against official prohibitions? What outcomes do they seek in channeling Christian piety in this way? This book addresses these questions through its in-depth analyses of three interconnected ritual acts: the pabasa, a days-long communal chanting of Christ’s Passion story; the pagdarame, the public self-flagellation of hundreds of devotees; and the pamamaku king krus, in which steel nails are driven through the palms and feet of ritual practitioners as part of a street play performed in front of tens of thousands of spectators. Author Julius Bautista suggests that such ritual acts manifest the embodied physicality of a suffering selfhood that facilitates the expression of heartfelt sentiments of pity, empathy, trust, and bereavement. By emphasizing these outwardly focused human sensibilities as the wellsprings of ritual agency, he demonstrates that Passion rituals are reinterpretations of the very idea and experience of pain, hardship, and suffering and premised on an appeal for a certain kind of divine intimacy. The author draws on a decade of in-depth and often exclusive interviews with a host of local stakeholders—including ritual practitioners, clerics, scholars, and government officials—and his own participation in a Passion play. Ethnographic insight is considered alongside primary and secondary archival sources, including unpublished, locally produced oral historical accounts and a survey of relevant media coverage. The Way of the Cross makes a welcome contribution to the anthropology of religion by examining the unique ontological contexts in which ritual agents experience God’s involvement in their lives.
Are you flourishing in the life Jesus promised? Christians think of the cross as the instrument of their eternal salvation, not as the way to a beautiful life here and now.
For Alex Cross, the toughest cases hit close to home-and in this deadly thrill ride, he's trying to solve the most personal mystery of his life. When his cousin is accused of a heinous crime, Alex Cross returns to his North Carolina hometown for the first time in over three decades. As he tries to prove his cousin's innocence in a town where everyone seems to be on the take, Cross unearths a family secret that forces him to question everything he's ever known. Chasing a ghost he believed was long dead, Cross gets pulled into a case that has local cops scratching their heads and needing his help: a grisly string of socialite murders. Now he's hot on the trail of both a brutal killer, and the truth about his own past-and the answers he finds might be fatal.
A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.
What is the way of the cross? Why does it create resistance? How do we answer objections to it? The revival of interest in Christ's kingdom and radical discipleship has produced a wave of discussions, but sometimes those discussions are scattered. This book aims to pull together in one place the core claims of the way of the cross. It aims to examine the deeply cherished assumptions that hinder us from hearing Jesus's call. When we do that, we'll see that the gospel of Christ is not primarily about getting into heaven or about living a comfortable, individually pious, middle-class life. It is about being free from the ancient, pervasive, and delightful oppression of Mammon in order to create a very different community, the church, an alternative city-kingdom here and now on earth by means of living and celebrating the way of the cross--the reign of joyful weakness, renunciation, self-denial, sharing, foolishness, community, and love overcoming evil.
Inspiring meditations on the Way of the Cross for everyone's life journey. When popular writer Joan Chittister heard that artist Janet McKenzie painted the fifteen stations of the cross, she was eager to write the accompanying text her first book-length treatment of the stations. Appropriate for Lent and throughout the rest of the year, Chittister's reflections on the stations provide a guide for all of us on how to overcome obstacles and direct our path to a life that is newly fulfilling.
"The 2012 killing of Trayvon Martin, an African-American teenager in Florida, and the subsequent acquittal of his killer, brought public attention to controversial "Stand Your Ground" laws. The verdict, as much as the killing, sent shock waves through the African-American community, recalling a history of similar deaths, and the long struggle for justice. On the Sunday morning following the verdict, black preachers around the country addressed the question, "Where is the justice of God? What are we to hope for?" This book is an attempt to take seriously social and theological questions raised by this and similar stories, and to answer black church people's questions of justice and faith in response to the call of God. But Kelly Brown Douglas also brings another significant interpretative lens to this text: that of a mother. "There has been no story in the news that has troubled me more than that of Trayvon Martin's slaying. President Obama said that if he had a son his son would look like Trayvon. I do have a son and he does look like Trayvon." Her book will also affirm the "truth" of a black mother's faith in these times of stand your ground."--
