This book has been a long time in the making. Since its beginning the concept has been refined many times. This is a first attempt at a technical book for me and fortunately the goals I have set have been achieved. I have been involved in water based ink evaluation since its unclear begin nings in the early 1970s. This book is fashioned much like a loose-leaf binder I had put together for early reference and guidance. The format has worked for me over the years; I trust it will work for you. I would like to thank the many people who made this book possible, particularly Blackie Academic & Professional for their saint-like patience. Thanks again to W.B. Thiele (Thiele-Engdahl), to Lucille, my wife, and to James and Frank, my two boys. A final and special thank you to Richard Bach who taught me there are no limits.
"In the field of screenprinting, water-based inks are fast replacing oil-based inks that require toxic solvents. Not only do the new water-based products put an end to the health risks to which artists have been exposed, they also solve the waste disposal problems and end the damage to the environment caused by solvents and other harmful chemicals." "Screenprinting is the first book to show how to utilize water-based systems, enjoy their many advantages, and create prints according to the highest standards. Author Roni Henning - director of the Screenprint Workshop in New York - takes the reader through each step in the process of making prints. She not only contrasts oil-based and water-based printing but also focuses upon the unique characteristics of water-based inks, giving tips for using them most effectively and, indeed, for mastering the entire printing process - from the stretching of the screen and the creation of stencils of numerous kinds, to choosing the right ink, printing on various surfaces, cleaning up, and even recycling materials." "Henning's text takes great care to explain the logic of color separation, which is at the heart of much fine-art screenprinting. Moreover, she explores specialized topics, such as photo stenciling methods and applications, the creation of delightful monoprints, and the printing of tee shirts." "The text of Screenprinting is supplemented by beautiful examples of the medium, including images by prominent contemporary artists Alice Neel, Red Grooms, Elizabeth Osborne, and others. Many serve to illustrate specific techniques under discussion, while others make the book a virtual gallery of rich and colorful pictures to be examined and enjoyed again and again."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
• Spotlights “green” technology, safe for all artists • Distinguished author has worked with Andy Warhol, Red Grooms, Romare Bearden, and other top artists • Techniques range from the traditional hands-on to the latest in digital screenprinting For many years, screenprinting was oil-based—and presented significant health risks even as it damaged the environment. Today, fortunately, screenprinting has shifted to water-based technologies. NowRoni Henning, a leading expert on screenprinting, offers her tips and techniques for getting the most out of these safer, “greener” water-based methods ranging from the traditional hands-on methods to the latest digital technology. She explains separations and color correcting, then discusses the artist-printmaker collaboration, giving intriguing examples from her own work with such luminaries as Andy Warhol, Red Grooms, and Romare Bearden. Henning also offers step-by-step instructions for monoprinting, her own direct-to-screen watercolor process. Illustrated with glowing examples of the printmaking medium, including works by Bearden, Jack Youngerman, Gene Davis, and Elizabeth Osbourne, this is the definitive work on an increasingly popular art.
A clearly written, practical and illustrated handbook to woodcut techniques and printmaking, both a how-to book and reference for printmakers, designers and collectors that includes finished examples by accomplished woodcut artists.
This book includes a selection of reviewed papers presented at the 11th China Academic Conference on Printing and Packaging, held on November 26–29, 2020, Guangzhou, China. The conference is jointly organized by China Academy of Printing Technology and South China University of Technology. With 10 keynote talks and 200 presented papers on graphic communication and packaging technologies, the conference attracted more than 300 scientists. The proceedings cover the recent findings in color science and technology, image processing technology, digital media technology, mechanical and electronic engineering and numerical control, materials and detection, digital process management technology in printing and packaging, and other technologies. As such, the book is of interest to university researchers, R&D engineers and graduate students in the field of graphic arts, packaging, color science, image science, material science, computer science, digital media, network technology and smart manufacturing technology.
In this book, Mark Graver puts the case for non-toxic printmaking and then discusses the various technical factors (both materials and equipment) to consider when etching with acrylic resists, making aquatints, etching in general, using drypoint, engraving, making mezzotints and collagraphs and using photopolymers as well as combining various printmaking techniques. There is also information on various inks and health and safety measures in the printing workshop. All in all, this book contains everything you need to know to clean up your printmaking practice.
'IHE CURRENT STATE OF 'IHE AID' of several aspects of water-based coatings and printing processes is presented in this voltnne. It documents the proceedings of the Intemationl Syrrposium on Surface RJ. enornena and Fine Particles in Water-Based Coatings and Printing Teclmology sponsored by the Fine Particle Society (FPS). '!his meeting was held in Boston, Massachusetts, August 21-25, 1989. '!he syrrp:>sium upon which this voltnne is based was organized in six sessions errphasizing various basic and applied areas of research on water-based technology. Major topics discussed involve surface phenomena in coatings, printing defects and their remedies, surface tension effects in water-based coatings and printing inks, surface energies of polymer substrates, wettability, aqueous polymeric film coating of pharmaceuticals, flexographic and gravure printing processes, characterization of coating materials, pigment dispersion, wax emulsions for surface modifications, and the role of polymer in particle/surface deposition. '!his edition includes the twenty four selected papers presented in the syrrp:>sium. '!hese papers are divided in three broad categories: (1) Water-Based Inks and Coatings, (2) Emulsions and Adhesion in Coatings, and (3) Characterization of Coating and Printing Materials. Several types of coating and printing on different substrates using water-based fonnulations with special reference to surface phenomena and particle technology are described in these sections. This proceedings vo1tnne includes discussions of various processes occuring at llIOlecular, microscopic, and macroscopic levels in water-based coatings and printing processes.
Unique in its integration of individual topics to achieve a full-system approach, this book addresses all the aspects essential for industrial inkjet printing. After an introduction listing the industrial printing techniques available, the text goes on to discuss individual topics, such as ink, printheads and substrates, followed by metrology techniques that are required for reliable systems. Three iteration cycles are then described, including the adaptation of the ink to the printhead, the optimization of the ink to the substrate and the integration of machine manufacturing, monitoring, and data handling, among others. Finally, the book summarizes a number of case studies and success stories from selected areas, including graphics, printed electronics, and 3D printing as well a list of ink suppliers, printhead manufacturers and integrators. Practical hints are included throughout for a direct hands-on experience. Invaluable for industrial users and academics, whether ink developers or mechanical engineers, and working in areas ranging from metrology to intellectual property.
Water-based technology has undergone revolutionary changes during the past two decades. Interest in the properties and uses of water-based coatings, paints and inks has continued to grow since the establishment of the Clean Air Act of 1970. The present book is devoted to recent developments and trends in water-based coating and ink technology. This volume is divided in three broad catagories: (1) Additives and Water-based Coating/Ink Systems, (2) Surface Modifications and Wettability, and (3) Ink/Coating Formulations and Their characterization. The role of various additives to improve the performance and properties of water-based coatings with special reference to surface phenomena such as wettability, adhesion, surface energies, dispersion stability, particle size and size distribution are presented in these sections. This volume documents the proceedings of the International symposium on Surface Phenomena and Additives in Water-Based Coatings and Printing Technology sponsored by the 21st Annual Meeting of the Fine Particle Society (FPS). This meeting was held in San Diego, california, AUgust 21-25, 1990. The symposium upon which this volume is based was organized in four sessions emphasizing several basic and applied aspects of water-based coatings and printing technology. Major topics discussed include advances in water-based technology, water-based flexo and gravure inks, hydrophobically-modified cellulosic thickeners, organosilicones, uv curable silicone release coatings, surface characterization of Ti02 pigments, polymer substrates, flexographic plates and coating films, pigment wetting and dispersing agents, hydrotrope effect in emulsion polymers, film thickness control, particle size measurements, rheological properties, and statistically designed mixtures for ink formulations.
"The production of forestry products is based on a complex chain of knowledge in which the biological material wood with all its natural variability is converted into a variety of fiber-based products, each one with its detailed and specific quality requirements. This four volume set covers the entire spectrum of pulp and paper chemistry and technology from starting material to processes and products including market demands. Supported by a grant from the Ljungberg Foundation, the Editors at the Royal Institute of Technology, Stockholm, Sweden coordinated over 30 authors from university and industry to create this comprehensive overview. This work is essential for all students of wood science and a useful reference for those working in the pulp and paper industry or on the chemistry of renewable resources."--Publisher's description.
