It is quite impossible to attach importance to material possessions now. All that one still clings to is a few vital affections' Iris Origo, October 1943. Marchesa Iris Origo and her husband had been settled at their rural estate of La Foce since 1924. When the Second World War broke out Origo, an Englishwoman married to an Italian landowner, had divided loyalties. But as the war dragged on and the hostilities escalated, the small community of Val d'Orcia found themselves helping evacuees, orphans, refugees, prisoners of war and soldiers from both sides, concerned less with who was fighting whom than caring for those who needed their aid. Origo kept her diary throughout this time, when the risk of betrayal was a fact of life and the penalty for helping the enemy would result in death. Even with German troops occupying her manor house, she wrote at night about her valiant attempts to shelter refugees, burying her diary in the garden each morning. The result is a book which has become a classic, an affirmation in itself of courage and resistance, and an unsentimental, compelling story of the trials and tragedies of wartime.
This recently discovered “trenchant, intelligent” follow-up to the British expatriate’s classic memoir, War in Val d’Orcia, chronicles life in Italy in the year leading up to WW2 (New Yorker). This insightful diary provides a vivid, ground-level account of how Mussolini decided on a course of action that would devastate his country and ultimately destroy his regime. In 1939 it was not a foregone conclusion that Mussolini would enter World War II on the side of Hitler. Though the British-born Origo lived with her Italian husband on an estate in a remote part of Tuscany, she was supremely well-connected and regularly in touch with intellectual and diplomatic circles in Rome, where her godfather, William Phillips, was the American ambassador. Her diary documents the Fascist government’s growing infatuation with Nazi Germany as Hitler’s armies marched triumphantly across Europe, and the campaign of propaganda and intimidation that was mounted in support of its new aims. The book ends with the birth of Origo’s daughter and Origo’s decision to go to Rome to work with prisoners of war at the Italian Red Cross. A Chill in the Air offers an indispensable record of Italy at war as well as a thrilling story of a formidable woman’s transformation from observer to actor at a great historical turning point.
Iris Origo was one of the twentieth century's most attractive and intriguing women, a brilliantly perceptive historian and biographer whose works remain widely admired. Iris grew up in Italy where she became part of the colourful and privileged Anglo-Florentine set that included Edith Wharton, Harold Acton and the Berensons. When Iris married Antonio Origo, they bought and revived La Foce, a derelict stretch of the beautiful Val d'Orcia valley in Tuscany and created an estate that thrives to this day. During World War II they sided firmly with the Allies, taking considerable risks in protecting children and sheltering partisans and Iris's diary from that time, War in Val d'Orcia, is now considered a modern classic. Caroline Moorehead has drawn on many previously unpublished letters, diaries, and papers to write the definitive biography of a very remarkable woman.
An extraordinary memoir by Iris Origo, who chronicled political life in A Chill in the Air and War in Val d'Orcia, and now turns inward to describe her own family, the work of writing, and the transcience of memory. Images and Shadows, Iris Origo’s autobiographical account of her early life, is as perceptive and humane and beautifully written as her celebrated memoir War in Val d’Orcia. Origo’s father came from an old and moneyed American family, her mother was the daughter of an Irish peer, and Iris grew up in the most privileged of circumstances. Her father died of tuberculosis when he was only thirty, and her mother moved to Fiesole, Italy, where she and Iris developed a close friendship with the great connoisseur and art historian Bernard Berenson. Later, Origo and her Italian husband transformed a desolate and deforested Tuscan property into a flourishing estate, and it was there that she discovered her true calling as a writer. In Images and Shadows, Origo paints portraits of her shy, loving father and her headstrong mother, and describes beloved places, the books that formed her sensibility, and how she grew up and made her way in the world. She reflects on the pleasures and challenges of writing and evokes the persistence and fragility of memory. Images and Shadows is an autobiography that is as thoughtful as it is profoundly touching.
For more than 50 years, Giacomo Debenedetti's October 16, 1943 has been considered one of the best accounts of the shockingly brief roundup of 1000 Roman Jews from the oldest Jewish community in Europe for the gas chambers of Auschwitz. Completed a year after the event, Debenedetti's intimate details and vivid glimpses into the lives of the victims are especially poignant because Debenedetti himself was there to witness the event, which forced him and his entire family into hiding. This collection also includes Eight Jews, the companion piece to October 16, 1943, which was written in response to testimony about the Ardeatine Cave Massacres of March 24, 1944. In this essay, Debenedetti offers insights into the grisly horror and into assumptions about racial equality. Both of these works appear together, giving American readers a glimpse into the extraordinary mind of the man who was Italy's foremost critic of 20th century literature.
Birthplace of Michelangelo and home to untold masterpieces, Florence is a city for art lovers. But on November 4, 1966, the rising waters of the Arno threatened to erase over seven centuries of history and human achievement. Now Robert Clark explores the Italian city’s greatest flood and its aftermath through the voices of its witnesses. Two American artists wade through the devastated beauty; a photographer stows away on an army helicopter to witness the tragedy first-hand; a British “mud angel” spends a month scraping mold from the world’s masterpieces; and, through it all, an author asks why art matters so very much to us, even in the face of overwhelming disaster.
Introduction by Ted Morgan When originally released in the early 1980s, New Statesman called Origo's final book 'a sensitive and beautifully written book by a remarkable writer.' Available again in this new edition, Origo's memoir tells the story of four friends, writer Lauro de Bosis, American monologuist Ruth Draper, the historian Gaetano Salvemi, and author of 'Fontamara' and 'Bread and Wine', Ignazio Silone, each of whom made various life sacrifices in the fight for a non-fascist Italy. Illustrated throughout with photos.
For centuries Italy has been many things to many people. In this brilliant anthology and traveler's companion, twenty-eight first-rate women writers reveal why the land that is the heart and soul of European civilization is so seductive to women. Kate Simon walks us through a Siena filled with surprises and luminous beauty. Elizabeth Spencer writes of first coming to Italy and finding "home." Shirley Hazzard explores the mysteries of Naples. Muriel Spark writes on Venice, Edith Wharton on Rome, George Eliot on Florence, Barbara Grizzuti Harrison on San Gimignano, Patricia Hampl on Assisi. Other wonderful writers contemplate the idiosyncratic glories of Italy's architecture, cooking, art, and landscape; its culture; its places and people. As these writers tell their stories--in fiction, memoir, and essay--of coming to understand Italy, they explore the complexity of their passions for it, mingling affection and ecstasy with intellectual curiosity. Organized geographically--from northern Italy to Rome and on to the south, Desiring Italy offers an enchanting journey for readers and travelers. Including the following contents: From Italian Backgrounds: Picturesque Milan by Edith Wharton “Cauliflower Heads” by Francine Prose From Rambles in Germany and Italy: Letters from Venice by Mary Shelley From The World of Venice: On Women by Jan Morris From The Classic Italian Cookbook: Preface, Italian Cooking: Where Does It Come From?, The Italian Art of Eating, Restaurants, The Bacaro Experience, Gelati Venice in Fall and Winter by Muriel Spark From Embassy to Constantinople: To Lady Mar by Lady Mary Wortley Montagu From The Enchanted April: VI, VIII by Elizabeth von Arnim From Roadside Songs of Tuscany: The Ballad of Saint Zita, A Tuscan Lullaby by Francesca Alexander From Casa Guidi Windows: Casa Guidi Windows, Bellosguardo by Elizabeth Barrett Browning From Romola: Proem From The Stones of Florence: V From Italy: The Places in Between: Siena From Images and Shadows: La Foce & from War in Val D’Orcia: An Italian War Diary 1943-1944 by Iris Origo From A Valley in Italy: The Many Seasons of a Villa in Umbria: I, VI by Lisa St. Aubin de Terán Umbrian Spring by Patricia Hampl From Florence Nightingale in Rome: Letter VI From Dispatches from Europe to the New York Tribune, 1846-1850: Dispatch 14, Dispatch 19, Dispatch 30 From Middlemarch: The Wedding Journey by George Eliot “Roman Fever” by Edith Wharton From Rome and a Villa: Fountains by Eleanor Clark From A Time in Rome: The Smile by Elizabeth Bowen From The Light in the Piazza: Introduction & “The White Azalea” by Elizabeth Spencer From Pleasure of Ruins by Rose Macaulay From The Bay of Noon: I, IV, VIII by Shirley Hazzard From Torregreca: Life, Death, Miracles: The Setting, A Night at San Fortunato, The Project Realized, Epilogue by Ann Cornelisen From The Islands of Italy: Sicily, Palermo by Barbara Grizzuti Harrison From On Persephone’s Island: A Sicilian Journal: Prologue, Winter by Mary Taylor Simeti
This landmark work draws on newly released documents and firsthand accounts to tell the dramatic story of Rome's dark days during the German occupation. 8-pages of photos. 2 maps.
An exploration of the work of the English architect and landscape designer who practiced almost exclusively in Italy from 1907 to midcentury. English expatriate Cecil Ross Pinsent was responsible for the design and construction of new villas and gardens such as the elegant rural estate La Foce, and the renovation of many historically sensitive ones, including Villa I Tatti, Villa Le Balze, and Villa Medici. Edith Wharton sought his advice; Vita Sackville-West and Harold Nicolson admired and were influenced by him. Geoffrey Scott, author of The Architecture of Humanism, dedicated the book to him; and Sir Geoffrey Jellicoe, England’s premier landscape architect, regarded Pinsent as his “first maestro on the placing of buildings in the landscape.” This first book dedicated to bringing to light Pinsent’s contribution to garden design is generously illustrated with photographs from his previously unpublished albums and archive of architectural drawings and sketches, and his letters to family friends and clients.
