Highly imaginative and emotionally powerful, this stunning novel about childhood innocence amid the nightmarish disease and deterioration at the heart of modern Los Angeles was nominated for a National Book Award.
On March 19, 1969, First Lieutenant Homer R. Steedly, Jr., shot and killed a North Vietnamese soldier, Dam, when they met on a jungle trail. Steedly took a diary -- filled with beautiful line drawings -- from the body of the dead soldier, which he subsequently sent to his mother for safekeeping. Thirty-five years later, Steedly rediscovers the forgotten dairy and begins to confront his suppressed memories of the war that defined his life, deciding to return to Viet Nam and meet the family of the man he killed to seek their forgiveness. Fellow veteran and award-winning author Wayne Karlin accompanied Steedly on his remarkable journey. In Wandering Souls he recounts Homer's movement towards a recovery that could only come about through a confrontation with the ghosts of his past -- and the need of Dam's family to bring their child's "wandering soul" to his own peace. Wandering Souls limns the terrible price of war on soldiers and their loved ones, and reveals that we heal not by forgetting war's hard lessons, but by remembering its costs.
Have you ever felt like you were teetering on the very brink of insanity? Have you ever had a dream that felt so intense that you thought it was actually real? Here are four short stories that take you to the fringes of reality! A man is lost in a time limbo. An evil billionaire is reincarnated. A teenager is haunted by the ghost of a classmate who isn't even dead yet! Enter the warped world of "Lost Minds, Wandering Souls, Volume 2
In his book, the author describes his life from age two, after the second world war, to seventy today. His early life in an RAF nissen hut in Lytham St Annes; hard times at boarding schools; an archaeological dig at Milton Keynes; lengthy train travel to Istanbul; smallpox requiring departure from Turkey to Cyprus military base, thence by ship to Egypt, Port Alexandria and military train to Luxor, in a country eerily awaiting developments after the destruction of three jumbo jets. He also describes his time in New York, Washington and Philadelphia, meeting his wife while hitch hiking in Ireland; working for two legal firms and for the catholic church, both positive as the latter included the successful visit to the UK by Pope John Paul II, but negative as it involved appalling child protection cases.
Murder is the last thing on Joanne Kilbourn’s mind on a perfect morning in May. Then the phone rings, and she learns that her daughter Mieka has found the corpse of a young woman in an alley near her store. So begins Joanne’s chilling collision with evil in Gail Bowen’s riveting third mystery, The Wandering Soul Murders. Joanne is stunned and saddened by the news that the dead woman, at seventeen, was already a veteran of the streets. When, just twenty-four hours later, her son’s girlfriend is found dead, drowned in a lake in Saskatchewan’s Qu’Appelle Valley, Joanne’s sunny world is shattered. Her excitement about Mieka’s upcoming marriage, her involvement in the biography she is writing, even her pleasure at her return to Regina all fade as she finds herself drawn into a twilight world where money can buy anything and there are always people willing to pay.
A journey full of lost souls, gravity defying landscapes, and creatures that stretch the ability of the human imagination await. Simon Floyd, a man whose story on earth is ending, is about to discover firsthand all that the human spirit can conjure. Simon is given a second chance, and though he does not know it, he is about to embark upon an adventure that has the ability to reshape the universe. In his first published novel, author Samuel Kane crafts a new and intricate world that is both familiar and foreign. A world complete with historical figures, fantastical creatures, and an inter-dimensional logic that Simon must learn to navigate if he is to have any chance at redemption. The Pilgrim’s soul is an imaginative romp into the human psyche, transporting readers into a place and time of eternal possibilities. Anyone who has contemplated the afterlife will find something to love in this book.
In this remarkable work, Reiner Schürmann shows Meister Eckhart, the thirteenth-century Christian mystic, as the great teacher of the birth of God in the soul, which shatters the dualism between God and the world, the self and God. This is an exposition of Eckhar's mysticism--perhaps the best in English--and, because Eckhart is a profound philosopher for whom knowing precedes being, it is also an exemplary work of contemporary philosophy. Schürmann shows us that Eckhart is our contemporary. He describes the threefold movement of detachment, release, and "dehiscence" (splitting open), which leads to the experience of "living without a why," in which all things are in God and sheer joy. Going beyond that, he describes the transformational force of approaching the Godhead, the God beyond God: "A man who has experienced the same no longer has a place to establish himself. He has settled on the road, and for those who have learned how to listen, his existence becomes a call. This errant one dwells in joy. Through his wanderings the origin beckons."
The third book in Morris Berman's much acclaimed trilogy on the evolution of human consciousness, Wandering God continues his earlier work which garnered such praise as "solid lessons in the history of ideas" (KIRKUS Reviews), "filled with piquant details" (Common Boundary), and "an informative synthesis and a remarkably friendly, good-natured jeremiad" (The Village Voice). Here, in a remarkable discussion of our hunter-gatherer ancestry and the "paradoxical" mode of perception that it involved, Berman shows how a sense of alertness, or secular/sacred immediacy, subsequently got buried by the rise of sedentary civilization, religion, and vertical power relationships. In an integrated tour de force, Wandering God explores the meaning of Paleolithic art, the origins of social inequality, the nature of cross-cultural child rearing, the relationship between women and agriculture, and the world view of present-day nomadic peoples, as well as the emergence of "paradoxical" consciousness in the philosophical writings of the twentieth century.
For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts—plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?
Fleeing a failed marriage and haunted by ghosts of his past, Luis Alberto Urrea jumped into his car several years ago and headed west. Driving cross-country with a cat named Rest Stop, Urrea wandered the West from one year's Spring through the next. Hiking into aspen forests where leaves "shiver and tinkle like bells" and poking alongside creeks in the Rockies, he sought solace and wisdom. In the forested mountains he learned not only the names of trees—he learned how to live. As nature opened Urrea's eyes, writing opened his heart. In journal entries that sparkle with discovery, Urrea ruminates on music, poetry, and the landscape. With wonder and spontaneity, he relates tales of marmots, geese, bears, and fellow travelers. He makes readers feel mountain air "so crisp you feel you could crunch it in your mouth" and reminds us all to experience the magic and healing of small gestures, ordinary people, and common creatures. Urrea has been heralded as one of the most talented writers of his generation. In poems, novels, and nonfiction, he has explored issues of family, race, language, and poverty with candor, compassion, and often astonishing power. Wandering Time offers his most intimate work to date, a luminous account of his own search for healing and redemption.