I am just blown away by Peter C. Stone s Waltzes with Giants. He has captured the story all so well, so tragically, so beautifully. Amy Knowlton, North Atlantic right whale research scientist, New England...
Restless Giant is a fascinating account of the life and times of Jean Aberbach, the elusive music publishing legend who, with his brother Julian, built one of music history's most powerful popular music publishing companies: Hill and Range Songs. During the 1940s and 1950s music publishers, rather than artists and record companies, controlled the American hit-making machine. Using corporate records, Aberbach's daybooks, and extensive interviews with top performers and songwriters, Biszick-Lockwoodweaves an adventure story thatdemystifies this occupation, showing how Aberbach's keen insights, behind-the-scenes manipulations, and bold business moves fundamentally changed the music industry and nurtured the careers of some of America's biggest popular performers and songwriters. The Austrian-born Aberbach brothers overtook their American competitors, capturing entire genres of music to build a privately owned international "empire of song" while at the same time affording songwriters unmatched control over their work. This business model resulted in more than three hundred chart hits and the first-ever song royalties being paid to songwriters and performers including Bill Monroe and the Sons of the Pioneers. Biszick-Lockwood also brings new, intriguing material to the story of Elvis Presley, who shared ownership with the Aberbachs in two music publishing companiesthroughout his entire career.
This is a diary of a Giants fan's memories of watching over some 400 games. The book begins with the formation of the team. It serves not only as a recollection of memories to all fans of the New York Giants, but also acts, by its accuracy and thoroughness, as a historical document. It precisely describes those memorable games in franchise history that followers of the Big Blue will vividly recall. Author and Norwalk, Connecticut resident Richard L Chilton takes you on a game-by-game analysis beginning September 17, 1920, with the formation of what would two years later be known as the National Football League. This diary could only have been written by Richard, whose family has had season tickets for over 70 years. In this detailed tome, you will get a firsthand account of all games played by the New York Giants. This firsthand account gives great insight to landmark decisions of the past, which can oly be appreciated by true football fans.
Tenor saxophonist Dexter Gordon was one of the major innovators of modern jazz. In a context of biography, history, and memoir, Maxine Gordon has completed the book that her late husband began, weaving his "solo" turns with her voice and a chorus of voices from past and present. She shows that his image of the cool jazzman fails to come to terms with the three-dimensional man full of humor and wisdom, a figure who struggled to reconcile being both a creative outsider who broke the rules and a comforting insider who was a son, father, husband, and world citizen. --
When author Paul Vincent moved into his new home in Bristol, Rhode Island, he was struck by how generously its interior gathered sunlight and decided to keep a record of the annual solar itinerary across its walls, floors and furniture. The result is The Analemma Waltz, a celebration of the sun’s slow-motion dance through his house, facilitated, in part, by its surfeit of windows, but much more so by the analemma—the narrow figure-eight pattern the sun describes in the sky in the course of a year in the Earth’s orbital journey. Vincent’s habit of noting and minuting the changing positions of sunlight, day by day and week by week, was the catalyst for meditations on matters of universal concern, as suggested by the times and the seasons of the year and approached, not from the perspective of a scholar or academic, but from that of an interested layperson. Such matters, addressed in the monthly chapters, include the study of history, the virtue of tolerance, the conflict between science and religion and the morality of war. Despite the varied nature of the essay topics in The Analemma Waltz, certain themes appear and reappear throughout the book, namely the author’s convictions that existential particularity is the occasion of both joy and sadness; that the world’s people, though the beneficiaries of seemingly endless breakthroughs in technology, are, and will remain, metaphysically vulnerable; and that appreciation prompting gratitude is the highest vocation of the human person.
"The Devil's Waltz was just what I needed!" - New York Times bestselling author, Wendy Higgins Discover what happens when a young woman from a family of demon hunters falls in love with the prince of hell in this spicy paranormal romance. It's been five years since her sister was killed by a demon and Camille Morgan swore off the family business of demon hunting. Now a college sophomore, Cami is determined to get her degree and move far away from Seattle—and all things paranormal. But when Cami becomes the target of a demon attack she’s convinced is a ploy by her parents to drag her back into training, the wildly charming and attractive Xander Kane comes to her rescue. Except her savior isn't a hunter. Or even human. Xander is a demon, the alluring prince of hell, whose magnetic presence leaves Cami both captivated and conflicted, especially when she finds out he plans on using her to destroy the demon hunters once and for all. Caught between her growing affection for Xander and her loyalty to her family, Cami struggles to make a decision that could shatter her and endanger the lives of those she loves.
"Sometimes I feel as if he's sitting next to me." Buchbinder on Beethoven No work has left a more lasting impression on star pianist Rudolf Buchbinder than Beethoven's Diabelli Variations. The Last Waltz explores the world of Beethoven, the publisher Anton Diabelli, and the musical Vienna of the early 19th century in 33 literary variations and offers a fascinating look at Buchbinder's personal approach to music: why did Buchbinder play the Diabelli variations at such a young age? How did he help to save Beethoven's manuscript of the piece? What does he think about while playing Beethoven? How much boogie-woogie is in Beethoven? Why should a musician trust him blindly when playing his music? And what inspired Buchbinder to send Diabelli's waltz to leading contemporary composers, reintroducing the Diabelli variations to the 21st century? The Last Waltz brings marvelous stories of music and people to life.