Walter Tandy Murch
Walter Tandy Murch

Author:

Publisher: Rizzoli Publications

Published: 2021-09-21

Total Pages: 326

ISBN-13: 0847870596

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The first complete monograph of artist Walter Tandy Murch explores the life of an unsung yet remarkable artist whose paintings and illustrations of everyday objects and mechanical devices are familiar yet mysterious, or as George Lucas puts it, “in a magical middle.” Walter Tandy Murch (1907–1967) is best known for his enigmatic, dreamlike still life paintings of everyday objects and mechanical devices in a style that falls between Magic Realist, Surrealist, and Realist. This volume offers the most comprehensive collection of his work, including his striking commercial work for magazines and his paintings from the extensive collection of George Lucas. Lucas calls himself a “fanboy” of Murch’s art—paintings and drawings he describes as simultaneously “functional and dreamy, simple and complicated; they are quiet yet grab your attention.” The tension of these opposing reactions draws viewers into Murch’s still lifes, which caught the attention of famed art dealer Betty Parsons, who also represented artists such as Jackson Pollock, Mark Rothko, Ellsworth Kelly, and Agnes Martin. Murch showed his work at Parsons’s gallery for nearly thirty years. With illuminating essays and extensive plates sections displaying Murch’s works, this celebration of an exceptionally talented and visionary artist is long overdue.

Robert De Niro, Sr.
Robert De Niro, Sr.

Author:

Publisher: Rizzoli Publications

Published: 2019-10-08

Total Pages: 258

ISBN-13: 0847862887

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This long-overdue monograph rediscovers the fifty-year career of Robert De Niro, Sr., an important New York School painter and poet. The first comprehensive monograph on painter and poet Robert De Niro, Sr. (1922-1993), a major contributor to postwar American art, known for his unique, bold style of painterly representation. De Niro was a visionary artist in the early days of Abstract Expressionism and a celebrated member of the New York School of painters, along with Mark Rothko, Willem de Kooning, and Jackson Pollock. Over the course of his fifty-year career, he painted portraits, still lifes, the female nude, and interiors with a signature gestural painting style and brilliant color, which bear the influence of Henri Matisse as well as his teacher, Hans Hofmann. During the height of Abstract Expressionism and Pop Art in the 1960s, De Niro remained faithful to his own vision in his paintings and poetry; today his powerful figural works are ripe for rediscovery. This lavishly illustrated book brings together De Niro's paintings, prints, and drawings as well as a never- before-published selection of his writings and poetry. Featuring essays by noted scholars and an illustrated biography including many unpublished photographs and ephemera, this seminal volume explores the depth and breadth of De Niro's oeuvre.

Walter Murch
Walter Murch

Author: Rhode Island School of Design. Museum of Art

Publisher:

Published: 1966

Total Pages: 126

ISBN-13:

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Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud
Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud

Author: Martin Gayford

Publisher: Thames & Hudson

Published: 2013-09-09

Total Pages: 189

ISBN-13: 0500770794

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“An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” —ARTnews Lucian Freud (1922-2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation at restaurants, in taxis, and in his studio. It takes one into the company of the painter for whom Picasso, Giacometti, and Francis Bacon were friends and contemporaries, as were writers such as George Orwell and W. H. Auden. The book is illustrated with many of Lucian Freud’s other works, telling photographs taken by David Dawson of Freud in his studio, and images by such great artists of the past as van Gogh and Titian who are discussed by Freud and Gayford. Full of wry observations, the book reveals the inside story of how it feels to pose for a remarkable artist and become a work of art.

Exhibitionism
Exhibitionism

Author: Lynne Munson

Publisher: Ivan R. Dee Publisher

Published: 2000

Total Pages: 256

ISBN-13:

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Cultural critic and researcher Munson examines how a new dogmatism has established itself in museums, academia, and in the artist's studio, and explores the "new museology" that has revised the content of art exhibitions and the shape of museums and art programs. Illustrations.

Inside the Machine: Art and Invention in the Electronic Age
Inside the Machine: Art and Invention in the Electronic Age

Author: Megan Prelinger

Publisher: W. W. Norton & Company

Published: 2015-08-17

Total Pages: 561

ISBN-13: 0393248372

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A visual history of the electronic age captures the collision of technology and art—and our collective visions of the future. A hidden history of the twentieth century’s brilliant innovations—as seen through art and images of electronics that fed the dreams of millions. A rich historical account of electronic technology in the twentieth century, Inside the Machine journeys from the very origins of electronics, vacuum tubes, through the invention of cathode-ray tubes and transistors to the bold frontier of digital computing in the 1960s. But, as cultural historian Megan Prelinger explores here, the history of electronics in the twentieth century is not only a history of scientific discoveries carried out in laboratories across America. It is also a story shaped by a generation of artists, designers, and creative thinkers who gave imaginative form to the most elusive matter of all: electrons and their revolutionary powers. As inventors learned to channel the flow of electrons, starting revolutions in automation, bionics, and cybernetics, generations of commercial artists moved through the traditions of Futurism, Bauhaus, modernism, and conceptual art, finding ways to link art and technology as never before. A visual tour of this dynamic era, Inside the Machine traces advances and practical revolutions in automation, bionics, computer language, and even cybernetics. Nestled alongside are surprising glimpses into the inner workings of corporations that shaped the modern world: AT&T, General Electric, Lockheed Martin. While electronics may have indelibly changed our age, Inside the Machine reveals a little-known explosion of creativity in the history of electronics and the minds behind it.

The New Analog
The New Analog

Author: Damon Krukowski

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9781620971970

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An NPR Best Book of 2017 "This is not a book about why vinyl sounds better; it's way more interesting than that . . . it] is full of things I didn't know, like why people yell into cellphones . . . Ultimately, it's about how we consume sound as a society - which is, increasingly, on an individual basis." --NPR "If you're a devoted music fan who's dubious about both rosy nostalgia and futuristic utopianism, Damon Krukowski's The New Analog is for you." --The New York Times Book Review "A pointedly passionate look at what's been lost in the digital era." --Los Angeles Times What John Berger did to ways of seeing, well-known indie musician Damon Krukowski does to ways of listening in this lively guide to the transition from analog to digital culture Having made his name in the late 1980s as a member of the indie band Galaxie 500, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered the transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Do streaming media discourage us from listening closely? Are we hearing each other fully in this new environment? Rather than simply rejecting the digital disruption of cultural life, Krukowski uses the sound engineer's distinction of signal and noise to reexamine what we have lost as a technological culture, looking carefully at what was valuable in the analog realm so we can hold on to it. Taking a set of experiences from the production and consumption of music that have changed since the analog era--the disorientation of headphones, flattening of the voice, silence of media, loudness of mastering, and manipulation of time--as a basis for a broader exploration of contemporary culture, Krukowski gives us a brilliant meditation and guide to keeping our heads amid the digital flux. Think of it as plugging in without tuning out.