Take a walk thru Hale as Angie transitioned from "59691," convicted felon, drug addict, and a woman with little to no self-worth, into Angie Pelphrey, strong and beautiful woman of God worthy to be loved. While on her journey to personal freedom, God gave Angie the opportunity to pray the prayer of salvation with 26 abused, rejected, and brokenhearted women in the Scioto County Jail and the Ohio Reformatory for Women. Walk with her and her new sisters in Christ through their journeys toward personal freedom from physical, sexual, mental abuse, rejection, abandonment, low self-esteem, and low self-worth.
'Strikingly beautiful' Guardian 'Tough and tender' Joanne Harris After the Sickness has killed off her parents, and the bombs have fallen on the last safe cities, Monster emerges from the Arctic vault which has kept her alive. When she washes up on the coast of Scotland, everyone she knows is dead, and she believes she is alone in an empty world. Slowly, piece by piece, she begins to rebuild a life. Until, one day, she finds a girl: another survivor, feral, and ready to be taught all that Monster knows. But as the lonely days pass, the lessons the girl learns are not always the ones Monster means to teach . . .
Hale: The Rise of the Griffins is broken into short stories that follow a different set in the cast bringing the reader into fun adventures in every chapter.
From Shannon Hale, bestselling author of Austenland, comes Kind of a Big Deal: a story that will suck you in—literally. “So many strange and wonderful things happen at every twist and turn, you'll be happy to wander with Josie . . . Each book she descends into seems to teach her something, and even if it's not obvious where the story is going, we're in it for the long haul.” —NPR There's nothing worse than peaking in high school. Nobody knows that better than Josie Pie. She was kind of a big deal—she dropped out of high school to be a star! But the bigger you are, the harder you fall. And Josie fell. Hard. Ouch. Broadway dream: dead. Meanwhile, her life keeps imploding. Best friend: distant. Boyfriend: busy. Mom: not playing with a full deck? Desperate to escape, Josie gets into reading. Literally. She reads a book and suddenly she's inside it. And with each book, she’s a different character: a post-apocalyptic heroine, the lead in a YA rom-com, a 17th century wench in a corset. It’s alarming. But also . . . kind of amazing? It’s the perfect way to live out her fantasies. Book after book, Josie the failed star finds a new way to shine. But the longer she stays in a story, the harder it becomes to escape. Will Josie find a story so good that she just stays forever?
Helps aspiring writers understand the importance of using powerful verbs in their work through examples of brilliant writing and presents a linguistic history to demonstrate how language and writing has evolved over time.
Sid, Axl, and Ivan volunteer to make a late-night fast-food run for the high school theater crew, and when they return, they find themselves. Not in a deep, metaphoric sense: They find copies of themselves onstage. As they look closer, they begin to realize that the world around them isn’t quite right. Turns out, when they went to the taco place across town, they actually crossed into an alien dimension that’s eerily similar to their world. The aliens have made sinister copies of cars, buildings, and people—and they all want to get Sid, Axl, and Ivan. Now the group will have to use their wits, their truck, and even their windshield scraper to escape! But they may be too late. They may now be copies themselves . . .
In this provocative essay collection, the author “leans into her roles as both victim and predator [with] prose that’s casual and cool and often funny” (The New York Times). In six wide-ranging essays, Kathleen Hale traces some of the most treacherous fault lines in modern America—from sexual assault to Internet trolling, from environmental illness to our own animal nature. From hunting wild hogs in Florida to a standoff with an anonymous blogger, Hale takes no prisoners and fears no subject. “First I Got Pregnant. Then I Decided to Kill the Mountain Lion” recounts the month Hale spent tracking a wild cat in the Hollywood Hills while pregnant. “Prey” tells the troubling story of her sexual assault as a freshman in college. Through these and other essays, Hale wields razor-sharp wit, deep empathy, and daring honesty, even in detailing some of the most difficult moments of her life.
When Mrs. Inkydink announces a class trip to the farmers' market, Clark is so excited he doesn't listen to her instructions. Clark gets lost in the crowd and has to use his rhyming to remember what Mrs. Inkydink said to do. Beginning readers will be
In the vein of Waiting for an Echo and Dead Man Walking, a deeply immersive look at justice in America, told through the interwoven lives of condemned prisoners and the men and women who come to visit them . . . In 2018, after nearly a decade’s hiatus, the state of Tennessee began executing death row inmates, bucking national trends that showed the death penalty in decline. In less than two years, the state put seven men to death, more than any other state but Texas in that time period. It was an execution spree unlike any seen in Tennessee since the 1940s, one only brought to a halt by a global pandemic. Award-winning journalist Steven Hale was the leading reporter on these executions, covering them both locally for the Nashville Scene alt-weekly and nationally for The Appeal. In Death Row Welcomes You, Hale traces the lives of condemned prisoners at the Riverbend Maximum Security Institution—and the people who come to visit them. What brought them—the visitors and convicted murderers alike—to death row? The visitors are, for the most part, not activists—or at least they did not start out that way. Nor are they the sort of killer-obsessed death row groupies such settings sometimes attract. In fact, in most cases they are average people whose lives, not to mention their views on the death penalty, were turned upside down by a face-to-face meeting with a death row prisoner. Hale’s access to the people that make up that community afforded him a perspective that no other journalist has been granted, largely because Tennessee’s Department of Correction has all but shut off official media access. Combining topics that have long fascinated readers—crime, death, and life inside prison—Hale writes with humanity, empathy, and insight earned by befriending death row prisoners . . . and standing witness to their final moments.
