You've heard the story, but it never loses its magic: Lucy discovers a world beyond the wardrobe, and before long Peter, Susan and Edmund are drawn along with her into an enchanted adventure through the land of Narnia. Join the characters of this classic tale on a devotional adventure of your own as Sarah Arthur, best-selling author of
C. S. Lewis was a British author, lay theologian, and contemporary of J.R.R. Tolkien. The Lion, the Witch, and the Wardrobe is the first book in The Chronicles of Narnia.
Published in the early 1950s, C. S. Lewis's seven Chronicles of Narnia were proclaimed instant children's classics and have been hailed in The Oxford Companion to Children's Literature as "the most sustained achievement in fantasy for children by a 20th-century author." But how could Lewis (a formidable critic, scholar, and Christian apologist)conjure up the kind of adventures in which generations of children (and adults) take such delight? In this engaging and insightful book, C. S. Lewis expert David C. Downing invites readers to join his vivid exploration of the Chronicles of Narnia, offering a detailed look at the enchanting stories themselves and also focusing on the extraordinary intellect and imagination of the man behind the Wardrobe. Downing presents each Narnia book as its own little wardrobe - each tale an opportunity to discover a visionary world of bustling vitality, sparkling beauty, and spiritual clarity. And Downing's examination of C. S. Lewis's personal life shows how the content of these classic children's books reflects Lewis's love of wonder and story, his affection for animals and homespun things, his shrewd observations about human nature, along with his vast reading, robust humor, theological speculations, medieval scholarship, and arcane linguistic jokes. A fun glossary of odd and invented words will allow readers to speak with Narnian flair, regaling friends and family with unusual words like cantrips, poltoonery, hastilude, and skirling. A masterful work that will appeal to both new and seasoned fans of Narnia, Into the Wardrobe offers a journey beyond Narnia's deceptively simple surface and into its richly textured and unexpected depths.
The Method that Alan was taught had to have so much concentration and imagination about what was on the script, and that nothing else matters but being able to be that character and living the role, not just acting it, putting himself into a mode to where he would visualize and feel so much more than any other actor could by staying in the role throughout the whole shoot, living the character as if he transformed into them--mentally and physically--not knowing what the consequences could be. By learning such a profound way of acting, he struggles to be what he once was, before all the characters he's had to be, using this Method.
'Why Women Wear What they Wear' presents an intimate ethnography of clothing choice. The book uses real women's lives and clothing decisions - observed and discussed at the moment of getting dressed - to illustrate theories of clothing, the body, and identity.
This work is the first of its kind to single out individual short fiction films for comprehensive presentation and close study. Two Men and a Wardrobe (Roman Polanski, Poland, 1958, 15 min.), Coffee and Cigarettes (Jim Jarmusch, USA, 1986, 6 min.), Sunday (John Lawlor, Ireland, 1988, 8 min.), Cat's Cradle (Liz Hughes, Australia, 1991, 12 min.), Eating Out (Pal Sletaune, Norway, 1993, 7 min.), Come (Marianne Olsen Ulrichsen, Norway, 1995, 4.5 min.), Wind (Marcell Ivanyi, Hungary, 1996, 6 min.), Possum (Brad McGann, New Zealand, 1997, 14 min.), and The War Is Over (Nina Mimica, Italy, 1997, 7 min.) are the nine short fiction films studied. The films represent a broad range of storytelling approaches and a number of very different film cultures. Each film has a chapter of its own, including a shot-by-shot reproduction of the film with a still from every shot. In most cases, an interview with the director and an original screenplay and storyboard is also included. The book also describes a new conceptual model, derived from the films studied in the work, which can be used both for analyzing the ways in which a short fiction film tells its story and as a set of guidelines for student filmmakers writing their own screenplays. Instructors considering this book for use in a course may request an examination copy here.
Flat on his back at the mercy of the most honest woman on the planet... Merek Rummer had plans to win Danny’s silly dating game. He organised a woman, carefully laid out his story and set the scene for an entertaining weekend to claim his triumph. Those plans vanished when an industrial accident landed him flat on his back, needing assistance for the most basic of tasks. Then his mother chose his nurse, insisting he not be left alone for a second. Mindy Cox had settled in to write. The resort brochure promised blissful silence, broken only by birdsong. What it left out was the eight weeks of renovations that steal her every creative thought from sunup to sundown. With a deadline looming, she needs a new plan. Merek’s estate is the perfect writing environment—quiet and spread out. When Mindy lands in his bedroom, it’s the result of a giant lie she just can’t maintain. With a crotchety billionaire to contend with, her book is surely a lost cause. Can Merek woo a woman from his sickbed to win the bet? Or will her direct approach to life derail his plans, his heart, and cost him a million bucks? The Secret Billionaire's Club Books: The Billionaire's Heart The Billionaire's Luck The Billionaire's Treat The Billionaire's Duty The Billionaire's Spark The Billionaire's Club The Billionaire's Scare The Billionaire's Feast The Billionaire's Gift The Billionaire's Surprise
This is the story of a seemingly ordinary man who breaks under pressure after seeing so many unfair things happen to good people, he decides to take the law into his own hands and becomes an assassin.