For every day from Advent Sunday to Christmas Day and beyond, the bestselling poet Malcolm Guite chooses a favourite poem from across the Christian spiritual and English literary traditions and offers incisive seasonal reflections on it. A scholar of poetry as well as a renowned poet himself, his knowledge is deep and wide and he offers readers a soul-food feast for Advent. Among the classic writers he includes are: George Herbert, John Donne, Milton, Tennyson,and Christina Rossetti,as well as contemporary poets like Scott Cairns, Luci Shaw, and Grevel Lindop. He also includes a selection of his own highly praised work.
A baby still waiting to be born describes the boredom of living in a small, cramped space where there are no toys and no one else can be "it" during a game of tag, then considers how life will change when Baby joins Pop and Ma in the outside world.
My daughter described the book as "Dad's 'coming of age' statement" and I suppose that's a fairly accurate observation. Its an attempt to describe the successes and failures experienced by individuals who were totally innocent of the standards of military life. With few exceptions, the men - both officers and NCO's - who dominated my tour of duty during World War II, had little or no military background. We were all learning on the go. The average age in our Air Group must have been somewhere in the twenties, at the most, since there were so very many of us just entering our third decade of life. That fact alone supported the notion that our view of the world was based on something other than experience. In my case, in spite of "being on my own" during my senior year in high school and at the post high school Summer session with the Little Theatre of the Rockies at Colorado State, followed by the two or three months working in the Kaiser shipyards in Richmond, California, decisions made during that time weren't all that responsible or independent. Someone was always nearby to monitor, or more accurately, to mentor most of the things I did. And before that there was little or no independent thought or behavior that wasn't shaped or colored by the poverty and pressures of life during the great depression that frustrated any attempt at individual action. On the contrary, effort was concentrated on the well-being and survival of the family as a viable unit. It was selfish and irresponsible to go off on one's own. Even though the Navy provided considerable shelter for its young recruits, and certainly didn't encourage individual behavior over that of the group, it expected responsible compliance with its rules and regulations whether individually or otherwise. And so it was at the age of eighteen years, three months, I entered the maze of activities designed not only to produce an able seaman, but would most certainly turn "boy" into a "man." The events and accompanying experiences that occurred during the several levels of training and more than seven months of combat duty contributed to the growth of technical as well as social skills, which in the long view, might have been of much greater importance. It was the interaction with other people that created the most memorable events that are described here. The military deeds were necessary, but it was the men who supported my efforts to do my share who remain forever on the shadows of my memory.
From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, “Time catches up with genius … Waiting for Godot is one of the masterpieces of the century.” The story revolves around two seemingly homeless men waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind’s inexhaustible search for meaning. Beckett’s language pioneered an expressionistic minimalism that captured the existential post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.
For every day from Advent Sunday to Christmas Day and beyond, the bestselling poet Malcolm Guite chooses a favourite poem from across the Christian spiritual and English literary traditions and offers incisive seasonal reflections on it. A scholar of poetry as well as a renowned poet himself, he offers readers a soul-food feast for Advent.
Waiting for Nothing, first published in 1935, is a sobering, first-hand account of the author's life as a homeless man during the Great Depression of the 1930s. The book, a classic portrayal of the brutality and inhumaness of the time, was written while author Tom Kromer (1906-1969) was working at a Civilian Conservation Corps camp in California, and was his only completed novel. Waiting for Nothing describes Kromer's travels on the rails, his encounters with small-time cooks, prostitutes and homosexuals, and the endless search for enough food to eat and a warm place to sleep. Throughout the book, Kromer describes the plight of a vast army of unemployed workers, left to fend for themselves in a largely uncaring society.
While trying to score a date with her cute co-worker at the Scooper Dooper, sixteen-year-old Audrey gains unwanted fame and celebrity status when her ex-boyfriend, a rock musician, records a breakup song about her that soars to the top of the Billboard charts.
Dr. King’s best-selling account of the civil rights movement in Birmingham during the spring and summer of 1963 On April 16, 1963, as the violent events of the Birmingham campaign unfolded in the city’s streets, Dr. Martin Luther King, Jr., composed a letter from his prison cell in response to local religious leaders’ criticism of the campaign. The resulting piece of extraordinary protest writing, “Letter from Birmingham Jail,” was widely circulated and published in numerous periodicals. After the conclusion of the campaign and the March on Washington for Jobs and Freedom in 1963, King further developed the ideas introduced in the letter in Why We Can’t Wait, which tells the story of African American activism in the spring and summer of 1963. During this time, Birmingham, Alabama, was perhaps the most racially segregated city in the United States, but the campaign launched by King, Fred Shuttlesworth, and others demonstrated to the world the power of nonviolent direct action. Often applauded as King’s most incisive and eloquent book, Why We Can’t Wait recounts the Birmingham campaign in vivid detail, while underscoring why 1963 was such a crucial year for the civil rights movement. Disappointed by the slow pace of school desegregation and civil rights legislation, King observed that by 1963—during which the country celebrated the one-hundredth anniversary of the Emancipation Proclamation—Asia and Africa were “moving with jetlike speed toward gaining political independence but we still creep at a horse-and-buggy pace.” King examines the history of the civil rights struggle, noting tasks that future generations must accomplish to bring about full equality, and asserts that African Americans have already waited over three centuries for civil rights and that it is time to be proactive: “For years now, I have heard the word ‘Wait!’ It rings in the ear of every Negro with piercing familiarity. This ‘Wait’ has almost always meant ‘Never.’ We must come to see, with one of our distinguished jurists, that ‘justice too long delayed is justice denied.’”
A brilliant exploration of the natural, medical, psychological, and political facets of fertility When Belle Boggs's "The Art of Waiting" was published in Orion in 2012, it went viral, leading to republication in Harper's Magazine, an interview on NPR's The Diane Rehm Show, and a spot at the intersection of "highbrow" and "brilliant" in New York magazine's "Approval Matrix." In that heartbreaking essay, Boggs eloquently recounts her realization that she might never be able to conceive. She searches the apparently fertile world around her--the emergence of thirteen-year cicadas, the birth of eaglets near her rural home, and an unusual gorilla pregnancy at a local zoo--for signs that she is not alone. Boggs also explores other aspects of fertility and infertility: the way longing for a child plays out in the classic Coen brothers film Raising Arizona; the depiction of childlessness in literature, from Macbeth to Who's Afraid of Virginia Woolf?; the financial and legal complications that accompany alternative means of family making; the private and public expressions of iconic writers grappling with motherhood and fertility. She reports, with great empathy, complex stories of couples who adopted domestically and from overseas, LGBT couples considering assisted reproduction and surrogacy, and women and men reflecting on childless or child-free lives. In The Art of Waiting, Boggs deftly distills her time of waiting into an expansive contemplation of fertility, choice, and the many possible roads to making a life and making a family.
Despite all, with a profound philosophical optimism that better days were coming." From a black perspective, Jackson's work forms a particular and important testimony, both positive and negative, about life in the United States from the 1930s through the 1970s, and about life in the Army during the 1950s. One of Thomas's friends, noted producer and playwright Ned Bobkoff, wrote upon learning of the publication of the collection: "There is an indelible connection between.
