From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is revealed as one giant grave, filled with the remains of previous eras -- pagan, Roman, medieval, Victorian. This fascinating blend of archaeology, architecture and anecdote includes such phenomena as the rise of the undertaking trade and the pageantry of state funerals; public executions and bodysnatching. Ghoulishly entertaining and full of fascinating nuggets of information, Necropolis leaves no headstone unturned in its exploration of our changing attitudes to the deceased among us. Both anecdotal history and cultural commentary, Necropolis will take its place alongside classics of the city such as Peter Ackroyd's LONDON.
A "dark and funny debut"(Seattle-Times) about a young police officer struggling to maintain a sense of reality in a town where the dead outnumber the living. Colma, California, the "cemetery city" serving San Francisco, is the resting place of the likes of Joe DiMaggio, Wyatt Earp, and William Randolph Hearst. It is also the home of Michael Mercer, a by-the-book rookie cop struggling to settle comfortably into adult life. Instead, he becomes obsessed with the mysterious fate of his predecessor, Sergeant Wes Featherstone, who spent his last years policing the dead as well as the living. As Mercer attempts to navigate the drama of his own daily life, his own grip on reality starts to slip-either that, or Colma's more famous residents are not resting in peace as they should be.
An author visiting Jerusalem is pulled into a stranger’s mysterious death in this gripping, moving novel by one of Colombia’s major literary voices. Winner of the La Otra Orilla Literary Award Upon recovering from a prolonged illness, an author is invited to a literary gathering in Jerusalem that turns out to be a most unusual affair. In the conference rooms of a luxury hotel, as war rages outside, he listens to a series of extraordinary life stories: the saga of a chess-playing duo, the tale of an Italian porn star with a socialist agenda, the drama of a Colombian industrialist who has been waging a longstanding battle with local paramilitaries, and many more. But it is José Maturana—evangelical pastor, recovering drug addict, ex-con—with his story of redemption at the hands of a charismatic tattooed messiah from Miami, Florida, who fascinates the author more than any other. Maturana’s language is potent and vital, and his story captivating. Hours after his stirring presentation to a rapt audience, however, Maturana is found dead in his hotel room. At first it seems likely that he has taken his own life. But there are a few loose ends that don’t support the suicide hypothesis, and the author is moved by Maturana’s life story to discover the truth about his death, in a literary mystery from “one of the most interesting Latin American writers . . . his most ambitious novel yet” (La Nación). “A modern Decameron.” —La Liberté
From author Tim Waggoner comes a novel featuring a home for all of those creatures that go bump in the night . . . Centuries ago, when Earth's Darkfolk -- vampires, werewolves, witches and other creatures -- were threatened by humanity, they departed our planet's dimension and journeyed to a shadowy realm, where they built the great city of Necropolis. Matthew Adrion is an Earth cop who came through a portal to Necropolis on a case, died, and was resurrected as a zombie. Unable to return home, he works as a private investigator on the very mean streets of this shadowy, dark city. Tim Waggoner lives in Ohio.
The stakes get higher in #1 NYT bestselling author Anthony Horowitz's latest masterpiece.As the fourth novel in the spellbinding Gatekeepers series begins, the world is under the greatest threat it's ever known. The evil corporation Nightrise has amassed an immense amount of power . . . and the devastating force of the Old Ones is about to be unleashed around the globe. To stop this from happening, Matt and three of the Gatekeepers head to Hong Kong--not just the modern city of skyscrapers and wealth, but the secretive underworld beneath. In Hong Kong they will meet the final Gatekeeper, a girl named Scarlet, whose fate is inextricably joined to their own....
The great medieval necropolis of Cairo, comprising two main areas that together stretch twelve kilometers from north to south, constitutes a major feature of the city's urban landscape. With monumental and smaller-scale mausolea dating from all eras since early medieval times, and boasting some of the finest examples of Mamluk architecture not just in the city but in the region, the necropolis is an unparalleled--and until now largely undocumented--architectural treasure trove. In Architecture for the Dead, architect Galila El Kadi and photographer Alain Bonnamy have produced a comprehensive and visually stunning survey of all areas of the necropolis. Through detailed and painstaking research and remarkable photography, in text, maps, plans, and pictures, they describe and illustrate the astonishing variety of architectural styles in the necropolis: from Mamluk to neo-Mamluk via baroque and neo-pharaonic, from the grandest stone buildings with their decorative domes and minarets to the humblest--but elaborately decorated--wooden structures. The book also documents the modern settlement of the necropolis by families creating a space for the living in and among the tombs and architecture for the dead.
“An elegant page-turner of nineteenth-century detective fiction.” –The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer’s fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow’s skilled hands, The Waterworks becomes, in the words of The New York Times, “a dark moral tale . . . an eloquently troubling evocation of our past.” “Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of [Doctorow’s] poetic imagination.” –The New York Times Book Review “Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator.” –The Philadelphia Inquirer “A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders.” –Boston Sunday Herald “Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last.” –Chicago Sun-Times “An immense, extraordinary achievement.” –San Francisco Chronicle
Introverted scholar Percival Endicott Whyborne has spent the last few months watching his lover, Griffin Flaherty, come to terms with the rejection of his adoptive family. So when an urgent telegram from Christine summons them to Egypt, Whyborne is reluctant to risk the fragile peace they've established. Until, that is, a man who seems as much animal as human tries to murder Whyborne in the museum.Amidst the ancient ruins of the pharaohs, they must join Christine and face betrayal, murder, and a legendary sorceress risen from the dead. In the forge of the desert heat, the trio will either face their fears and stand together-or shatter the bonds between them forever.
Walt Whitman and Louisa May Alcott meet the horrors of the Civil War as they minister to its casualties After the Union Army’s defeat at Fredericksburg in 1862, Walt Whitman and Louisa May Alcott converge on Washington to nurse the sick, wounded, and dying. Whitman was a man of many contradictions: egocentric yet compassionate, impatient with religiosity yet moved by the spiritual in all humankind, bigoted yet soon to become known as the great poet of democracy. Alcott was an intense, intellectual, independent woman, an abolitionist and suffragist, who was compelled by financial circumstance to publish saccharine magazine stories yet would go on to write the enduring and beloved Little Women. As Lock captures the musicality of their unique voices and their encounters with luminaries ranging from Lincoln to battlefield photographer Mathew Brady to reformer Dorothea Dix, he deftly renders the war’s impact on their personal and artistic development. Inspired by Whitman’s poem “The Wound-Dresser” and Alcott’s Hospital Sketches, the ninth stand-alone book in The American Novels series is a masterful dual portrait of two iconic authors who took different paths toward chronicling a country beset by prejudice and at war with itself.