Vivid and Repulsive as the Truth

Vivid and Repulsive as the Truth

Author: Djuna Barnes

Publisher: Courier Dover Publications

Published: 2016-08-17

Total Pages: 273

ISBN-13: 048680559X

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The self-described "most famous unknown author in the world," Djuna Barnes (1892 - 1982) is increasingly regarded as an important voice of feminism, modernism, and lesbian culture. Best remembered for her 1936 novel Nightwood, Barnes began her career by writing poetry, short stories, and articles for avant-garde literary journals as well as popular magazines. She took the grotesque nature of reality as her recurrent theme, a pessimistic world view frequently brightened by her sparkling wit. A longtime resident of Greenwich Village, Barnes drew inspiration from the bustling streets of Lower Manhattan, and this eclectic compilation of her early journalism, fiction, and poetry recaptures the vitality of her bohemian literary scene. The collection opens with articles ranging from an account of an evening at the Arcadia, a "modern dance hall," to a firsthand report of the force-feeding endured by suffragettes in 1914. In addition to profiles of a postman, vaudeville performer, and other local personalities, Barnes interviews Lillian Russell and Alfred Stieglitz and describes an encounter with James Joyce. A dozen short stories follow, and the book concludes with a selection of compelling and sensual poetry, including verse from The Book of Repulsive Women. A selection of the author's original illustrations is included.


Vivid and Repulsive as the Truth

Vivid and Repulsive as the Truth

Author: Djuna Barnes

Publisher: Courier Dover Publications

Published: 2016-07-20

Total Pages: 273

ISBN-13: 0486815226

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Famous early works by the influential author include journalism (firsthand account of the force-feeding endured by suffragettes and an interview with James Joyce), poetry (including selections from The Book of Repulsive Women), and stories ("Smoke").


Comics and Modernism

Comics and Modernism

Author: Jonathan Najarian

Publisher: Univ. Press of Mississippi

Published: 2024-01-15

Total Pages: 273

ISBN-13: 1496849590

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Contributions by David M. Ball, Scott Bukatman, Hillary Chute, Jean Lee Cole, Louise Kane, Matthew Levay, Andrei Molotiu, Jonathan Najarian, Katherine Roeder, Noa Saunders, Clémence Sfadj, Nick Sturm, Glenn Willmott, and Daniel Worden Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements.


The EmBodyment of American Culture

The EmBodyment of American Culture

Author: Heinz Tschachler

Publisher: LIT Verlag Münster

Published: 2003

Total Pages: 236

ISBN-13: 9783825867621

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American culture has literally become fixated on the body at the same time that the body has emerged as a key term within critical and cultural theory. Contributions thus address the body as a site of the cultural construction of various identities, which are themselves enacted, negotiated, or subverted through bodily practices. Contributions come from literary and cultural studies, film and media studies, history and sociology, and women studies, and are representative of many theoretical positions, hermeneutic, historical, structuralist, feminist, postmodernist. They deal with representations and discursifications of the body in a broad array of texts, in literature, the visual arts, theater, the performing arts, film and mass media, science and technology, as well as in various cultural practices.


Radicals and Rogues

Radicals and Rogues

Author: Lottie Whalen

Publisher: Reaktion Books

Published: 2024-01-22

Total Pages: 374

ISBN-13: 1789148154

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From artists to activists, an explosive and eye-opening new history of the women who gave us New York. This is the story of a group of women whose experiments in art and life set the tone for the rise of New York as the twentieth-century capital of modern culture. Across the 1910s and ’20s, through provocative creative acts, shocking fashion, political activism, and dynamic social networks, these women reimagined modern life and fought for the chance to realize their visions. Taking the reader on a journey through the city’s salons and bohemian hangouts, Radicals and Rogues celebrates the tastemakers, collectors, curators, artists, and poets at the forefront of the early avant-garde scene. Focusing on these trailblazers at the center of artistic innovation—including Beatrice Wood, Mina Loy, the Stettheimer sisters, Clara Tice, the Baroness Elsa von Freytag Loringhoven, Gertrude Vanderbilt Whitney, Marguerite Zorach, and Louise Arensberg—Lottie Whalen offers a lively new history of remarkable women in early twentieth-century New York City.


Ugly Differences

Ugly Differences

Author: Yetta Howard

Publisher: University of Illinois Press

Published: 2018-07-02

Total Pages: 285

ISBN-13: 0252050576

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What would it mean to turn to ugliness rather than turn away from it? Indeed, the idea of ugly often becomes synonymous with non-white, non-male, and non-heterosexual physicality and experience. That same pejorative migrates to become a label for practices within underground culture. In Ugly Differences, Yetta Howard uses underground contexts to theorize queer difference by locating ugliness at the intersection of the physical, experiential, and textual. From that nexus, Howard contends that ugliness—as a mode of pejorative identification—is fundamental to the cultural formations of queer female sexuality. Slava Tsukerman's postpunk film Liquid Sky, Sapphire's poetry, Roberta Gregory's Bitchy Butch comix, New Queer Cinema such as High Art—these and other non-canonical works contribute to an audacious critique. Howard reveals how the things we see, read as, or experience as ugly productively account for non-dominant sexual identities and creative practices. Ugly Differences offers eye-opening ways to approach queerness and its myriad underground representations.


I Am Alien to Life

I Am Alien to Life

Author: Djuna Barnes

Publisher: Simon and Schuster

Published: 2024-10-08

Total Pages: 165

ISBN-13: 1961341239

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The best of Djuna Barnes’s dark, droll, incisive short fiction, spanning her all-too-brief career, edited and introduced by Merve Emre. Djuna Barnes is rightly remembered for Nightwood, her breakthrough and final novel: a hallmark of modernist literature, championed by T. S. Eliot, and one of the first, strangest, and most brilliant novels of love between women to be published in the twentieth century. Barnes’s career began long before Nightwood, however, with journalism, essays, drama, and satire of extraordinary wit and courage. Long into her later life, after World War II, when she published nothing more, it was her short fiction above all that she prized and would continue to revise. Here are all the stories Barnes sought to preserve, in the versions she preferred, as well as a smattering of rarities as selected by critic and New Yorker contributor Merve Emre. These are tales of women “‘tragique’ and ‘triste’ and ‘tremendous’ all at once,” of sons and daughters being initiated into the ugly comedy of life, monuments all to a worldview singular and scathing. As Emre writes in her foreword, “[Barnes’s] themes are love and death, especially in Paris and New York; the corruption of nature by culture; the tainted innocence of children; and the mute misery of beasts . . . her characters may be alien to life, but they are alive—spectacularly, grotesquely alive.”


The Shutter of Snow

The Shutter of Snow

Author: Emily Holmes Coleman

Publisher: Dalkey Archive Press

Published: 1997

Total Pages: 140

ISBN-13: 9781564781475

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In a prose form as startling as its content, ?"The Shutter of Snow"?portrays the post-partum psychosis of Marthe Gail, who after giving birth to her son, is committed to an insane asylum. Believing herself to be God, she maneuvers through an institutional world that is both sad and terrifying, echoing the worlds of?"One Flew Over the Cuckoo's Nest"?and?"The Snake Pit." Based upon the author's own experience after the birth of her son in 1924, "The Shutter of Snow" retains all the energy it had when first published in 1930.