In failing to take the sacramentality of the word of God seriously, the preaching of the church has suffered negative consequences, particularly failing to bring about divine participation with Jesus corporeal humanity in his living word. In order to recover this sacramental reality, this volume argues that one should consider the annunciation to Mary as the paradigm of the corporeal Christ taking up residence in the flesh of his hearer and delivering the fullness of the Godhead.
Martin Luther is often thought of as a world-shaking figure who defied papacy and empire to introduce a reformation in the teaching, worship, organization, and life of the Church. Sometimes it is forgotten that he was also a pastor and shepherd of souls. Collected in this volume are Luther's letters of spiritual counsel, which he offered to his contemporaries in the midst of sickness, death, persecution, imprisonment, famine, and political instability. For Luther, spiritual counsel was about establishing, nurturing, and strengthening faith. Freshly translated from the original German and Latin, the letters shed light on the fascinating relationship between his pastoral counsel and his theology. Theodore G. Tappert taught Church History at Lutheran Theological Seminary in Philadelphia, Pennsylvania. He also translated Pia Desideria by Philip Jacob Spener and The Book of Concord: The Confessions of the Evangelical Lutheran Church.
In this innovative study of performance in international relations, James R. Ball III asks why states and their representatives come to the United Nations to perform for a global audience and how those audiences may intervene in the spectacle of global politics. Theater of State looks at key spaces in which global politics play out: in debating forums of the UN, at the International Criminal Court in The Hague, and in peacekeeping operations in Africa and the Middle East, as well as in a variety of related media productions. Ball argues that culture and politics form a unified field organized by the theatricality of its actors and the engaged spectatorship of its audiences. He provides a theory of global political spectatorship: of how the world watches itself in institutions and beyond, and of what citizens and diplomats do by watching. This study of the lived experience of spectacular politics on the world stage draws on theories of theater, performance, and politics to offer new ways of approaching issues of war, cosmopolitanism, international justice, governance, and activism. Situated at the nexus of two disciplines, performance studies and political science, this volume encourages conversations between the two so that each might offer lessons to the other.
This book focuses on the authority and status of the author of Luke-Acts. What authority did he have to write a Gospel, to interpret the Jewish Scriptures and traditions of Israel, to interpret the Jesus traditions, and to update the narrative with a second volume with its interpretation of Paul and the other apostles who appear in the Acts narrative? Rick Strelan constructs the author as a Jewish Priest, examining such issues as writing and orality, authority and tradition, and the status and role of priests. The analysis is set within the context of scholarly opinion about the author, the intended audience and other related issues.
The study of the growth of early Christian intellectual life is of perennial interest to scholars. This volume advances discussion by exploring ways in which Christian writers in the second century did not so much draw on Hellenistic intellectual traditions and models, as they were inevitably embedded in those traditions. The volume contains papers from a seminar in Rome in 2016 that explored the nature and activity of the emergent Christian intellectual between the late first century and the early third century. The papers show that Hellenistic scholarly cultures were the milieu within which Christian modes of thinking developed. At the same time the essays show how Christian thinkers made use of the cultures of which they were part in distinctive ways, adapting existing traditions because of Christian beliefs and needs. The figures studied include Papias from the early part of the second-century, Tatian, Irenaeus, and Clement of Alexandria from the later second century. One paper on Eusebius of Caesarea explores the Christian adaptation of Hellenistic scholarly methods of commentary. Christian figures are studied in the light of debates within Classics and Jewish studies.
Offering a re-reading of Erasmus's works, this book shows that emotion and affectivity were central to his writings. It argues that Erasmus's conception of emotion was highly complex and richly diverse by tracing how the Dutch humanist writes about emotion not only from different perspectives-theological, philosophical, literary, rhetorical, medical-but also in different genres. In doing so, this book suggests, Erasmus provided a distinctive, if not unique, Christian humanist emotional style. Demonstrating that Erasmus consulted multiple intellectual traditions and previous works in his thoughts on affectivity, The Renaissance of Feeling sheds light on how understanding emotions in late medieval and early modern Europe was a multi-disciplinary affair for humanist scholars. It argues that the rediscovery and proliferation ancient texts during the so-called renaissance resulted in shifting perspectives on how emotions were described and understood, and on their significance for Christian thought and practice. The book shows how the very availability of source material, coupled with humanists' eagerness to engage with multiple intellectual traditions gave rise to new understandings of feeling in the 16th century. Essary shows how Erasmus provides the clearest example of such an intellectual inheritance by examining his writings about emotion across much of his vast corpus, including literary and rhetorical works, theological treatises, textual commentaries, religious disputations, and letters. Considering the rich and diverse ways that Erasmus wrote about emotions and affectivity, this book provides a new lens to study his works and sheds light on how emotions were understood in early modern Europe.
The three volumes present the current state of international research on Martin Luther’s life and work and the Reformation's manifold influences on history, churches, politics, culture, philosophy, arts and society up to the 21st century. The work is initiated by the Fondazione per le scienze religiose Giovanni XXIII (Bologna) in cooperation with the European network Refo500. This handbook is also available in German.
