The overlooked and the ordinary: photographs of everyday beauty Russian-born, Berlin-based photographer and artist Vitali Gelwich finds beauty in the mundane and intimacy in the banal.
"Trap" is the language of hip-hop from the southern states, especially from the city of Atlanta. But "trap" is also slang for the place where drug deals are made. And, last but not least, a "trap" is also a snare. All of this collides when the documentary photographer Vincent Desailly sets out to capture the world behind the lyrics in Atlanta. His pictures are witnesses to the feeling of life and the atmosphere that comes from this music. Haunting portraits show dealers, musicians, or simply residents of the city. On display are guns, crime scenes, and tableaux of everyday life. The photographs are enchantingly beautiful and narratively elegant. Each one is full of meaning and history. Thus, the visual evidence becomes poetry. The portrayal of everyday life begins to speak in the photos. And this language is none other but rap, to whose driving beats and direct lyrics the pictures again open up."Trap" is the language of hip-hop from the southern states, especially from the city of Atlanta. But "trap" is also slang for the place where drug deals are made. And, last but not least, a "trap" is also a snare. All of this collides when the documentary photographer Vincent Desailly sets out to capture the world behind the lyrics in Atlanta. His pictures are witnesses to the feeling of life and the atmosphere that comes from this music. Haunting portraits show dealers, musicians, or simply residents of the city. On display are guns, crime scenes, and tableaux of everyday life. The photographs are enchantingly beautiful and narratively elegant. Each one is full of meaning and history. Thus, the visual evidence becomes poetry. The portrayal of everyday life begins to speak in the photos. And this language is none other but rap, to whose driving beats and direct lyrics the pictures again open up.
Frank Horvat (*1928 in Abbazia, today Opatija, Croatia), a pioneering fashion photographer and one of the first professional photographers to use Photoshop, can meanwhile look back at around seventy years of activity and a dazzling career. The grand seigneur now allows us very personal insight into his private life: the autobiography in pictures reveals personal moments from all phases of his life. We encounter the great themes of humankind, such as birth and death, are witness to his ability to play, and to handle animals, we see his family, his friends. They are everyday images like anyone could have assembled in an album. However, there is one slight difference: a master was clearly at work here early on, the quality of the photographs speaks for itself. In the appendix, Horvat comments, in most cases at length, on each of the chronologically ordered pictures.
A multistoried apartment building. Its plaster is grayish beige and exudes a kind of petit-bourgeois tristesse; it has the requisite carpeted balcony railings, the lone flower box, even the deckchair is there. A familiar view. It is only on second glance that we see that something is wrong. All of the balcony doors lead to nowhere, and in turn, the balconies themselves cannot be accessed.German photographer Frank Kunert (*1963 in Frankfurt/Main) has not uncovered any sort of architectural scandal. With Balcony is one of the works that sensitively and enigmatically turn familiar narrative contexts upside down and question reality itself. Far from being simply photographic satire, Kunert's miniatures give three-dimensional form to puns on thoughts and words, making them tangible in the truest sense of the word. Kunert spends weeks constructing his model sets down to the smallest detail and then photographs them in his studio-in the process, creating the antithesis of worn and hackneyed concepts and ideas. Exhibition schedule: Galerie S, Siegen, February 22-March 28, 2008 · Darmstädter Tage der Fotografie, Darmstadt, April 18-20, 22008 · Galerie Camera Obscura, Dortmund, August 16-September 6, 2008 · Artbox Frankfurt, Galerie der Editionen, October 2-29, 2008 · Stadtmuseum Münster, February 23-April 11, 2010
A limited, large-format edition of this gorgeous study of apples, featuring a print from the series This large-format (9 x 11.25 inches) special edition of New York photographer William Mullan's (born 1989) Odd Applesincludes a print of the photograph titled Hidden Rosehoused in a pergamin paper sleeve inserted in the book. Mullan's obsession with apples began when he saw his first Egremont Russet at a Waitrose grocery store outside of London. Fascinated by its gnarled, potato-like appearance and shockingly fresh, nutty flavor, Mullan began searching for, and photographing, rare apple varieties. In Odd Apples, each apple is lovingly rendered and styled according to its individual "personality"--a combination of its looks and its flavors. The apples are set against complementary brightly colored backdrops; they are peeled or unpeeled, cut or whole, skin shriveled or perfectly smooth and shiny. Mullan embraces each apple's idiosyncratic aesthetic qualities completely.
On the occasion of Italio-Brazilian architect Lina Bo Bardi's one hundredth birthday, this richly illustrated volume presents an overview of her oeuvre and highlights iconic buildings, such as her own home, the so-called Casa de Vidro, the Museo de Arte de Sao Paulo, and the cultural center SESC Pompeia. This is a spectacular book on a celebrated architect. Spanning architecture, stage sets, fashion, and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful engagement with her adopted country of Brazil, its culture, society, and politics, and she productively and provocatively voiced her sometimes radical views through designs, exhibitions, and writings.
In his new book, Charles Saatchi looks at hard-to-believe bewildering facts. Amongst the startling images, these mystifying hidden stories are explained in Saatchi's entertaining, succinct style.
New York Magazines Most Giftable Coffee-Table Books of 2019 One of The Architect's Newspaper's Fall Must-Reads Home-cooking meets highbrow art in this one-of-a-kind cookbook that uses food to create edible interpretations of modern and contemporary sculptures, paintings, architecture, and design. It started as a series of dinner parties that Esther Choi--artist, architectural historian, and self-taught cook--hosted for friends after she stumbled across an elaborate menu crafted for Walter Gropius in 1937. Combining a curiosity about art and design with a deeply felt love of cooking, Choi has assembled a playful collection of recipes that are sure to spark conversation over the dinner table. Featuring Choi's own spectacular photography, these sixty recipes riff off famous artists or architects and the works they are known for. Try Quiche Haring with the Frida Kale-o Salad, or the Robert Rauschenburger followed by Flan Flavin. This cookbook is strikingly beautiful and provocative as it blurs the boundaries between art and everyday life and celebrates food in an engaging and imaginative way.
Some individuals strikingly resemble the art they are viewing, and Stefan Draschan has developed a special perspective on these picturesque correspondences. While strolling through the museums of Europe, Draschan captured similarities between the works of art and the people looking at them, noticing similar colors, patterns, hairdos, or physical posture. The artist has created astonishing visual moments that can be comic, poetic, surprising, but never contrived. The series, which he began working on in 2015, initially started with photo competitions by the Staatliche Museen zu Berlin and the magazine art-Das Kunstmagazin. It immediately took off on the Internet, where the international communities on Facebook, Tumblr, Twitter, and Instagram have liked and shared his photographs millions of times. Exhibitions followed, and now the latest pictures from the series are being published in a light-hearted gift book.