Visual Effects in a Digital World
Author: Karen Goulekas
Publisher: Morgan Kaufmann
Published: 2001-07-27
Total Pages: 650
ISBN-13: 9780122937859
DOWNLOAD EBOOKAs this title is a glossary, no table of contents is included.
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Author: Karen Goulekas
Publisher: Morgan Kaufmann
Published: 2001-07-27
Total Pages: 650
ISBN-13: 9780122937859
DOWNLOAD EBOOKAs this title is a glossary, no table of contents is included.
Author: Karen Goulekas
Publisher: Elsevier
Published: 2001-08-10
Total Pages: 616
ISBN-13: 0080520715
DOWNLOAD EBOOKAs the visual effects industry has diversified, so too have the books written to serve the needs of this industry. Today there are hundreds of highly specialized titles focusing on particular aspects of film and broadcast animation, computer graphics, stage photography, miniature photography, color theory, and many others. Visual Effects in a Digital World offers a much-needed reconsolidation of this knowledge. All of the industry's workers frequently need to understand concepts from other specialties, and this book-the only one of its kind-lets them look up and grasp the basics of any visual effects concept in a matter of seconds. It's a great way for everyone, regardless of experience, to find their way through the jargon and learn what they need to know. - Authoritative coverage from a winner visual effects expert-winner of a British Academy Award and two Emmys - Covers topics such as computer graphics, digital compositing, live action, stage, and miniature photography, and a wide range of computer and Internet concepts - Offers job descriptions for positions found throughout the industry - Demystifies the jargon used by practitioners in every subspecialty
Author: Jon Gress
Publisher: Pearson Education
Published: 2015
Total Pages: 553
ISBN-13: 0321984382
DOWNLOAD EBOOKAnnotation Everything you need to know to become a professional VFX whizz in one thorough and comprehensive guide.
Author: Piers Bizony
Publisher: White Lion Publishing
Published: 2001
Total Pages: 266
ISBN-13:
DOWNLOAD EBOOKPiers Brizony has gained complete access to the headquarters of Digital Domain in Venice, California, in order to produce the first ever book on the company's work at the cutting edge of the special- effects industry. Covers major films of recent years: Titanic, Apollo 13, True Lies.
Author: Stephen Prince
Publisher: Rutgers University Press
Published: 2011-12-07
Total Pages: 271
ISBN-13: 0813552184
DOWNLOAD EBOOKAvatar. Inception. Jurassic Park. Lord of the Rings. Ratatouille. Not only are these some of the highest-grossing films of all time, they are also prime examples of how digital visual effects have transformed Hollywood filmmaking. Some critics, however, fear that this digital revolution marks a radical break with cinematic tradition, heralding the death of serious realistic movies in favor of computer-generated pure spectacle. Digital Visual Effects in Cinema counters this alarmist reading, by showing how digital effects–driven films should be understood as a continuation of the narrative and stylistic traditions that have defined American cinema for decades. Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.
Author: Richard J. Radke
Publisher: Cambridge University Press
Published: 2013
Total Pages: 409
ISBN-13: 0521766877
DOWNLOAD EBOOKThis book explores the fundamental computer vision principles and state-of-the-art algorithms used to create cutting-edge visual effects for movies and television. It describes classical computer vision algorithms and recent developments, features more than 200 original images, and contains in-depth interviews with Hollywood visual effects artists that tie the mathematical concepts to real-world filmmaking.
Author: Thomas G. Smith
Publisher: Ballantine Books
Published: 1988-09-01
Total Pages: 308
ISBN-13: 9780345009364
DOWNLOAD EBOOKAuthor: Kristen Whissel
Publisher: Duke University Press
Published: 2014-02-05
Total Pages: 224
ISBN-13: 0822377144
DOWNLOAD EBOOKBy developing the concept of the "digital effects emblem," Kristen Whissel contributes a new analytic rubric to cinema studies. An "effects emblem" is a spectacular, computer-generated visual effect that gives stunning expression to a film's key themes. Although they elicit feelings of astonishment and wonder, effects emblems do not interrupt narrative, but are continuous with story and characterization and highlight the narrative stakes of a film. Focusing on spectacular digital visual effects in live-action films made between 1989 and 2011, Whissel identifies and examines four effects emblems: the illusion of gravity-defying vertical movement, massive digital multitudes or "swarms," photorealistic digital creatures, and morphing "plasmatic" figures. Across films such as Avatar, The Matrix, the Lord of the Rings trilogy, Jurassic Park, Titanic, and Crouching Tiger, Hidden Dragon, these effects emblems heighten the narrative drama by contrasting power with powerlessness, life with death, freedom with constraint, and the individual with the collective.
Author: Steve Wright
Publisher: Taylor & Francis
Published: 2013-01-17
Total Pages: 346
ISBN-13: 113603921X
DOWNLOAD EBOOKPut the essential concepts and techniques of digital compositing to work for you without the need of a single mathematical equation. Compositing Visual Effects is lavishly illustrated with hundreds of film shots, figures, illustrations, and diagrams to help the visual reader gain a valuable vocabulary and understanding of the full range of visual effects, in which digital compositing plays a key role. Beginning with an inspirational tour of the scope and magnitude of digital compositing, you get a solid overview of the kinds of digital effects routinely executed today. See how CGI is composited with live action, how set extensions are done, and what a match-move shot is. Following that you learn each of the key applications of digital compositing, which include bluescreen compositing, bullet-time shots, motion tracking, and rotoscoping. The subsequent chapters dig down into each of the major digital compositing applications, introducing the fundamental concepts, and processes behind them. Learn what is easy and hard, possible and impossible, and what to expect when working on a job that entails digital compositing. New to this edition are 4 new chapters on: * 3D compositing, with lessons on what camera tracking is, how it is used to put CGI into a live-action plate, as well as live action into a 3D scene. * Stereo compositing, with descriptions of key stereoscopic terms and concepts, lessons on compositing shots that were filmed in stereo (both bluescreen and CGI), as well as the stereo conversion process when a flat 2D movie is converted to a stereo 3D movie * RED and Digital Capture with Log Images, including log image formats. This is a very hot topic these days. Colleges hang around video because it is cheaper. Film is still big in the real world of production. * Tracking an entire project from start to finish This is in addition to robust updates on topics such as: * planar tracking, Z compositing, working with Anamorphic HD formats, mocap, and more This edition also includes a companion website with images from the book for you to work with in your own compositing exercises. An accessible introduction to a complex subject for novice and aspiring compositors, from experienced author and compositing whose compositing credits include Night at the Museum 2, Shutter Island, Solaris, Traffic, and more Full color presentation illustrating the art and techniques of the practice, provides inspiration along with instruction New to this edition is a companion website, new chapters on 3D compositing, stereo compositing, RED and digital capture with log images, and more will have you understanding the latest in compositing technology in no time
Author: A. J. Mitchell
Publisher: Taylor & Francis
Published: 2004
Total Pages: 247
ISBN-13: 0240516753
DOWNLOAD EBOOKAn essential quick reference which provides the latest techniques and practices in the area of special effects.