"Marlin Stum, journalist and nature writer, grew up east of Antelope Island. He has spent much of his life exploring it and Great Salt Lake, in the field and through library research, and he currently is a state park volunteer on the island. Stum reviews Antelope's story in detail, from the dramatic impact of natural cycles of fire and flood to the island's emblematic, free-roaming buffalo herd. He covers geology and wildlife, archaeology and history, recreation and park management, and other topics, and he invariably considers Antelope Island in relation to the environment and history of Great Salt Lake and the Salt Lake Valley, from which its story should not be separated."--Jacket.
Part art history essay, part experimental fiction, part theoretical manifesto on the politics of equivalence, Helicography examines questions of scale in relation to Robert Smithson's iconic 1970 artwork Spiral Jetty. In an essay and film made to accompany the earthwork, Smithson invites us to imagine the stone helix of his structure at various orders of magnitude, from microscopic molecules to entire galaxies. Taking up this invitation with an unrelenting and literal enthusiasm, Helicography pursues the implications of such transformations all the way to the limits of logic. If other spirals, from the natural to the man-made, were expanded or condensed to the size of Spiral Jetty, what are the consequences of their physical metamorphoses? What other equivalences follow in turn, and where do their surprising historical, cultural, and mechanical connections lead? This book considers a number of forms in order to find out: the fluid vortices of whirlpools, hurricanes, and galaxies; the delicate shells of snails and the threatening pose of rattlesnakes; prehistoric ferns and the turns of the inner ear; the monstrous jaws of ancient sharks; a baroque finial scroll on a bass viol; a 19th-century watch spring; phonograph discs and spooled film; the largest open-pit mine on the planet. The result is a narrative laboratory for the "science of imaginary solutions" proposed by Alfred Jarry (whose King Ubu also plays a central role in the story told here), a work of fictocriticism blurring form and content, and the story of a single instant in time lost in the deserts of the intermountain west. Craig Dworkin is the author of four scholarly monographs - Reading the Illegible (Northwestern University Press), No Medium (MIT Press), Dictionary Poetics: Toward a Radical Lexicography (Fordham University Press), and Radium of the Word: a Poetics of Materiality (Chicago University Press) - as well as a half-dozen edited collections and a dozen books of experimental writing, including, most recently, The Pine-Woods Notebook (Kenning Editions). He teaches literary history and theory at the University of Utah.
Few other places in the United States are as high, dry, sparsely inhabited—and urbanized—as the Great Basin of Utah and Nevada. The great majority of the population of this rapidly growing region lives in the two metropolitan areas at its edges, Salt Lake City and the Wasatch Front, and Reno and the Truckee Meadows. These cities embody the allure and the challenge of the contemporary American West, deemed by some “The New American Heartland.” No Communication with the Sea is a journey through this urbanizing Great Basin landscape. Here, the land fosters illusions of limitless space and resources, but its space and resources are severely limited; its people live clustered in cities but are often reluctant to embrace urbanity. These tensions led journalist and urban planner Tim Sullivan to explore the developing centers and edges of the Great Basin cities and the ways some are trying to build livable and sustainable urban environments. In this highly readable book of creative nonfiction, Sullivan employs a variety of methods—including interviews, research, travelogues, and narrative—to survey the harsh landscape for clues to the ways cities can adapt to their geography, topography, ecology, hydrography, history, and culture. No Communication with the Sea embarks on a quest for a livable future for the heart of the interior West. In the process, it both unearths the past and ponders the present and future Great Basin cities.
To the outside observer, Salt Lake City might seem to be the squeaky-clean "City of Saints"—its nickname since Mormon pioneers first arrived. Its wide roads, huge Mormon temple topped by a horn-blowing angel, and orderly neighborhoods give it the appearance of the ideal American city, but looks can be deceiving. When a beautiful socialite turns up dead, Art Oveson, a twenty-something husband, father, and devout Mormon just getting his start as a sheriff's deputy, finds himself thrust into the role of detective. With his partner, a foul-mouthed former strikebreaker, he begins to pursue the murderer—or murderers. His search takes him into the underbelly of Salt Lake City, a place rife with blackmail, corruption, and death. Based on a true yet largely forgotten murder that once captivated the nation but still remains unsolved eighty years later, City of Saints reveals a darker picture of the Mormon capital than you ever expected.
Probably Utah's most widely recognized topographical feature, the Great Salt Lake is possibly also the state's least appreciated and understood one. While visitors often feel compelled to take a closer look at it and even test its salinity by dipping a finger or a toe, many native Utahns and tourists never take the time to explore the lake more extensively or to learn about its many facets. Awaiting those who do so is the discovery of just how fascinating a place the lake is. As Gary Topping points out in his introduction, Great Salt Lake "sounds like someone's literary fantasy: a vast interior sea bordered by marshes and dotted with islands that support thousands of shore birds of a great variety of species, yet flanked on other sides by an immense salt waste that forbids human habitation... Great Salt Lake remains one of the world's most remarkable geological phenomena, a place of beauty, drama, and complexity to challenge the most ambitious curiosity and imagination." To encourage a deeper knowledge and understanding of this unique body of water, Topping has assembled some of the best historical and contemporary writing on Great Salt Lake. The authors include historical figures such as Osborne Russell, Jedediah Smith, John C. Frémont, Howard Stansbury, and, less known, Alfred Lambourne, a turn-of-the-century artist and western Thoreau who sought solitude and contemplation by building a house on remote Gunnison Island. Also included are selections from more recent writing about the lake, among them pieces by well-known historians Dale Morgan and Brigham Madsen and other essays that look at the varied ways, recreational and economic, that people have used or sought to use the lake. The subjects of the collected pieces range from fantastic stories people tell about this odd inland sea to attempts they have made to exploit it for commercial value; from exploration and emigration to recreation and resorts; from the lake's prehistory to its future, as development and population growth near its shores create conflicting demands and pressures.
From Rocky Mountain National Park in Colorado to the Tallgrass Prairie National Preserve in Kansas, this volume provides a snapshot of the most spectacular and important natural places in the Great Plains and Rocky Mountains. America's Natural Places: Rocky Mountains and Great Plains examines over 50 of the most spectacular and important areas of this region, with each entry describing the importance of the area, the flora and fauna that it supports, threats to the survival of the region, and what is being done to protect it. Organized by state within the volume, this work informs readers about the wide variety of natural areas across the Rocky Mountains and Great Plains and identifies places that may be near them that demonstrate the importance of preserving such regions.
