Interrelated essays by the Nobel Laureate on his adopted home of California, which Lewis Hyde, writing in The Nation, called "remarkable, morally serious and thought-provoking essays, which strive to lay aside the barren categories by which we have understood and judged our state . . . Their subject is the frailty of modern civilization."
Satty began work on a series of San Francisco collages in 1975. From reading historical accounts of the early city, he realized that most of the existing pictorial record, photos and paintings didn't match the colorful literary descriptions of that chaotic era. He decided to graphically re-create the era, to evoke the visual and emotional experiences of the early city in combination with relevant eyewitness accounts. He researched the writings of early immigrants, later residents, and many other writers who visited the famous spectacle of the developing city. Satty created collages until his death in early 1982. As an interested historian, and a friend for ten years, Walter Medeiros had often been closely involved with him, and especially during the last year of his life. Satty discussed the project with him and took pleasure in showing him work in progress. Satty's will left the project to Medeiros.
With a strong social emphasis and succinct narrative, COMPETING VISIONS: A HISTORY OF CALIFORNIA, 2E chronicles the stories of people who have had an impact on the state's history while presenting California as a hub of competing economic, social, and political visions. It highlights the state's cultural diversity and explicitly compares it to other Western states, the nation, and the world--illustrating the national and international significance of California's history. Its chronological organization and thematic approach enables readers to keep track of events and fully understand their significance. Telling the full story, the text concludes by discussing such current events as immigration and demographic changes, the Occupy Movement, energy challenges, and more.
Poetry is a major element in the kaleidoscopic California scene. "(Foley) is doing great things in articulating the poetic consciousness of San Francisco.--Lawrence Ferlinghetti.
Cultural Writing. Art. VISIONS OF PEACE & JUSTICE contains over 500 reproductions of political posters from the archives of Inkworks Press. Inkworks is a worker cooperative-union shop-green business in Berkeley, CA started in 1974. During the 30+ years of Inkwork's history, the shop has functioned as a pillar of the progressive community in the Bay Area providing printing services including discounts and donations to social movements, community groups, and non-profits. This unique position has allowed Inkworks to accumulate a comprehensive and fascinating archive of beautiful political posters that have been printed on its presses compiled for the first time ever in this important historical document. Whether it's the American Indian Movement, Latin American Solidarity campaigns, Women's Liberation, community-based struggles against environmentalracism, the current efforts to end the war in Iraq, or a broad range of other post-1960s US social movements, VISIONS OF PEACE & JUSTICE records it all through the timeless powerful art of the poster. This title also features essays by David Bacon, Lincoln Cushing, Angela Davis, Anuradha Mittal, Carol Wells, and more.
Aleksander Fiut's study of the poetry of Nobel Laureate Czeslaw Milosz is the first comprehensive examination of the artistic and philosophical dimensions of this remarkable oeuvre. The author refutes such easy categorizations of Milosz as "the poet of Poland," "the poet of history," "the poet of the Holocaust." He examines instead such crucial problems as Milosz's search for the essence of human nature, irreducible to historical, social, and biological categories; Milosz's reflection on the erosion of the Christian imagination, which has resulted in a fundamental gap between the individual's inner life and the image of humanity formed by scientific theories; his efforts to rebuild the anthropocentric vision of the world, while acknowledging the elements that have undermined it; and finally, his attempt to recreate in his poetry a language that is both poetic and philosophical. The Eternal Moment originally appeared in Polish in 1987. This version, which quotes extensively from Milosz's Collected Poems, is the first thorough introduction for English-speaking readers to this major poet. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.