A LEGEND IS BORN Years before his Atlantis quest, 17-year-old Conrad Yeats disobeys his father by crossing war-torn Africa in search of the lost "Virgin City" and final resting place of the Queen of Sheba. The legendary queen is said to hide the secret of the ages — and with it the curse that doomed her and all who dare to follow. Compounding the mystery is Conrad’s first sight of the young Serena Serghetti, who has secrets of her own. If he survives this perilous adventure, it could be the making of him — and a whole new legend. See why millions around the world read New York Times bestselling author Thomas Greanias.
Pepper has just moved to the big city and is excited to see how she can build her design business. Everything is going great until she meets the man who moves in across the hall. Suddenly her life is turned upside down by this hometown hero who is anything but perfect.Bear has moved back home in order to train for his last fight. He's spent his entire career focusing on being the best, but the day he sees her across the hall, everything changes. Suddenly the only thing that matters is having her by his side and in his bed. And when that gets threatened, all bets are off.Warning: This rough and tough fighter can only be brought to his knees by one woman...and boy, does she like him on his knees. Cuddle up with this new romance that has more than one virgin inside!
Celebrating the Virgin Mary as both an object of religious affection and a focus of civic pride, artists of fourteenth-century Siena established for their city a vibrant tradition that continued into the early decades of the next century. Such celebratory portraits of the Virgin were also common in Siena's extensive subject territories, the contado. This richly illustrated book explores late medieval Sienese art--how it was created, commissioned, and understood by the citizens of Siena. Examining political, economic, and cultural relations between Siena and the contado, Diana Norman offers a new understanding of Marian art and its political function as an expression of civic ideology. Drawing on extensive unpublished archives, Norman reconstructs the circumstances surrounding the commission of Marian art in the three most prestigious locations of fourteenth-century Siena: the cathedral, the Palazzo Pubblico, and the hospital of Santa Maria della Scala. She analyzes similarly important commissions in the contado towns of Massa Marittima, Montalcino, and Montepulciano. Casting new light on such topics as the original site for the reliquary tomb of Saint Cerbone, patron saint of Massa Marittima, and the identity of the patrons of the Marian frescoes in the rural hermitage of San Leonardo al Lago, the author deepens our insight into the origins and meanings of Sienese art production of the late medieval period.
